1,721,240 research outputs found

    Rowe, William T, VX45437

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414545Surname: ROWE. Given Name(s) or Initials: WILLIAM T. Military Service Number or Last Known Location: VX45437. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 18284.233957 Item: [2016.0049.46806] "Rowe, William T, VX45437

    Rowe, William Treza, 13679

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    This record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/414507Surname: ROWE. Given Name(s) or Initials: WILLIAM TREZA. Military Service Number or Last Known Location: 13679. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 16509.233881 Item: [2016.0049.46768] "Rowe, William Treza, 13679

    Alien Registration- Rowe, William (Lewiston, Androscoggin County)

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    https://digitalmaine.com/alien_docs/22500/thumbnail.jp

    Joanna Handlin Smith, The Art of Doing Good : Charity in Late Ming China, 2009

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    Rowe William T. Joanna Handlin Smith, The Art of Doing Good : Charity in Late Ming China, 2009. In: Études chinoises, n°28, 2009. Numéro spécial sur le droit chinois. pp. 296-300

    Sujeto poético y pensamiento mítico en la poesía lírica andina

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    Book synopsis: Estudio de la presencia de los mitos en diferentes textos literarios desde un enfoque no restrictivo que considera a tales mitos en relación con las comogonías, la filosofía y pensamiento y las subjetividades

    Rationality and religious experience: A study of the epistemic status of religious experience

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    Religious believers have long claimed that religious experience plays a central role in the grounding of both their belief and doctrine. In recent philosophy of religions itself, the notion of religious experience has played a major role in the thought of philosophers such as Richard Swinburne, John Hick and William Alston. Can religious experience serve as evidence for the epistemic justification of theistic religious belief? Or is it too subjective, too ephemeral a phenomenon to play a decisive epistemic role of providing a rational grounding of belief? What, concisely put, is the epistemic status of religious experience? In 1939, C. D. Broad presented an argument from religious experience for the claim that there exists a god. This neglected argument, suitably modified, can withstand the objections brought forward by Antony Flew, William Rowe, William Forgie, Anthony Kenny and others. As it stands the modified argument does not demonstrate the existence of God; but it does establish the propriety of believing that the theistic god exists. That is, the rationality of some theistic belief is established. Subsidiary theses of the dissertation include an analysis of the notion of evidence into two types: (1) propositional and (2) nonpropositional. The notion of epistemic justification is, then, analyzed in a parallel two-fold fashion: (1) deontic justification and (2) evaluative justification. These notions are then applied to the case of religious experience. Also, the legitimacy of considering certain types of religious experience as cognitive activities is argued. Finally, there is an argument that if an adequate naturalistic explanation of religious experience could be given, then that, contra William Wainwright, would be good reason to think religious experiences to be probably delusive vis-a-vis any purported perception of God. Overall, the general thesis is that certain types of religious experience provide the theist with an adequate, albeit nonpropositional, ground for some of her religious beliefs

    Peter W. Edbury et John Gordon Rowe. — William of Tyre, Historian of the Latin East, 1988 (" Cambridge Stud. in Mediev. Life and Thought ", 4e s., 8)

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    Richard Jean. Peter W. Edbury et John Gordon Rowe. — William of Tyre, Historian of the Latin East, 1988 (" Cambridge Stud. in Mediev. Life and Thought ", 4e s., 8). In: Cahiers de civilisation médiévale, 35e année (n°140), Octobre-décembre 1992. pp. 377-379

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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