724 research outputs found
The invisible artist: Arrangers in popular music (1950-2000): Their contribution and techniques
No full textThis thesis was submitted for the degree of Doctor of Philosophy and was awarded by Brunel University.This thesis is based on the research conducted by the author for the series,
Richard Niles' History of Pop Arranging, seven thirty-minute documentary
programmes for BBC Radio 2, researched, written and presented by the author and
broadcast in 2003. It also draws on interviews conducted by the author (and other
research) between 2002 and 2007 both for the radio series and for this thesis and on
the author's experience as a professional arranger in popular music working with
many of the genre's significant recording artists including Paul McCartney, Ray
Charles, Cher, Tina Turner, Westlife, Tears For Fears, Dusty Springfield, James
Brown, Pet Shop Boys, Kylie Minogue and producers including Trevor Hom, Steve
Lipson, Steve Mac and Steve Anderson.
It will be argued that the role of the arranger in popular music has often been
undervalued and that during a critical period of popular music history (1950-2000)
arrangers played a significant part in the evolution of musical content. This thesis is,
to the best of the author's knowledge, the first time (apart from the above mentioned
documentary) the subject has ever been examined. The arranger is "invisible" because musical arrangers are often un-credited on
record liner notes or in books or articles concerning popular music. A considerable
amount of research has been necessary to determine who wrote many of the
arrangements considered herein. Motown's Berry Gordy purposely kept the names of
musicians and arrangers off the records because he feared others might 'poach' the
trademark 'Motown Sound'. Other record labels considered the job of the arranger to
be reminiscent of an earlier era, diluting the Rock 'n' Roll image of emotion and
spontanaeity they wished to promote. Some producers and recording artists disliked
sharing credit for their work. Motown arranger David Van dePitte told the author that
arranging was "thankless and anonymous - a very service-oriented profession where
others often take credit for what you've done." Arranging has therefore remained an
intrinsically unseen art created by 'invisible' artists. By analyzing many recordings,
revealing the techniques and concepts they have used in their work to create popular
records, arrangers and their art will be made more 'visible'
Understanding economic forecasts
No full textNine articles, originally presented at the Annual Festival of Science at the University of Sheffield in September 1999, explain new developments in economic forecasting. Papers examine how economists forecast (David F. Hendry); economic modeling for fun and profit (Paul Turner); making sense of published economic forecasts (Diane Coyle); forecast uncertainty in economic modeling (Neil R. Ericsson); evaluation of forecasts (Clive W. J. Granger); forecasting and the UK business cycle (Denise R. Osborn, Marianne Sensier, and Paul W. Simpson); modeling and forecasting at the Bank of England (Neal Hatch); forecasting the world economy (Ray Barrell); and the costs of forecast errors (Terence Burns). Hendry is Professor of Economics at Nuffield College, Oxford University. Ericsson is a staff economist at the Division of International Finance, Federal Reserve Board. Author and subject indexes
Understanding economic forecasts
No full textNine articles, originally presented at the Annual Festival of Science at the University of Sheffield in September 1999, explain new developments in economic forecasting. Papers examine how economists forecast (David F. Hendry); economic modeling for fun and profit (Paul Turner); making sense of published economic forecasts (Diane Coyle); forecast uncertainty in economic modeling (Neil R. Ericsson); evaluation of forecasts (Clive W. J. Granger); forecasting and the UK business cycle (Denise R. Osborn, Marianne Sensier, and Paul W. Simpson); modeling and forecasting at the Bank of England (Neal Hatch); forecasting the world economy (Ray Barrell); and the costs of forecast errors (Terence Burns). Hendry is Professor of Economics at Nuffield College, Oxford University. Ericsson is a staff economist at the Division of International Finance, Federal Reserve Board. Author and subject indexes
Discussion of Neil Altman's paper, ‘psychoanalysis and war’
No full textThis paper consists of a discussion of Neil Altman's ‘Psychoanalysis and war’, which was conducted online through PsyBC in the fall of 2006. Discussants were a group of psychoanalytically oriented thinkers chosen by the author and Nancy Hollander, the author of the other paper included in the discussion. The paper represents the full discussion with only minor edits to correct typographical errors and improve clarity
Replication Data for: The Productivity Slowdown in Advanced Economies: Common Shocks or Common Trends?
No full textFernald, John, Robert Inklaar, Dimitrije Ruzic. 2024 “The Productivity Slowdown in Advanced Economies: Common Shocks or Common Trends?” Review of Income and Wealth, forthcoming, DOI: 10.1111/roiw.1269
Solid state physics [by] Neil W. Ashcroft [and] N. David Mermin.
No full textIncludes bibliographical references.xxi, 826 p.
Citizen participation in news
No full textThe process of producing news has changed significantly due to the advent of the Web, which has enabled the increasing involvement of citizens in news production. This trend has been given many names, including participatory journalism, produsage, and crowd-sourced journalism, but these terms are ambiguous and have been applied inconsistently, making comparison of news systems difficult. In particular, it is problematic to distinguish the levels of citizen involvement, and therefore the extent to which news production has genuinely been opened up. In this paper we perform an analysis of 32 online news systems, comparing them in terms of how much power they give to citizens at each stage of the news production process. Our analysis reveals a diverse landscape of news systems and shows that they defy simplistic categorisation, but it also provides the means to compare different approaches in a systematic and meaningful way. We combine this with four case studies of individual stories to explore the ways that news stories can move and evolve across this landscape. Our conclusions are that online news systems are complex and interdependent, and that most do not involve citizens to the extent that the terms used to describe them imply
"Coordinating Regional Policy in the EU"
No full text[From the Introduction]. EU regional policy is an instrument to promote development in economically weaker areas of Europe as well as to facilitate integration and ensure the success of the single market (European Commission, 2003). The territorial nature of EU regional policy demands complex coordination among various levels of government as well as across several policy sectors. Coordination, however, is often unsuccessful. Vertical coordination, inherently necessary for regional policy, is often precluded due to power struggles among supranational, national and regional governments. Likewise, conflicting policy goals and competing interests across policy sectors curtails the achievement of cross-sectoral coordination. Challenges to cross-sectoral coordination often arise since regional policy, based upon redistribution and Keynesian economics, has found itself at odds with underlying principles of the EU, namely neo-liberalism and free market competition
Optimal three-dimensional path planning using visibility constraints
No full textDistinguished Alumni Award Program author. Rear Admiral David H. Lewis, U.S. Navy, Commander, Space and Naval Warfare Systems Command (SPAWAR). (Presented 25 March 2015)We present an algorithm for finding optimal three- dimensional paths above polyhedral models of terrain. Airspace is modeled as irregularly-shaped regions of
homogeneous probability-of-detection, with respect to one or more fixed observers. We plan paths by first finding an optimal set of contiguous visibility regions, then an optimal piecewise-linear flight path through this envelope, using Snell's Law to find locally-optimal maneuver points. The performance of our region-finding algorithm favorably compares with an alternate approach using regular cubic regions.http://archive.org/details/optimalthreedime109452333
Music for classical guitar by South African composers : a historical survey, notes on selected works and a general catalogue
No full textIncludes abstract.Includes bibliographical references (leaves 296-309).This is the first comprehensive investigation of music for, or including, the classical guitar by South African composers. The focus of this research has been, firstly, to uncover as much of the repertoire as possible, and, secondly, to collate, study, catalogue and report on the information. A brief historical survey of the guitar in South Africa provides the context within which this study was conducted. The primary sources of quantitative data collection were through the archival catalogues of the South African Music Rights Organisation and through personal contact with guitarists, composers and guitar teachers. Other sources consulted were publishers, broadcasting corporations, recording companies, libraries and the internet. The body of the dissertation comprises biographical sketches, background notes, analyses and technical notes on 17 selected solo and chamber works dating from 1947 to 2007 by some of South Africa's most prominent composers and guitaristcomposers. The repertoire ranges in style from the traditional and ethnically inspired to the experimental and abstract. As this is an empirical survey, each selected entry includes details on instrumentation, duration, level of difficulty, number of pages, scordatura, commissions or requests, sources or publishers, premières and recordings. A biography of each composer is provided as well as background notes which offer an overview of the selected work. The notes discuss historical, cultural, musical and extra-musical influences, and frequently include references to interview material. The commentaries on the selected works, with musical examples, include an analytical component describing structure, form, stylistic and compositional elements, while the technical observations include performance suggestions and a grading for each work
- …
