295 research outputs found

    Theology in suspense : how the detective fiction of P.D. James provokes theological thought

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    Electronic redacted version excludes material for which permission has not been granted by the rights holderThe following dissertation argues that the detective fiction of P.D. James provokes her readers to think theologically. I present evidence from the body of James’s work, including her detective fiction that features the Detective Adam Dalgliesh, as well as her other novels, autobiography, and non-fiction work. I also present a brief history of detective fiction. This history provides the reader with a better understanding of how P.D James is influenced by the detective genre as well as how she stands apart from the genre’s traditions. This dissertation relies on an interview that I conducted with P.D. James in November, 2008. During the interview, I asked James how Christianity has influenced her detective fiction and her responses greatly contribute to this dissertation. However, James’s novels should be interpreted and explored in the manner that they are received by the reader. How the reader receives and responds to the novels, not only how James writes the novels, is what causes her stories to provoke theological thinking. By examining Christian symbolism that is present in setting, character, the Detective Adam Dalgliesh, and plot, this dissertation seeks to assert that James contributes to a theological conversation through her popular detective fiction

    Banquet Keynote: Dorothy L. Sayers and the Wages of Cinema

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    Awards, Recognitions, Keynote Dorothy L. Sayers and the Wages of Cinema - Crystal Downing Biographers have long assessed Sayers’s concern with the wages of sin. None, however, discuss how wages from cinema shaped her response to sin. This lecture, based on archival research at the Marion E. Wade Center in Wheaton, Illinois, offers a whole new way to think about the montage of Sayers’s life. Employing images from the history of both Sayers and cinema, it demonstrates how moving images moved Sayers, transforming her from detective fiction author to one of the most important influences on the spiritual life of C. S. Lewis

    Leadership as Experts by Experience in Professional Education

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    Purpose: This paper shares the learning from a new course to explore and develop leadership by experts by experience involved in health and social care education provision, research and policy. Method: A Knowledge Café approach was used to provide opportunities for participants to explore and reflect together on shared experiences of what it means to be an expert by experience, and the extent to which the role can be understood in terms of grounded concepts of ‘leadership’. Findings: The paper discusses how involvement as a service user emerged out of a personal drive to challenge and change appalling experiences of health and social care services. The paper goes on to illustrate this dynamic concept of leadership; the importance of networking with other users and carers, and, skills in enabling professionals to change. Argument and Conclusion: ‘Professional leadership’ is one of the domains of the UK Professional Capabilities Framework for social work defined as facilitated learning to include service users, carers and others involved.The call for a learning culture is not new and its application in complex practice and crisis points remains a current challenge. In contrast, the concept of Leadership discussed in this paper is grounded in experience and resonates with aspects of contemporary ethical, distributed and complex models of leadership but extends beyond organisations. Finally the paper raises the issue of learning opportunities available to experts by experience and the responsibilities for higher education and service providers to strengthen and support people in this complex role

    ArtScapers: being and becoming creative

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    This book tells the story of ArtScapers, an Art-in-Education programme as part of the University of Cambridge's North West Cambridge Development. Written as a collaboration between the projects art education consultant Esther Sayers, project manager Ruth Sapsed, Head teacher Paul Ayliffe and Academic David Whitley with Susanne Jasilek, Filipa Pereira-Stubbs, Caroline Wendling and the children and community of Mayfield Primary School, Cambridge; this publication is an account of the impact of the ArtScapers programme on the community linked to Mayfield Primary School. "An inspiring story, beautifully told –– of how children are wondernauts; of how art and making can change minds and lift hearts; of how using the outdoors as a classroom can transform learning, and bring joy and hope. It's a chronicle of the ongoing, unfurling adventures of the imagination in one place, with one group, which ripples outwards in powerful ways." Rob Macfarlane, writer and CCI Patro

    Concurrent Paper Session 2A: The Theological Imagination of Sayers

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    \u27Christ Walks the World Again\u27: The Image of Christ in Sayers\u27s Catholic Tales - Barbara Prescott As a Christian apologist, Dorothy L. Sayers is little appreciated as religious poet. Yet in her early years, Sayers considered herself first and foremost a poet, and a large portion of this poetry was an expression of Christian romanticism in myth and legend. In her twenties, Sayers published a collection of poems in sonnet and ballad structure which reflect and interpret the heroic roles of Jesus the Christ. Within this small book, Catholic Tales and Christian Songs (1918), we are given a glimpse of those imaginative, unusual, and unfamiliar images of Jesus Christ. We are given the varied faces of Christ as a legendary folk and mythic Hero. Sources include the published version of the text, earlier manuscript of the book, as well as Dorothy L. Sayers’s notes and unpublished letters from the archives of the Marion E. Wade Center in Wheaton, IL. The First and Second Wave of Dorothy L. Sayers - Hannah Stumpf Snyder Reading Lewis Reading Sayers - Alan Snyder While Dorothy L. Sayers was not an official Inkling, she was of the same spirit, having an Oxford degree, contributing an essay to the volume commemorating Charles Williams, and carrying on a personal correspondence with C. S. Lewis. Although Lewis had no interest in detective stories, in which Sayers made her name as an author, he nevertheless developed a great love of some of her other works: The Man Born to Be King, The Mind of the Maker, and her translation of Dante, in particular. What was it about those writings and Sayers herself that Lewis appreciated? This paper will examine his perspective on Sayers via both their personal correspondence and his writings to others about her and her works. In addition, I will compare my own perspective on Sayers’s writings with Lewis’s. The Theological Aesthetics of Dorothy L. Sayers as Interpretive Key to the Fantasy Worlds of Lewis and Tolkien - Gary L. Tandy In The Mind of the Maker, Dorothy L. Sayers suggests that all artistic creations are threefold. Specifically, all creative works contain the Creative Idea (the image of the Father), the Creative Energy (the image of the Word), and the Creative Power (the image of the indwelling Spirit). Throughout her book, Sayers applies her theory to various literary artists and works, demonstrating how a Trinitarian view of the creative or faithful imagination helps explain their artistic successes or failings. I aim to explore how applying Sayers’s theory may open new avenues of understanding and appreciation for Lewis’s The Chronicles of Narnia and Tolkien’s The Lord of the Rings. Among other observations, I will suggest that Sayers’s theories are especially appropriate windows into the works of fantasy writers or world builders like Lewis and Tolkien, for in their efforts to craft worlds outside our earthly experience, we can see clearly how these authors became the gods of their own creations. In the process, I also hope to demonstrate that Sayers provides a useful “theological aesthetic” for Christian readers and literary critics—the kind David Lyle Jeffrey and Gregory Maillet call for in their Christianity and Literature: Philosophical Foundations and Critical Practice (2011)

    An Introductory Paper on Dorothy Sayers

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    Considers Sayers as the Inkling-related author who best articulates the theme of man as sub-creator. Finds this theme manifest in the Lord Peter Wimsey novels—the criminal plotting the crime and the detective re-creating it are both practicing sub-creativity—as well as more explicitly in her religious plays. Also discusses the themes of academic and intellectual honesty essential to the novel Gaudy Night. This work is licensed under CC BY-NC-ND 4.

    Books, Theology, and Hens: the Correspondence and Friendship of C. S. Lewis and Dorothy L. Sayers

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    That Lewis and Sayers had much in common and that their lives intersected in a number of interesting ways throughout their careers is common knowledge for even the casual follower of either author. What does not seem to have been appreciated or explained sufficiently in the scholarship to date is the nature of the friendship between these two influential Christian authors. Therefore, it is this friendship we wish to shed light on, using as our primary source the correspondence between Lewis and Sayers from 1942-1957. In addition, we look at what the biographers of each author have to say about their relationship

    Supplementary_table_S1 – Supplemental material for A worked example of initial theory-building: PARTNERS2 collaborative care for people who have experienced psychosis in England

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    Supplemental material, Supplementary_table_S1 for A worked example of initial theory-building: PARTNERS2 collaborative care for people who have experienced psychosis in England by Ruth Gwernan-Jones, Nicky Britten, Jon Allard, Elina Baker, Laura Gill, Helen Lloyd, Tim Rawcliffe, Ruth Sayers, Humera Plappert, John Gibson, Michael Clark, Maximillian Birchwood, Vanessa Pinfold, Siobhan Reilly, Linda Gask and Richard Byng in Evaluation</p

    The apologetic value of theological truth through story and pattern in the works of Dorothy L. Sayers

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    This thesis sets out to understand the theological method of Dorothy L. Sayers, a complex woman of letters. The preeminent argument is that a new and helpful paradigm for understanding Sayers' work and evaluating her contribution to Christian apologetics is her emphasis on accessing and expressing theological 'truth', through 'story' and 'pattern'. Sayers consistently explored theological truths in the context of dramatic narratives and orderly systems. The primary research methodology is to find, read and use Sayers' own letters as the principal sources to shed light on her published work. The thesis seeks to show that recognising Sayers' passion for truth, through story and pattern makes a significant contribution towards understanding her canon as a unity. The thesis differs in perspective in this regard from other Sayers scholarship, which has placed emphasis on other particular theological motifs or literary points in her career as an author. Furthermore, this thesis will differ from other theological analyses of Sayers' work in that it engages with the full diversity of genres in Sayers' canon and does so from a rigorous theological perspective rather than by taking a biographical approach. This thesis contributes to current theological understanding by bringing the work of a significant lay female Christian thinker of the twentieth century to the attention of scholarship. Sayers' work has continuing resonance for contemporary theologians who are interested in the role of narrative, drama and analogy in theology, and in the creative communication of theological ideas.</p

    Dorothy and Jack the transforming friendship of Dorothy L. Sayers and C.S. Lewis

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    "Author unpacks the intriguing friendship of C. S. Lewis and Dorothy Sayers, examining how it pushed them both to grow in their faith and to explore new facets of their creativity"-
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