2,395 research outputs found
Interviews with Edgar P. Richardson and Samuel Ross Ballin, December 1979
Cassette recordingInterviews conducted by Arthur H. Lewis with Edgar P. Richardson on December 10, 1979 and Samuel Ross Ballin on December 26, 1979
Writing and the rights of reality: usurpation and potentiality in Derrida, Plato, Nietzsche, and Beckett
The thesis critically evaluates Jacques Derrida's conferral of the rights of reality on writing, focussing on his theory of an arche-text in light of the speculative nature of this theory. The theory is initially considered in the context of Derrida's elucidation of the usurpatory status of writing within the Platonic and Nietzschean texts. This consideration reveals an admission of writing's usurpatory status by both writers while at the same time demonstrating their awareness of the intrinsically speculative nature of this view, the significance of writing lying in its ability to exteriorise the radically indeterminate status of consciousness m relation to reality rather than its ability to displace consciousness or reality The analyses, therefore, not only bring the Derridean hypothesis of a repressive or phonocentric metaphysical episteme into question but also exhibit the historical and philosophical role of potentiality in relation to writing, writing's ultimate significance lying in its capacity to exteriorise our existence as a mode of potentiality. Accordingly, in the second half of the thesis the Derridean theory of writing is countered with a specifically Aristotelian theory of the text as it is exhibited in the prose of Samuel Beckett, an author whose significance lies in his close alignment with Derridean theory within contemporary criticism. It is demonstrated that this identification has obviated an awareness of the significance of potentiality within the Beckettian text, his work consequently being appraised in the previously neglected context of Aristotelian metaphysics
Are failproof banking systems feasible? Desirable?
In recent years, instability of the banking system has returned as a major problem in many countries, particularly in the developing world. In many cases, this instability has been so threatening to financial intermediation and the functioning of the payments system that governments have felt compelled to intervene and restructure banks, often at considerable cost to the public budget. One response to these problems has been a proposal to create failproof banking systems - to radically transform the structure, priorities, and operation of the banking and financial system. Banks would be limited to issuing deposits, holding essentially riskless portfolios, and operating the payments system. To minimize the resulting disruptions to the financial system, banks would be authorized (and encouraged) to set up holding companies and then transfer to holding company affiliates all the functions - including lending - that banks would no longer be permitted to perform. So while the failproof banking proposal would severely restrict the activity of banks, it would not restrict the activities of banking organizations that convert to a holding company form of organization. This proposal would produce major public benefits. It would assure a nation of a smoothly functioning banking and payments system, would substantially reduce the resources committed to banking supervision, would prevent bank-type regulation from expanding to the rest of the financial system, and would place banking and nonbanking organizations on a level playing field for the financial activities in which they compete. There are two major problems with the proposal. First, it might be difficult to implement because of too few riskless assets in a nation's financial system. (The author suggests several modifications that would alleviate this problem in some countries.) Second, the proposal might hurt the financial market by: (a) increasing interest rates for higher-risk borrowers, forcing them out of the market; and (b) transfering greater risk to the nonbank sector of the financial system, making it more susceptible to crisis. Although the proposal would benefit developing countries (more prone to banking instability) more than industrial countries, it would also be more difficult to implement in developing countries. And the adverse effects of the proposal would be felt more severely in the financial markets of developing countries than in industrial countries, which have deeper, more responsive financial markets.Banks&Banking Reform,Financial Intermediation,Financial Crisis Management&Restructuring,Banking Law,Settlement of Investment Disputes
Samuel Beckett and the Writers of Port-Royal
It has been observed that ‘the literary influences on Beckett have been far more important than has been acknowledged, and more important indeed, than the philosophical influences’ (Smith 2002: 3). The truth of this statement is evidenced by the description that scholars have given of Samuel Beckett’s relationship to seventeenth century French classicism. To date, critical interest has been limited for the most part to the figure of the philosopher René Descartes on the (fragile) grounds that Beckett was exclusively concerned with the Cartesian imperative of clarity and order, the fundamental dualism between body and mind, and Nominalism.
Together with the assumption that Beckett’s vision was essentially Cartesian, his literary filiation with Pascal was suggested by critics, but only in terms of Beckett’s formal approach to the theatre. In his short article on En attendant Godot in 1953, the playwright Jean Anouilh was among the first reviewers to suggest that Beckett’s drama synthesizes the encounter between ‘classicism’ and a ‘modern’ form of art. It is well known that Beckett retained a lifelong admiration for Pascal – indeed, Pascal was one of his ‘old chestnuts’ (Knowlson 1997: 653). Little attention has been paid, however, to the originality of Pascal’s thought, the specific nature of his prose, and the impact these might have had upon Beckett’s mature work, especially the trilogy and the subsequent short prose. Yet, in the literary and philosophical context of post-war France, Beckett’s filiation with Pascal, their corresponding preoccupations, were evident to his contemporaries, who identified Pascal as an underlying presence in his works
Richardson, Barbauld, and the construction of an early modern fan club
MPhilMuch has been written about the life and long works of the eighteenth century epistolary novelist, Samuel Richardson, but the prospect of his position as the first celebrity novelist – responsible for courting his own fame as well as initiating his own fan club – has largely been ignored. The body of manuscripts housed at the National Art Library in the Victoria and Albert Museum in London provides the modern scholar with evidence of the skeletal beginnings of an early fan club. This thesis aims to show how these manuscripts were turned into a saleable commodity by the publisher and entrepreneur Richard Phillips, while under the guiding hand of another, slightly later, literary celebrity, Anna Laetitia Barbauld. In order to restore Richardson’s reputation amongst a new nineteenth century audience, Barbauld was required to construct her own idea of him as an eighteenth century celebrity author, and in doing so the insecurities of a self-professed, apparently diffident man, are revealed. Barbauld’s capacious, but heavily edited selection of letters is analyzed in this thesis, providing ample evidence that Richardson’s correspondents were more than just eager letter writers. By using Barbauld’s biography of Richardson this thesis aims to show how she manipulates the genre of life writing in her construction of him.
This thesis offers an alternative reading of how the Richardson manuscripts are viewed, redefining them as not simply a collection of letters, but as a collective entity, deliberately selected and archived as evidence of an early modern fan club, and its celebrity managing director
Usability and acceptability of a website that provides tailored advice on falls prevention activities for older people
This article presents the usability and acceptability of a website that provides older people with tailored advice to help motivate them to undertake physical activities that prevent falls. Views on the website from interviews with 16 older people and 26 sheltered housing wardens were analysed thematically. The website was well received with only one usability difficulty with the action plan calendar. The older people selected balance training activities out of interest or enjoyment, and appeared to carefully add them into their current routine. The wardens were motivated to promote the website to their residents, particularly those who owned a computer, had balance problems, or were physically active. However, the participants noted that currently a minority of older people use the Internet. Also, some older people underestimated how much activity was enough to improve balance, and others perceived themselves as too old for the activities
Passed Resolves; Resolves 1909, c.86, SC1/series 228, Petition of Samuel Ross
Petition subject: Support for individuals Original: http://nrs.harvard.edu/urn-3:FHCL:25763577 Date of creation: (unknown) Petition location: Massachusetts Legislator, committee, or address that the petition was sent to: Samuel Ross, Bristol; committee on public service; committee on ways and means Selected signatures:Samuel Ross Actions taken on dates: 1909-01-12,1909-01-13,1909-01-14 Legislative action: Received in the Senate on January 12, 1909 and referred to the committee on public service and sent for concurrence and received in the House on January 13, 1909 and referred to the committee on ways and means and sent for concurrence and received in the Senate on January 14, 1909 and concurred Total signatures: 1 Legislative action summary: Received, referred, sent, received, referred, sent, received, concurred Legal voter signatures (males not identified as non-legal): 1 Female only signatures: No Identifications of signatories: citizens Prayer format was printed vs. manuscript: Printed Additional non-petition or unrelated documents available at archive: additional documents available Additional archivist notes: William H. Carney of New Bedford, messenger in the department of the Secretary of the Commonwealth, elevators, state house, widow, Susanna Carney Location of the petition at the Massachusetts Archives of the Commonwealth: Resolves 1909, c.86, passed May 14, 1909 Acknowledgements: Supported by the National Endowment for the Humanities (PW-5105612), Massachusetts Archives of the Commonwealth, Radcliffe Institute for Advanced Study at Harvard University, Center for American Political Studies at Harvard University, Institutional Development Initiative at Harvard University, and Harvard University Library.</p
Passed Resolves; Resolves 1909, c.86, SC1/series 228, Petition of Samuel Ross
Petition subject: Support for individuals Original: http://nrs.harvard.edu/urn-3:FHCL:25763577 Date of creation: (unknown) Petition location: Massachusetts Legislator, committee, or address that the petition was sent to: Samuel Ross, Bristol; committee on public service; committee on ways and means Selected signatures:Samuel Ross Actions taken on dates: 1909-01-12,1909-01-13,1909-01-14 Legislative action: Received in the Senate on January 12, 1909 and referred to the committee on public service and sent for concurrence and received in the House on January 13, 1909 and referred to the committee on ways and means and sent for concurrence and received in the Senate on January 14, 1909 and concurred Total signatures: 1 Legislative action summary: Received, referred, sent, received, referred, sent, received, concurred Legal voter signatures (males not identified as non-legal): 1 Female only signatures: No Identifications of signatories: citizens Prayer format was printed vs. manuscript: Printed Additional non-petition or unrelated documents available at archive: additional documents available Additional archivist notes: William H. Carney of New Bedford, messenger in the department of the Secretary of the Commonwealth, elevators, state house, widow, Susanna Carney Location of the petition at the Massachusetts Archives of the Commonwealth: Resolves 1909, c.86, passed May 14, 1909 Acknowledgements: Supported by the National Endowment for the Humanities (PW-5105612), Massachusetts Archives of the Commonwealth, Radcliffe Institute for Advanced Study at Harvard University, Center for American Political Studies at Harvard University, Institutional Development Initiative at Harvard University, and Harvard University Library.</p
Ohio impromptu, genre and Beckett on film
Samuel Beckett’s choice of the title Ohio Impromptu to name the play first performed to an audience of academics and scholars at Columbus Ohio in 1981 is one manifestation of its author’s interest in the question of literary genre; more generally, in Beckett’s dramatic works one encounters a meticulous attention to the activity of categorisation, even if the energy is often directed toward the creation of phantom genres for spectral exemplars. This essay concerns itself with Ohio Impromptu in particular because by means of elements specific to this play (including the context in which it was first performed) it comments upon its own very failure to occupy its designated genre co-ordinates (these include its identity both as a play and as an ‘impromptu’). This play, which is so apt to incorporate other genres, however, is presided over by a stage direction which locates it firmly in the theatrical context. It is in its deliberate failure to attend to this stage direction that the Beckett on Film version of the play goes beyond the mere treacherous fidelity that is inevitably a feature of any adaptation. In arguing this, the essay analyses the foregrounding in the play of questions that can be said to pertain to genre (in several senses). Its more specific intention is to suggest that, via a combination of casting and special effects, the adaptation succeeds not only in cancelling the critical reflection on the ‘genre gesture’ that is lodged in Ohio Impromptu, but also in eradicating the very disjunction between Reader and Listener upon which the play depends
Samuel Kreidel Block, Ellensburg, Washington
The Samuel Kriegel Block, most often called the Kriegel Building was built by Samuel Kriegel (1854-1922) during the fall and winter of 1889 on the northeast corner of Third and Pearl Streets. Kriegel, a native of Germany, instructed the architects to create a building in the German Romantic style of 19th century Germany. The building was one of the most exuberent buildings in Ellensburg. Instead of an actual turret type tower, as is on the Davidson Building, the Kriegel tower had a raised center section topped by a cupola. The bulbiform dome and finial, gave the tower a massive impressiveness that was carried throughout the entire building.A supplement to West Shore (magazine) commissioned by Leonhard & Ross of Ellensburgh, Washington. A 24 1/2 x 34 1/2 poster of the Ellensburgh building built or being built after the July 4th 1889 fire. Twenty-six buildings or blocks illustrated. Reverse side contained two full pages of information about Ellensburg and the Kittitas Valley. F. Leonhard and P. H. W. Ross Real Estate advertisement.https://digitalcommons.cwu.edu/ellensburg_history/1229/thumbnail.jp
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