1,720,992 research outputs found
Fox jumped up on a moonlight night Prayed the moon to afford him light
No full textvoiceand Helen McAllister For Mary Celestia Parler
Collected by Sue Holley
Sung by Mrs. Ruth Holt Payne Lincoln, Arkansas July 16, 1959
Transcribed by Sue Holley
Reel 289, Item 1
and Helen McAllister
The Fox
Fox jumped up on a moonlight night
Prayed the moon to afford him light
Had many miles to travel that night
Before he reached the town oh, town oh, town oh
Had many miles to travel that night
Before he reached the town oh.
At length he reached the farmer's yard Where ducks and geese were all afeared Says one of you shall grease my beard Before I leave the town oh, town oh, town oh Says one of you shall grease my beard Before I leave the town oh.
Seized the old black duck by the neck
Threw her over across his back
Made the old duck go quack, quack, quack
While the legs went dangling down oh, down oh, down oh
Made the old duck go quack, quack, quack
While the legs went dangling down oh.
Old mother widdle waddle jumped out of bed
Out of the window she popped her old head
John, John, John the black duck's gone
The fox's been through the town oh, town oh, town oh
John, John, John the black duck's gone
Fox's been through the town oh.
John went up and into the hills
Where he blew his horn both loud of shrill
"Hark Hark," said the fox, "Ah, music still
But I got safe through the town oh, town oh, town oh"
"Hark Hark," said the fox, "Ah, music still
But I got safe through the town oh."Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Froggie went a-courtin, he did ride, la hum
No full textvoiceCollected by Sue Holley and
Sung by Mrs. Ruth Holt Payne Lincoln, Arkansas July 29, 1959
Helen McAllister For Mary Celestia Parler Transcribed by Sue Holley and
Helen McAllister
Reel 290, Item 2
Froggie Went A-Courtin
Froggie went a-courtin, he did ride, la hum Froggie went a-courtin, he did ride, la hum Sword and pistol by his side, la hum.
He took Miss Mousie upon his knees, la hum He took Miss Mousie upon his knees, la hum He said Miss Mousie will you marry me, la hum.
Oh, where will the wedding supper be, la hum Oh, where will the wedding supper be, la hum A way down yonder in a hollow tree, la hum.
First came in was old Miss Moth, la hum First came in was old Miss Moth, la hum She laid down the table cloth, la hum.
Next came in was old Miss Horse, la hum Next came in was old Miss Horse, la hum She laid down the knives and forks, la hum.
Next came in was a bumble bee, la hum
Next came in was a bumble bee, la hum
With his fiddle on his knee, la hum.
Next came in was a little flea, la hum
Next came in was a little flea, la hum
Danced a jig with the bumble bee, la hum.
Next came in was a big black bug, la hum
Next came in was a big black bug, la hum
He crawled round the whiskey jug, la hum.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Miss, will you accept a paper of pins
No full textvoiceCollected by Helen McAllister
Sung by Mrs. Ruth Holt Payne Lincoln, Arkansas July 29, 1959
and Sue Holley For Mary Celestia Parler Transcribed by Helen McAllister
and Sue Holley
Reel 290, Item 1
Paper of Pins
Miss, will you accept a paper of pins This is the way our love begins If you will marry me, me, me If you will marry me, me, me.
No, I won’t accept a paper of pins This is not the way our love begins And I won’t marry you, you, you And I won’t marry you, you, you.
Miss, will you accept a dress of red Stitched all around with a golden thread If you will marry me, me, me If you will marry me, me, me.
No, I won’t accept a dress of red Stitched all around with a golden thread And I won't marry you, you, you And I won't marry you, you, you.
Miss, will you accept a dress of green That you might be my lovely queen If you will marry me, me, me If you will marry me, me, me.
No, I won't accept a dress of green And I won't be your lovely queen And I won't marry you, you, you And I won't marry you, you, you.
Miss, will you accept a little lap dog To go with you when you go abroad If you will marry me, me, me If you will marry me, me, me.
No, I won't accept a little lap dog To go with me when I go abroad And I won't marry you, you, you And I won't marry you, you, you.
(Cont'd)Paper of Pins Reel 290, Item Continued
Miss, will you accept a coach of six Horses just as black as pitch If you will marry me, me, me If you will marry me, me, me.
No, I won't accept a coach of six Horses just as black as pitch And I won't marry you, you, you And I won't marry you, you, you.
Miss, will you accept a key to the chest That you will have money at your request If you will marry me, me, me If you will marry me, me, me.
Yes, I will accept a key to the chest I may have money at my request And I will marry you, you, you And I will marry you, you, you.
No, young miss that's enough You're not worth a pinch of snuff And I'll not marry you, you, you And you'll not marry me.Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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