1,721,585 research outputs found
Poding av rosmarin
Get PDFI denne studien ble det undersøkt om det var mulig å pode rosmarin. Poding er når to ulike planter i en slekt blir festet til hverandre og vokser sammen. Det er mulig å pode blant annet epletrær og roser. Det finnes en del ulike metoder for å pode planter og trær, men det finnes lite informasjon om poding av urter og mindre planter. Metoden som ble brukt i studiet gikk ut på å teste ulike podingsmetoder hvor variabler som fuktighet og lys ble endret helt til en kom fra til det mest vellykkede resultatet. Det ble brukt to podingsmetoder; skjøtpoding og kløftpoding. Rosmarinplantene ble podet for hånd. Ut ifra resultatene i dette forsøket viser det seg at skjøtpoding er den best egnete metoden for poding av rosmarin.  
Letter to Timothy Coggins, July 10, 1990
Get PDFA letter from Warren Rosmarin accepting his assignment to the SEAALL Committee on Cooperative Efforts with Other Chapters
Contribution à la philologie hébraïque
No full textWeiss-Rosmarin Trude. Contribution à la philologie hébraïque. In: Revue des études juives, tome 98, n°193-194, juillet-décembre 1934. pp. 94-99
Encore une fois הימים (Gen., xxxvi, 24)
No full textWeiss-Rosmarin Trude. Encore une fois הימים (Gen., xxxvi, 24). In: Revue des études juives, tome 93, n°186, octobre-décembre 1932. p. 218
An Intrepid Woman Takes on the Nazis and Wins: Irene Oore. The Listener: In the Shadow of the Holocaust (Review Article)
No full textLéonard Rosmarin has written an extensive review article of Irene Oore’s memoir, The Listener, which recounts her courageous mother’s survival of the Holocaust
Power of Genre
No full textThe Power of Genre was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Power of Genre is a radical and systematic rethinking of the relationship between literary genre and critical explanation. Adene Rosmarin shows how traditional theories of genre-whether called "historical," "intrinsic," or "theoretical"-are necessarily undone by their attempts to define genre representationally. Rather, Rosmarin argues, the opening premise of critical argument is always critical purpose or, as E. H. Gombrich has said, function, and the genre or "form" follows the reform. The goal is a relational model that works. Rosemarin analyzes existing theories of genre - those of Hirsch, Crane, Frye, Todorov, Jauss, and Rader are given particular attention-before proposing her own. These analyses uncover the illogic that plagues even sophisticated attempts to treat genre as a preexistent entity. Rosmarin shows how defining genre pragmatically - as explicitly chosen or devised to serve explicitly critical purposes - solves this problem: a pragmatic theory of genre builds analysis of its metaphors and motives into its program, thereby eliminating theory's traditional need to deny the invented and rhetorical nature of its schemes. A pragmatic theory, however, must be tested not only by its internal cohesion but also by its power to enable practice, and Rosmarin chooses the dramatic monologue, an infamously problematic genre, and its recent relative, the mask lyric, as testing grounds. Both genres-variously exemplified by poems of Browning, Thennyson, Eliot, and Pound-are ex post facto critical constructs that, when defined as such, make closely reasoned sense not only of particular poems but also of theirperplexed interpretive histories. Moreover, both genres dwell on the historicity, textuality, and redemptive imperfection of the speaking self. This generic obsession ties the poems to their reception and, finally, to the openended, processes of hermeneutic question-and-answer stressed in Rosmarin's framing theory.Intro -- Contents -- Preface -- A Theoretical Introduction -- The Dilemma of Theoretical Desire -- The Question of Genre -- Resisting Genre -- The Rhetoric of Visual Representation -- A Three-Way Conflict -- Resolving the Conflict -- Chapter 1. Defining a Theory of Genre -- Similitude and Difference -- A Dissonance of Theories: Genre and Representation -- Syllogism, Metaphor, and the Logic of Criticism -- Chapter 2. The Dramatic Monologue -- Dramatic Monologues and the Problem of Genre -- Disbelief and the Well Wrought Urn: "Cleon" and "Karshish" -- Defending against Death: "The Bishop Orders His Tomb" -- The Fault of Faultless Fancy: "Andrea del Sarto" -- Self-Painting and Self-Entrapment: "Fra Lippo Lippi" -- Madness, Melodrama, and the Monologue: The Problem of Genre Revisited -- Chapter 3. The Mask Lyric -- Complicating the Rhetoric of Lyricism: Wordsworth, Pound, and the Mask Lyric -- The Rhetoric of Self-Conscious Imaginings: "Tithonus" and "Ulysses -- The Rhetoric of Nightmare Questing: " 'Childe Roland to the Dark Tower Came' -- The Rhetoric of Implication: "The Love Song of J. Alfred Prufrock -- Epilogue -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- ZThe Power of Genre was first published in 1986. Minnesota Archive Editions uses digital technology to make long-unavailable books once again accessible, and are published unaltered from the original University of Minnesota Press editions. The Power of Genre is a radical and systematic rethinking of the relationship between literary genre and critical explanation. Adene Rosmarin shows how traditional theories of genre-whether called "historical," "intrinsic," or "theoretical"-are necessarily undone by their attempts to define genre representationally. Rather, Rosmarin argues, the opening premise of critical argument is always critical purpose or, as E. H. Gombrich has said, function, and the genre or "form" follows the reform. The goal is a relational model that works. Rosemarin analyzes existing theories of genre - those of Hirsch, Crane, Frye, Todorov, Jauss, and Rader are given particular attention-before proposing her own. These analyses uncover the illogic that plagues even sophisticated attempts to treat genre as a preexistent entity. Rosmarin shows how defining genre pragmatically - as explicitly chosen or devised to serve explicitly critical purposes - solves this problem: a pragmatic theory of genre builds analysis of its metaphors and motives into its program, thereby eliminating theory's traditional need to deny the invented and rhetorical nature of its schemes. A pragmatic theory, however, must be tested not only by its internal cohesion but also by its power to enable practice, and Rosmarin chooses the dramatic monologue, an infamously problematic genre, and its recent relative, the mask lyric, as testing grounds. Both genres-variously exemplified by poems of Browning, Thennyson, Eliot, and Pound-are ex post facto critical constructs that, when defined as such, make closely reasoned sense not only of particular poems but also of theirperplexed interpretive histories. Moreover, both genres dwell on the historicity, textuality, and redemptive imperfection of the speaking self. This generic obsession ties the poems to their reception and, finally, to the openended, processes of hermeneutic question-and-answer stressed in Rosmarin's framing theory.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
Rosmarinus officinalis – Rosmarin (Lamiaceae), Weihnachtspflanze, Winterblüher und Heilpflanze des Jahres 2011
No full textRosmarin wurde vom NHV THEOPHRASTUS (Verein zur Förderung der naturgemäßen Heilweise nach THEOPHRASTUS BOMBASTUS VON HOHENHEIM, genannt PARACELSUS e. V.) zur Heilpflanze des Jahres 2011 gewählt, vor allem aufgrund der vielfältigen Verwendungsmöglichkeiten. In wintermilden Gebieten findet die Art außerdem als Winterblüher im Freiland Beachtung, da sie – wie im Mittelmeerraum – auch bei uns bereits ab Ende Oktober blühen kann. Vor allem in England ist Rosmarin Bestandteil vieler weihnachtlicher Bräuche
How is COVID-19 Impacting Religion in America?
No full textThis article, by Dr. David H. Rosmarin, examines how the COVID-19 crisis highlights the spiritual needs of people undergoing stress. The article outlines steps for religious leaders to provide emotional support to their congregations during the pandemic
Weiss-Rosmarin (Trude), Judaism and Christianity : The Differences. New-York, The Jewish Book Club, 1943
No full textWeiss-Rosmarin (Trude), Judaism and Christianity : The Differences. New-York, The Jewish Book Club, 1943. In: Revue des études juives, tome 6 (106),1941. pp. 140-142
Drying temperature changes trichome integrity, chemical content and composition of the essential oil of pepper-rosmarin
No full textABSTRACT: Medicinal plants are generally commercialized dried. However, temperatures used in their drying processes may interfere with the content and chemical composition of their essential oils. The Lippia origanoides possesses thymol in the essential oil that is stored in glandular trichomes. Thymol is a major component of economic importance in the chemical and pharmaceutical industry. The objective of this study was to evaluate the effect of the drying temperatures of L. origanoides leaves regarding trichome integrity, content, and chemical composition of the essential oil. The experimental design was completely randomized with four treatments defined by oven drying temperatures (40, 50, 60, and 70ºC) and four replications. Essential oil was extracted by hydro distillation and the essential oil contents were determined (%). Chemical composition of the oil was analyzed by gas chromatography coupled to mass spectrometry. Scanning electron microscopy was carried out to determine trichome integrity. Drying the L. origanoides leaves in a forced ventilation oven at 40°C minimized the loss of extracted essential oil content (17.5g kg-1) and relative thymol percentage. Leaves dried at the temperatures of 60 and 70ºC exhibited a higher percentage of ruptured trichomes and reduced essential oil content to 13.7g kg-1 and 11.8g kg-1, respectively.</div
- …
