1,721,115 research outputs found
Hausdurchsuchung: Literaturessay zu "Das verfallene Haus des Islam: Die religiösen Ursachen von Unfreiheit, Stagnation und Gewalt" von Ruud Koopmans
Full text linkRuud Koopmans: Das verfallene Haus des Islam - Die religiösen Ursachen von Unfreiheit, Stagnation und Gewalt. München: C.H. Beck 2020. 978-3-406-74924-
Weder Bilanz noch Vorschlag: Rezension zu "Die Asyllotterie: Eine Bilanz der Flüchtlingspolitik von 2015 bis zum Ukraine-Krieg" von Ruud Koopmans
Full text linkRuud Koopmans: Die Asyl-Lotterie - Eine Bilanz der Flüchtlingspolitik von 2015 bis zum Ukraine-Krieg. München: C.H. Beck 2023. 978-3-406-79738-
Commentary on Dimitry Kochenov, “Citizenship” (MIT Press 2019),“Are Citizenship Regimes Totalitarian?”
No full textIs citizenship really about liberalism, equality, and justice for all, or in fact about hypocrisy, domination, and chauvinism? Please join us to discuss how dark is "the dark side of citizenship" following the newly-released book, Citizenship (MIT Press, 2019)
Presented by Dimitry Kochenov (University of Groningen)
Discussants:
Christian Joppke (University of Bern)
Ruud Koopmans (WZB Berlin)
Yasemin Soysal (University of Essex)
Chair: Ashley Mantha-Hollands (WZB Berlin
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Book Review of Transnational Civil Society: An Introduction and Contested Citizenship: Immigration and Cultural Diversity in Europe
Full text linkThe article reviews two books about civil society and citizenship, including Transnational Civil Society: An Introduction, edited by Srilatha Batliwala and L. David Brown and Contested Citizenship: Immigration and Cultural Diversity in Europe, by Ruud Koopmans, Paul Statham, Marco Giungi and Florence Passy
Gewalt im Namen der Götter? Gewaltlegitimierende Verse in religiösen Schriften steigern die Unterstützung für tödliche religiöse Gewalt
No full textReligiös-fundamentalistische Einstellungen werden häufig als ein wichtiger Erklärungsfaktor für extremistische Gewalt betrachtet. Empirische Belege sind aber rar. Um die Rolle gewaltlegitimierender Schriftverse zu untersuchen, haben die WZB-Forscher Ruud Koopmans und Eylem Kanol ein Umfrageexperiment unter gut 8.000 christlichen, muslimischen und jüdischen Befragten in sieben Ländern durchgeführt
Fondamentalisme religieux en Europe
No full textSur le site de WZB Berlin Social Science Center, les résultats d'une enquête de Ruud Koopmans sur Fundamentalism and out-group hostility: Muslim immigrants and Christian natives in Western Europe. L'enquête a été menée dans 6 pays d'Europe (Allemagne, Autriche, Belgique, France, Pays-Bas, Suède) auprès d'immigrants turcs et marocains ainsi que d'autochtones (Six Country Immigrant Integration Comparative Survey)
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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