39,849 research outputs found
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Graduate recital, violin. Rose, Margaret, 1979
Recorded during a live performance at Oakland Recital Hall, Western Michigan University, Kalamazoo, Michigan, March 31, 1979, the 226th concert of the Department of Music's 1978-1979 season.Margaret Rose, violin. Accompanists: Ellen Vinocur Potash, flute (1st work) ; Mark Rose, french horn (2nd work) ; Francelia Davis, harpsichord (1st work) and piano (2nd work) ; Phyllis Rappeport, piano (4th work) ; Nola Matthews Douglas, violoncello (1st work).In partial fulfillment of the Master of Music degree in violin performance and musicology, Western Michigan University, 1979.Information from performance program.Test tone sounds briefly over top of the start of the first piece.Reel 1: Trio sonata from ""The musical offering"" BWV 1079, no. 8 / Johann Sebastian Bach -- (20:03) Trio for violin, horn, and piano in E-flat major, op. 40 / Johannes Brahms -- (27:15) Duo #1 / Bohuslav Martinů.Reel 2: Sonata for violin and piano in A major. Allegretto ben moderato ; (5:57) Allegro ; (14:33) Recitativo Fantasia (ben moderato) ; (21:43) Allegretto poco mosso / César Franck
Charlie Rose - Exclusive Interview with Facebook Leadership: Mark Zuckerberg/Sheryl Sandberg
Mark Zuckerberg and Sheryl Sandberg are interviewed by Charlie Rose in 2011https://epublications.marquette.edu/zuckerberg_files_videos/1264/thumbnail.jp
The Gospel on the Margins: The Ideological Function of the Patristic Tradition on the Evangelist Mark
In spite of the virtually unanimous patristic opinion that the evangelist Mark was the interpreter of Peter, one of the most prestigious apostolic founding figures in Christian memory, the Gospel of Mark was mostly neglected in the patristic period. Not only is the text of Mark the least well represented of the canonical Gospels in terms of the number of patristic citations, commentaries and manuscripts, the explicit comments about the evangelist Mark reveal some ambivalence about its literary or theological value. In my survey of the reception of Mark from Papias of Hierapolis until Clement of Alexandria, I will argue that the reason why the patristic writers were hesitant to embrace the Gospel of Mark was that they perceived the text to be amenable to the Christological beliefs and social praxis of rival Christian factions. The patristic tradition about Mark may have little historical basis, but it had an important ideological function in appropriating the text in the name of an apostolic authority from the margins or periphery
Democracy Sausage with Mark Kenny: How to be a liberal with Ian Dunt
On this Democracy Sausage Extra, Ian Dunt - host of the Oh God, What Now? podcast and author of How to be a liberal - joins Mark Kenny to discuss the history of liberal thought, how it has shaped present day politics, and the origins of the ‘culture wars’. Have the culture wars emerged out of the failures of liberalism? Why haven’t contemporary political actors done more to protect people from prejudice and the tyranny of the majority? And is liberalism a natural corollary to democracy? On this Democracy Sausage Extra, author, political journalist and broadcaster Ian Dunt joins Professor Mark Kenny to discuss the history of political thought, present day politics, and liberalism’s trajectory
[Interview with Mark Lane in Playboy Magazine #3]
Poor quality photocopies of a magazine article which appeared in Playboy Magazine. The article features an extensive interview with Mark Lane, an attorney and author, who is critical of the Warren Commission's assessment of the assassination of President Kennedy
Democracy Sausage with Mark Kenny: Full circle with Scott Ludlam
On this episode of Democracy Sausage, Scott Ludlam, former Greens Deputy Leader and author of the new book Full Circle: A search for the world that comes next, joins Mark Kenny to discuss what he learnt from his time in politics and Australian climate policy. What role do corporate and private interests play in shaping Australian policy-making? Will the country make changes to political donation rules to make the system more transparent? And how can Australia make meaningful progress on climate policy? On this episode of Democracy Sausage, Professor Mark Kenny speaks with former Greens Senator Scott Ludlam about Australian politics, his new book, and Section 44 of the Constitution
Melvin Rose interview, 26 June 2007
In this 2007 interview, Melvin Rose, son of founder Martin Rose, and current president of Rose Iron Works, talks about his family\u27s iron works business in Cleveland since the early twentieth century. He also talks about a competitor, Samuel Yellin. Most of this short interview, however, consists of a discussion between the interviewer and interviewees about producing a story of the Rose Iron Works for the coming kiosks to be place along Euclid Avenue as part of the GCRTA Euclid Corridor project
Melvin Rose interview, 26 June 2007
In this 2007 interview, Melvin Rose, son of founder Martin Rose, and current president of Rose Iron Works, talks about his family\u27s iron works business in Cleveland since the early twentieth century. He also talks about a competitor, Samuel Yellin. Most of this short interview, however, consists of a discussion between the interviewer and interviewees about producing a story of the Rose Iron Works for the coming kiosks to be place along Euclid Avenue as part of the GCRTA Euclid Corridor project
Democracy Sausage with Mark Kenny: Truth is trouble with Malcolm Knox
On this Democracy Sausage Extra, award-winning journalist and author Malcolm Knox joins Mark Kenny to discuss the saga of Israel Folau - former star rugby union player sacked for sharing anti-LGBTQ views on social media - and how free speech got so complicated. The sacking of former star player Israel Folau by Rugby Australia for his comments on social media once again revealed faultlines which had recently been laid bare during Australia’s marriage equality plebiscite. So what did the saga reveal about freedom of expression in Australia? What is the significance of groups like the Australian Christian Lobby in Australia’s public discourse? And, with ‘free speech’ very much a political battleground, what might the future hold? On this Democracy Sausage Extra, Professor Mark Kenny speaks with Australian journalist and author Malcolm Knox about the Israel Folau issue, Australia’s evangelical movement, and the ‘culture wars’. This episode was recorded live as part of the ANU/Canberra Times ‘Meet the Author’ series
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