2,224 research outputs found
Comunidad y afectos en el documental biográfico lesbiano afroamericano Living with Pride : Ruth C. Ellis @ 100 (1999)
No full textEl activismo lesbiano de Ruth C. Ellis tuvo una valiosa repercusión en la comunidad afroamericana, que se extiende hasta nuestros días a través del Ruth C. Ellis Center, que procura cobijo y oportunidades para la comunidad negra adolescente LGTBIQ+. A pesar de su dilatada trayectoria y efectos colectivos, la figura de Ruth C. Ellis había quedado ensombrecida por el discurso hegemónico. El documental biográfico realizado de manera independiente por Yvonne Welbon (1999) consigue recoger las experiencias y actuaciones de Ellis para trasladar su legado a la cultura popular en un compartir colectivo que honra la inmensa labor de hospitalidad, entendida en términos de resistencia y transformación social, de esta memorable activista.L'activisme lesbia de Ruth C. Ellis va tenir una valuosa repercussió en la comunitat afroamericana, que s' estén fins als nostres dies a través del Ruth C. Ellis Center, que dona recer i oportunitats a la comunitat negra adolescent LGTBIQ+. Malgrat la seva dilatada trajectória i les seves aportacions a la col-lectivitat, la figura de Ruth C. Ellis havia quedat aombrada pe! discurs hegemónic. El documental biografic realitzat de manera independent per Yvonne Welbon (1999) recull les experiencies i actuacions d'Ellis per traslladar el seu llegat a la cultura popular, en un compartir col-lectiu que honra la immensa labor d'hospitalitat, entesa en termes de resistencia i transformació social, d' aquesta memorable activista.The lesbian activism of Ruth C. Ellis hada valuable impact on the Afroamerican community, an impact which continues today through the Ruth C. Ellis Center, as it fights to procure shelter and opportunities for the Black adolescent LGTBIQ+ community. Despite her lengthy trajectory and collective outcomes of her work, the figure of Ruth C. Ellis was overshadowed by hegemonic discourse. The independent biographical documentary by Yvonne Welbon (1999) succeeded in gathering Ellis's experiences and actions and presenting her legacy to popular culture in a collective sharing that honours the immense labor of hospitality, as understood in terms of resistance and social transformation, of this memorable ac tivist
Competition policy. by Brian Ellis
No full texttag=1 data=Competition policy. by Brian Ellis
tag=2 data=Ellis, Brian
tag=3 data=Australian Rationalist,
tag=5 data=46
tag=6 data=Autumn/Winter 1998
tag=7 data=51-56.
tag=8 data=ECONOMIC CONDITIONS
tag=9 data=COMPETITION%CORPORATISATION%NATIONAL COMPETITION POLICY%PRIVATE SECTOR PUBLIC SECTOR EFFECTIVENESS%SERVICE DELIVERY%SOCIAL POLICY%INNOVATION
tag=10 data=Examines the Government's National Competition Policy in relation to encouraging R&D, and the corporisation of public services and utilites. The author is Emeritus Professor of Philosophy at La Trobe UNiversity and Vice-President of the Rationalist Society of Australia. Article Taken from What's New.
tag=13 data=CABExamines the Government's National Competition Policy in relation to encouraging R&D, and the corporisation of public services and utilites. The author is Emeritus Professor of Philosophy at La Trobe UNiversity and Vice-President of the Rationalist Society of Australia. Article Taken from What's New
Amon Carter Museum of Western Art; Mrs. Ruth Koerner Oliver of Santa Barbara, California with L. Tuffly Ellis
No full textMrs. Ruth Koerner Oliver of Santa Barbara, California, discusses a western painting by her father, the later W. H. D. Koerner, with L. Tuffly Ellis, assistant director of the Texas State Historical Association, Austin, at an opening of an exhibition of Koerner\u27s works in Amon Carter Museum. Fort Worth Star-Telegram Morning edition January 24, 1969.https://mavmatrix.uta.edu/specialcollections_startelegram1960s/5858/thumbnail.jp
An Interview Regarding Enactivism
No full textPreview:
Ralph D. Ellis interviewed by Samuel Maruszewski / Ralph D. Ellis, one of the strongest advocates of the enactivist approach to consciousness and cognitive theory, began his academic career as a phenomenologist, earning the Ph.D. at Duquesne University under Andre Schuwer, John Sallis and Amedeo Giorgi, and has taught at Clark Atlanta University since 1985. He subsequently received a post-doctoral M.S. in Public Affairs at Georgia State University, and worked also as a social worker in both Pittsburgh and Atlanta. Partly as a result of those experiences, as well as being a life-long practitioner of Gene Gendlin’s focusing method, he gravitated toward emotion research and the intersection of philosophy, psychology and the brain sciences from the enactivist perspective, arguing that action, as opposed to mere reaction, has to be emotionally motivated, and that the understanding of all modalities of consciousness should include that perspective. The author of many books and articles on these topics, he is interested in integrating the social sciences with phenomenology, ethics, and philosophy of mind. He is now trying to integrate enactive consciousness theory with moral and social philosophy, with relevance to our current world-wide crisis of internet disinformation. The Moral Psychology of Internal Conflict (Cambridge University Press 2018) is an attempted beginning in that direction. His latest book, Action, Embodied Mind, and Life-World (SUNY Press 2022) is a continuation of that project. His various books in these areas are listed at the Ralph D. Ellis page of Amazon.com
Autographed photo of Michael E. DeBakey
No full textJohn Alderman, Ruth Etting's stepson, donated these photographs to the Ruth Etting Collection in response to a request from John Moran, the compiler of the collection.Photograph of Michael DeBakey, famous heart surgeon, inscribed 'To Mrs. Ruth Etting Alderman Best wishes Michael E. DeBake
Affect, Albert Ellis, and Rational-Emotive Therapy
No full textThe theme is advanced that affect is an integral component of the Rational-Emotive Therapy model. The affective aspect of the model is reviewed in terms of theoretical constructs and therapeutic techniques. Several references to author-observed interactions of Albert Ellis are made and the life-style of Albert Ellis is described to permit inferences regarding the role of affect.Le thème mis en avant dans cette étude est que le domaine affectif est une partie composante du modèle de la Thérapie Rationnelle-Emotive. L\u27auteur examine l\u27aspect affect if du modèle en ce qui concerne les concepts théoriques et les techniques thérapeutiques. Plusieurs références aux interactions d\u27Albert Ellis observées par l\u27auteur sont faites et la manière de vivre d\u27Albert Ellis est décrite afin de permettre des inferences concernant le rôle de l\u27affection
Billy in the low ground
No full textfiddles; guitarsCollected by Ruth N. Blythe Richard Blythe, fiddle
For Mary C. Parler Marvin Wilson, Guitar
Greenville, Texas c. 1946
Reel 391, Items 1 — 9
The items on this reel were dubbed by Mrs. Blythe from records made by her husband, Richard Blythe, and Marvin Wilson.
Item 1. Ragtime Annie (Key of G).
2. Flop Eared Mule.
3. The Arkansas Traveller (Key of D).
4. Soldier's Joy.
5. Soldier's Joy (Key of D).
6. Sally Johnson (Key of G).
7. Billy in the low Ground (Key of C).
The remaining items on this reel were dubbed from records made in Texas at the same time as the above.
Item 8.. Just Because. Played on two guitars and a mandolin by Burl Horton, Raymond Blythe, and a man named Ben, Greenville, Texas 1946
9. Lindsay Waltz. Ellis Lindsay, Greenville, Texas, 1946.
(Ellis Lindsay said that he composed this fiddle piece.)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Sally Johnson
No full textfiddles; guitarsCollected by Ruth N. Blythe Richard Blythe, fiddle
For Mary C. Parler Marvin Wilson, Guitar
Greenville, Texas c. 1946
Reel 391, Items 1 — 9
The items on this reel were dubbed by Mrs. Blythe from records made by her husband, Richard Blythe, and Marvin Wilson.
Item 1. Ragtime Annie (Key of G).
2. Flop Eared Mule.
3. The Arkansas Traveller (Key of D).
4. Soldier's Joy.
5. Soldier's Joy (Key of D).
6. Sally Johnson (Key of G).
7. Billy in the low Ground (Key of C).
The remaining items on this reel were dubbed from records made in Texas at the same time as the above.
Item 8.. Just Because. Played on two guitars and a mandolin by Burl Horton, Raymond Blythe, and a man named Ben, Greenville, Texas 1946
9. Lindsay Waltz. Ellis Lindsay, Greenville, Texas, 1946.
(Ellis Lindsay said that he composed this fiddle piece.)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
Ragtime Annie
No full textfiddles; guitarsCollected by Ruth N. Blythe Richard Blythe, fiddle
For Mary C. Parler Marvin Wilson, Guitar
Greenville, Texas c. 1946
Reel 391, Items 1 — 9
The items on this reel were dubbed by Mrs. Blythe from records made by her husband, Richard Blythe, and Marvin Wilson.
Item 1. Ragtime Annie (Key of G).
2. Flop Eared Mule.
3. The Arkansas Traveller (Key of D).
4. Soldier's Joy.
5. Soldier's Joy (Key of D).
6. Sally Johnson (Key of G).
7. Billy in the low Ground (Key of C).
The remaining items on this reel were dubbed from records made in Texas at the same time as the above.
Item 8.. Just Because. Played on two guitars and a mandolin by Burl Horton, Raymond Blythe, and a man named Ben, Greenville, Texas 1946
9. Lindsay Waltz. Ellis Lindsay, Greenville, Texas, 1946.
(Ellis Lindsay said that he composed this fiddle piece.)Funding for digitization provided by the Arkansas Humanities Council and the Happy Hollow Foundation
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