1,721,977 research outputs found

    Die Frankfurter Goethewoche : 27. Februar bis 3. März 1922 / [Beiträge von Rudolf G. Binding, Georg Brandes, Carl Ebert ...]

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    DIE FRANKFURTER GOETHEWOCHE : 27. FEBRUAR BIS 3. MÄRZ 1922 / [BEITRÄGE VON RUDOLF G. BINDING, GEORG BRANDES, CARL EBERT ...] Die Frankfurter Goethewoche : 27. Februar bis 3. März 1922 / [Beiträge von Rudolf G. Binding, Georg Brandes, Carl Ebert ...] (1) Titelblatt (1) Namen der Beiträger (2) Ill. (3) Das Frankfurter Goethehaus und seine Not (4) Goethe und das Theater von heute (5) Autobiographie und Erziehung (11) Goethes Zauberflöte (12) Hoch im Geäst ... / Fritz von Unruh (14) Goethes Iphigenie als Regieproblem (16) Der Weg des Schauspielers zu Goethe (18) Wie ich den Tasso spielen möchte (19) Das Programm der Festwoche (20) Cover (29

    Dem Andenken Rudolf G. Bindings, : 13.8.1867 - 4.8.1938.

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    Death mask on cover.Reprinted in part from various periodicals.Letzte Gedichte, von Rudolf G. Binding.--Rede am Sarge, von Rudolf Alexander Schröder.--Zwei Gedichte, von Hermann Claudius.--Rede am Sarge, von Ludwig Friedrich Barthel.--Abschied von Rudolf G. Binding [von] Paul Alverdes.--Ritterliche Erscheinung; an einem jungen Freund, von Ernst Penzoldt.--Dem Andenken Rudolf G. Bindings [von] Clemens Graf Podewils

    1969-1999, Rudolf's journey

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    Buku ini membahas seni Indonesia pada abad ke-20, khususnya seni lukis Indonesia. Buku ini juga memuat sejarah dan perjalanan seniman Rudolf G. Usman dari tahun 1969 hingga 1999. Buku ini sangat cocok bagi pembaca yang ingin memperluas pengetahuan mereka tentang seni Indonesia dan mengetahui lebih lanjut tentang perjalanan seniman Rudolf G. Usman dalam mengembangkan karya seninya.xi, 190 p : col. ill ; 30 c

    Nähe der Antike : eine Ansprache

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    Frankfurter gelehrte Reden und Abhandlungen VIII. Heft : Zwei Ansprachen zur Eröffnung der Ortsgruppe Frankfurt am Main der Gesellschaft für antike Kultur am 9. Dezember 1925 Nähe der Antike / Rudolf G. Binding Zeit und Antike / W. F. Otto

    Karlsruher akademische Reden / Kopernikus-Gedenkstunde zum 400. Todestag des Schöpfers unseres Weltbildes

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    veranst. von der Technischen Hochschule Karlsruhe am 10. Juli 1943Enth.: Eröffnungsansprache / Rudolf G. Weigel. Von der Welt des Kopernikus bis in die Fernen der Spiralnebel / Franz Wolf. - Festschrift Nicolaus Copernicu

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    50 years of the Journal of Psychosomatic Medicine

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    This article is a review of the historical development of this journal from its establishment in 1954 to the present. The history of its founding will first be briefly outlined and illustrated with some facsimile prints from that time. The thematic focuses as they evolved over the last five decades will then be reviewed. In a further chapter individuals will be presented who have contributed significantly to the journal and made it what it is today
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