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Russell Daylight, What if Derrida Was Wrong About Saussure?
Full text linkReview of Russell Daylight, What If Derrida Was Wrong About Saussure
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Saussure and the model of communication
No full textAbstractOne of the less obvious contributions of Saussure is his role in establishing modern communications theory. The sender-message-receiver (SMR) model of communication was developed by Shannon and Weaver (1949,The mathematical theory of communication. Urbana, IL: University of Illinois Press). Within the humanities, it is Roman Jakobson’s version of the SMR model that is most influential. Jakobson’s model creates a methodology for considering such complexities as the sender’s intentions, the context of transmission, metalinguistic codes, the transmission medium, and the relation to the referent. Despite the complexity of Jakobson’s model, it is still bound by the assumption that perfect communication can be achieved through the full recovery of contexts. The most thorough and powerful critique of what’s often called the “transmission model” of communication is found in Jacques Derrida’s “Signature Event Context.” Derrida’s critique begins by demonstrating “why a context is never absolutely determinable” (1988a: 3, Signature event context. In Gerald Graff (ed.),Limited inc., Samuel Weber (trans.), 1–23. Evanston, IL: Northwestern University Press). In place of context, Derrida proposes the notion of “dissemination” in which a text is radically adrift of the conditions of its utterance or reception. At face value, Saussure’s “speech circuit” model represents an early and underdeveloped model of communication. As if often the case, however, a closer reading of theCoursreveals something far more radical and profound. Closer attention to Saussure’s speech circuit model re-opens many questions in communication theory, and in associated fields such as literary theory, cultural studies, and semiotics.</jats:p
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