1,721,084 research outputs found
Russell Anderson
Russell Anderson shows his new meat butcher equipment to be used in his part-time butcher shop located next to his home in Davis
Dr. Clifford Russell Anderson
Portrait of Dr. Clifford Russell Anderson, Andrews Memorial Hospital Medical Director, 1945-194
Dr. Russell Anderson
Photograph of Dr. Russell Anderson, Head of Biology Department (1984-1988) poses next to a stuffed cougar inside the SUSC Museum
Dr. Clifford Russell Anderson and Elder A. W. Anderson
Dr. Clifford Russell Anderson and Elder A. W. Anderso
Dr. and Mrs. Russell Anderson residence (Seattle, Wash.), proposed perspective
Handwritten on drawing:
Proposed residence in Windermere for Dr. & Mrs. Russell Anderson
February 1956
Stamped on drawing:
Terry & Moore Architects, Interior Design
803 E. Prospect Street, Seattle 2, Washington
Signed below drawing:
Roland Terry 56International StyleRestrictions apply to the ordering of this image. Please contact [email protected] for more information.Scanned from original drawing in RGB at 200-400 dpi, saved in TIFF format, changed to indexed color, enhanced and resized using Adobe Photoshop, and imported as JPEG2000 using Contentdm software's JPEG2000 Extension. 2006
Dr. and Mrs. Russell Anderson residence (Seattle, Wash.), proposed perspective
Handwritten on drawing:
Proposed residence in Windermere for Dr. & Mrs. Russell Anderson
December 1955
Stamped on drawing:
Terry & Moore Architects, Interior Design
803 E. Prospect Street, Seattle 2, WashingtonInternational StyleRestrictions apply to the ordering of this image. Please contact [email protected] for more information.Scanned from original drawing in RGB at 200-400 dpi, saved in TIFF format, changed to indexed color, enhanced and resized using Adobe Photoshop, and imported as JPEG2000 using Contentdm software's JPEG2000 Extension. 2006
Commencement Exercises Set at U of M Crookston for Saturday, May 5, 2007; Minnesota Supreme Court Chief Justice Russell Anderson to Give Commencement Address
Lemos, Krista; Tollefson, Elizabeth. (2007). Commencement Exercises Set at U of M Crookston for Saturday, May 5, 2007; Minnesota Supreme Court Chief Justice Russell Anderson to Give Commencement Address. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/220965
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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