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    Rudolf Müller: Naturwissenschaftliche Seelenforschung. I. Das Veränderungsgesetz. Leipzig, A. Strauch, 1897. 168 S.

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    RUDOLF MÜLLER: NATURWISSENSCHAFTLICHE SEELENFORSCHUNG. I. DAS VERÄNDERUNGSGESETZ. LEIPZIG, A. STRAUCH, 1897. 168 S. Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-) Zeitschrift für Psychologie und Physiologie der Sinnesorgane (19) (a0001) Rudolf Müller: Naturwissenschaftliche Seelenforschung. I. Das Veränderungsgesetz. Leipzig, A. Strauch, 1897. 168 S. (19) (p0327

    Corrugated glass as improvement to the structural resistance of glass

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    p. 3052-3064It is a well known fact that if we take a flat piece of paper in our hands it is a weak, and slack.. However if you fold this piece of paper a few times the structural behaviour changes from weak to strong and form slack to stiff. .Luckily enough the glass manufacturing firms are more and more capable to create folded,or better, corrugated glass. Therefore we have started to create glass structures in corrugated glass. Two well known buildings have incorporated corrugated glass in their facades. They are the Casa da Musica in Porto (P),(architect OMA) and The Museum aan de Stroom (MAS) in Antwerp (B), (architect Neutelings Riedijk). Two other projects are on the drawing boards; the University Library in Qatar (architect OMA) where a diamond shaped building has on four sides large facades composed by corrugated, insulated glass units up to a height of 17 meter and a villa in NL by MVRDV architects where corrugated insulated glass units carry the roof. In these four buildings the corrugated glass panels are used to create, with a relatively thin sheet of glass an all glass facade without hardly any steel components..Nijsse, R. (2009). Corrugated glass as improvement to the structural resistance of glass. Editorial Universitat Politècnica de València. https://riunet.upv.es/handle/10251/671

    [Rezension zu:] Mariusz Dzieweczyński: Im mecklenburgischen Exil. Edition des Briefwechsels zwischen Hoffmann von Fallersleben und seinem Freund Rudolf Müller. Bielefeld: Verlag für Regionalgeschichte, 2015

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    Rezension zu Mariusz Dzieweczyński: Im mecklenburgischen Exil. Edition des Briefwechsels zwischen Hoffmann von Fallersleben und seinem Freund Rudolf Müller. Bielefeld: Verlag für Regionalgeschichte, 2015

    Rudolf Müller: Hypnotismus und objective Seelenforschung. Leipzig, Strauch, 1897. 40 S. / Das hypnotische Hellseh- Experiment im Dienste der naturwissenschaftlichen Seelenforschung. II. Band: Das normale Bewußtsein. Leipzig, Strauch, 1898. 150 S

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    RUDOLF MÜLLER: HYPNOTISMUS UND OBJECTIVE SEELENFORSCHUNG. LEIPZIG, STRAUCH, 1897. 40 S. / DAS HYPNOTISCHE HELLSEH- EXPERIMENT IM DIENSTE DER NATURWISSENSCHAFTLICHEN SEELENFORSCHUNG. II. BAND: DAS NORMALE BEWUSSTSEIN. LEIPZIG, STRAUCH, 1898. 150 S Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-) Zeitschrift für Psychologie und Physiologie der Sinnesorgane (24) (a0001) Rudolf Müller: Hypnotismus und objective Seelenforschung. Leipzig, Strauch, 1897. 40 S. / Das hypnotische Hellseh- Experiment im Dienste der naturwissenschaftlichen Seelenforschung. II. Band: Das normale Bewußtsein. Leipzig, Strauch, 1898. 150 S (24) (p0162

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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