5,295 research outputs found
NOTA A POSTHOMERICA V 80-85
No full textThis contribution suggests an amendment to QS v 83, where it is considered necessary
to correct a[llo~ to a[lla~. This correction, supported by comparison with other storm
scenes in the epics, helps to clarify the meaning of the passage
ALCUNE CONSIDERAZIONI SULLA COSIDDETTA LEX ZIELIŃSKI E SULLA GENESI DELL’ODISSEA
No full textThe article traces the story of the so-called Lex Zieliński, according to which
Homer is incapable of dealing with contemporary events at the same time and
must therefore narrate them one by one. It examines the different interpretations
of the law and the objections raised by various scholars in the last century, highlighting, however, that in some cases the theories of the Polish scholar are the only
convincing way to explain some passages (few, but still present) of the Iliad and
the Odyssey, which if understood according to modern narrative logic would be
incomprehensible. Zieliński’s studies, therefore, at least in their original form, free
of subsequent additions and modifications, help to highlight a peculiarity of the
Homeric narrative
Sul testo del settimo libro di Quinto Smirneo
Get PDFThis paper aims to examine the text of the seventh book of Quintus Smyrnaeus’ Posthomerica, the object of a recent commentary by G. P. Tsomis. Particular attention will be paid to problems concerning textual criticism and exegesis, contained in the book, which recounts the events connected with Neoptolemus’ intervention in the Trojan War. An issue concerning the narrative structure and technique will also be addressed: the poet appears to intentionally imitate Homer not only from a linguistic and lexical point of view, but also in the handling of contemporary events, in which connection Zielinski’s law may be seen as applying to Quintus’ work
Recensione di G. P. Tsomis, Quintus Smyrnaeus. Kommentar zum siebten Buch der Post-homerica, Franz Steiner, Stuttgart 2018, pp. 454.
No full textGeorgios T (somis )'s commentary on Book VII of the Posthomericas constitutes a significant, clear and complete aid for readers and scholars of Quintus of Smyrna. The commentary is preceded by an introduction that places VII in the general context of the work and provides some information on the story of the protagonist of this section of the Posthomerica. The comment is divided into several parts that follow the course of the plot: each of them is introduced by narrative-logical premises, followed by a detailed analysis of the text, word by word
De nova Philostrati editione a Rudolpho Stefec parata disputatiuncula
No full textThe contribution is a study on the tradition and text of Philostratus’ Vitae Sophistarum based on the recent edition of Stefec. This edition profits from the advancements of the last two centuries both in the field of textual criticism and in that of palaeography, since until now the reference text had been the one established by Kayser in his
three editions (1838; 1844; 1870-71), which however had been conducted with pre-Lachmannian criteria. In the first part of the contribution we retrace the process that led the publisher to reconstruct the relationships between the manuscripts and to reconfigure the codices into two families, instead of three: the publisher shows that those that according to Kayser were part of the second (A, Ma, R, O, Pb, He, Ha) and of the third family (P, G, Pe, N, La, Pa, Pc, Pb) actually belong to two branches of the same family, the second, whose stemma codicum is elaborated by Stefec in gradual stages in which he identifies and takes into account also the cases of contamination. Stefec’s studies on the manuscript tradition of Philostratus led the publisher to make, from an ecdotic point of view, quite different choices from his predecessors. The discussion of these choices is the subject of the second part of this article. The appendix contains a list of the passages in which Kayser and Stefec’s edd. differ
Sul secondo libro di Quinto Smirneo (alla luce di un recente commento)
Get PDFThis paper aims to examine some textual problems in the second book of Quintus of Smyrna’s Posthomerica, taking the cue from the recent commentary of Alessia Ferreccio. In the first part some assumptions of Ferreccio’s work are discussed, while in the second part other passages are taken into account
Estudio del desarrollo de la habilidad de revisión ortográfica: nuevo instrumento de evaluación
No full textEn el ámbito de la comunicación social, los carteles tendrían la función de regular el comportamiento humano, las informaciones podrían resultar ambiguas y despistar debido a la presencia de faltas ortográficas. El trabajo de investigación concierne al estudio de las estrategias interpretativas, es decir, cómo el sujeto comprende el significado y de qué manera corrige los errores, para determinar cuándo inicia el procedimiento de corrección ortográfica espontáneo, cuáles son las faltas de ortografía más difíciles de corregir, y las diferencias de ejecución entre los sujetos con desarrollo normal, con trastornos de aprendizaje y de origen extranjero
Stages for the More Sustainable Farm
Get PDFCurrently, agricultural farm units are faced with a double and most times contradictory challenge, in order to be successful: on the one hand the invested capital has to be profitable and the economic performance has to be maximised. On the other hand, given the socio-environmental situation, it is necessary to preserve and to protect the environment and natural resources. Given the potential conflict of the two aims, since the satisfaction of one implies the underperformance of the other (and vice versa), the question then is: which is the solution to choose? We intend, in this work, to formulate a farm plan with the purpose of reconciling the criteria of environmental sustainability with that of economic competitiveness. For this achievement we proceed to the comparative study of sustainability of different groups of farms identified in the study area (first evaluation cycle) through MESMIS (“Marco para la Evaluación de Sistemas de Manejo de Recursos Naturales Mediante Indicadores de Sustentabilidad” - Framework for Evaluation of Natural-Resource Systems Handling through Sustainability Indicators) methodology, that allowed to select the more sustainable group of farms. Based on the found potentialities and weakness on these production systems, we stepped to the planning of a production unit of bovine meat, which obeys simultaneously to economic and environmental objectives, using Multicriteria Decision. We finished the work with the sustainability evaluation between groups of farms identified previously and the planned farms (second evaluation cycle), based, again, in the MESMIS methodology, to confirm (or not) the greatest sustainability of the last ones. Analyses of the results allow us to confirm the greatest relative sustainability of the planned farm, for the diverse traced scenarios.Decision taking, planning, sustainability, Environmental Economics and Policy, Farm Management,
Parole d'artiste : Marta Cuscunà
No full textInternational audienceModeration of the interview with Marta Cuscunà, an Italian performer, director, puppeteer and author. In 2009, she was awarded the Premio Scenario per Ustica for E bello vivere liberi!, first show of a trilogy on female resistance, followed by La semplicità ingannata (2012) and Sorry, boys (2015). These three texts are published in Resistenze femminili (Udine: Forum, 2019). In 2018 she created Il canto della caduta. Earthbound (2021) is her last devised show, which brings in the themes of ecofeminism, taking cues from the theories of Donna Haraway and Bruno Latour. In 2021 she became associate artist at the Piccolo Teatro in Milan. In 2023, she is guest of honor at the 11th Biennale internationale des arts de la marionette in Paris. She was awarded the prizes Rete Critica (2017), Premio della Critica – ANCT (2018) and Premio Hystrio - Altre Muse (2019).Animation de la discussion avec Marta Cuscunà, performeuse, metteuse en scène, marionnettiste et autrice italienne. En 2009, elle a remporté le prix Premio Scenario per Ustica pour È bello vivere liberi !, premier spectacle d’une trilogie sur les résistances féminines, suivi par La semplicità ingannata (2012) et Sorry, boys (2015). Ces trois textes ont été réunis dans Resistenze femminili (Udine : Forum, 2019). En 2018, elle a créé Il canto della caduta. Son dernier spectacle, Earthbound (2021), traite de l’écoféminisme en s’inspirant des théories de Donna Haraway et de Bruno Latour. En 2021, elle devient artiste associée au Piccolo Teatro de Milan. En 2023, elle est invitée d’honneur à la Biennale Internationale des Arts de la Marionnette à Paris. Elle a obtenu les prix Premio Rete Critica (2017), Premio della Critica – ANCT (2018) et Premio Hystrio - Altre Muse (2019)
- …
