1,720,959 research outputs found

    Jean-Claude Larrat, Caroline Jacques , Catherine Rannoux , Stéphane Bikialo, Beckett. En attendant Godot, Oh les beaux jours, Paris, Atlande, 2009

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    Rullier Françoise. Jean-Claude Larrat, Caroline Jacques , Catherine Rannoux , Stéphane Bikialo, Beckett. En attendant Godot, Oh les beaux jours, Paris, Atlande, 2009. In: L'Information Grammaticale, N. 128, 2011. pp. 58-59

    Figures mortes et effets comiques : ou le fonctionnement métalinguistique du calembour chez San-Antonio

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    Rullier Françoise - Dead figures and funny effects, or the metalinguistic functioning of puns in San-Antonio. Comedians often play on the automatisms of language, particularly by waking up sleeping metaphors. Their puns may reflect two opposite stances concerning the complexity of the relationship between words and meaning: R. Devos allows words to take command, whereas San-Antonio plays on words to show that he is taking his distance. The clichés in his books are meant to be clichés, as the puns and other metalinguistic signals tell us. He is searching for a position against ticks of language and, through them, against the low-class literature that uses them, as if looking at them with a critical eye could allow him to escape from being categorized as paraliterature and enter the realm of real literature.L'humoriste s'en prend volontiers aux automatismes du langage, tout particulièrement en réveillant les métaphores dormantes. Ses calembours peuvent dénoter deux attitudes opposées devant la complexité du rapport entre les mots et le sens : R. Devos cède l'initiative aux mots, tandis que San-Antonio utilise le jeu de mots comme un signal de prise de distance. Les clichés qu'il emploie sont désignés comme tels par les calembours ou par d'autres marqueurs métalinguistiques. Il cherche à se positionner en face des automatismes langagiers et à travers eux en face de la littérature de bas étage qui les utilise, comme si ce regard critique lui permettait de quitter la catégorie de la paralittérature pour entrer dans celle de la vraie littérature.Rullier Françoise. Figures mortes et effets comiques : ou le fonctionnement métalinguistique du calembour chez San-Antonio. In: Langage et société, n°82, 1997. pp. 49-58

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used

    De la concurrence entre les séries télévisées et l’écriture de la fiction contemporaine : Doggy Bag de Philippe Djian

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    Dans un premier temps, la littérature exerce une influence sur le feuilleton, puis le feuilleton informe les premières séries télévisées. On pourrait même aller jusqu’à dire que Balzac (premier auteur à publier un roman en feuilleton, La Vieille Fille), en concevant le retour des personnages, invente la gestion du personnel romanesque qui devient celle du feuilleton (Les Mystères de Paris, Le Comte de Monte-Cristo) et qui est aujourd’hui celle des séries télévisées. Le retour des personnages ..
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