170,287 research outputs found
Una talpa infaticabile
No full textIl profilo di modernità assunto da Oreste del Buono nella lunga e intensa carriera di scrittore, critico, curatore di collane, attento ai generi dell'intrattenimento (giallo, noir, rosa, fumetti)
João Guimarães Rosa e l'Italia: Impressioni di viaggio
No full textL'articolo analizza i quaderni di viaggio (inediti) di João Guimarães Rosa - il più grande scrittore brasiliano di tutti i tempi - evidenziando, oltre al suo punto di vista sull'Europa e sull'Italia, le fasi del suo processo creativo
Palavras de Rosa: análise estilométrica da obra de João Guimarães Rosa
No full textTese (doutorado) - Universidade Federal de Santa Catarina, Centro de Comunicação e Expressão, Programa de Pós-Graduação em Literatura, Florianópolis, 2013.Nesta tese analisamos a obra literária de João Guimarães Rosa a partir da estilometria, com o objetivo de buscar as características do estilo rosiano que sejam possíveis de detectar por meio de ferramentas informatizadas de análise estatística. Nossa tese é verificar se esse tipo de estudo permite confirmar ou complementar intuições derivadas de leituras convencionais e, além disso, oferecer novos elementos textuais e estilísticos que nem sempre estão explícitos no texto. Para isso, privilegiaremos três estudos rosianos: Signo e sentimento (SPERBER, 1982) sobre a organização da linguagem de Rosa; O insólito em Guimarães Rosa e Borges (COVIZZI,1978), a qual propõe uma linha cronológica de expressão e explicação da obra rosiana; João Guimarães Rosa: travessia literária, (DANIEL, 1968), que afirma haver uma separação do léxico rosiano em duas fases: uma rural e outra urbana. A ferramenta estatística adotada foi o programa Hyperbase, de Étienne Brunet. Para os procedimentos de análises, trabalhamos com duas bases, uma com a cronologia de produção de escrita das obras e outra seguindo a cronologia de primeira publicação das obras, que foram respeitadas a fim de viabilizar a verificação da evolução e do crescimento do vocabulário do escritor. Levantamos muitas características do léxico rosiano, dentre elas verificamos que mais da metade de seu vocabulário não se repete; e que as obras de caráter sertanejo apresentam vocabulário menos diversificado. Por fim, veremos como Guimarães Rosa, ao final de sua carreira literária, tratou mais do seu material linguístico.Résumé : Cette thèse s'occupera de l'oeuvre littéraire de João Guimarães Rosa à partir de la stylométrie, ayant pour objectif la recherche de caractéristiques du style de l'auteur qui puissent être identifiées par moyen d'outils informatisés d'analyse statistique. Notre thèse consiste à verifier si ce type d'étude permet de confirmer ou d'enrichir des intuitions résultantes de lectures conventionnelles et aussi à offrir de nouveaux éléments textuels et stylistiques qui ne sont pas toujours explicites dans le texte. Pour cela, on privilégiera trois études sur l'écrivain : Signo e sentimento (SPERBER, 1982), texte sur l'organisation du langage de Rosa ; O insólito em Guimarães Rosa e Borges (COVIZZI, 1978), qui propose une frise chronologique de l'expression et explication de l'oeuvre de Rosa ; João Guimarães Rosa, travessia literária, (DANIEL, 1968), selon laquelle il y a deux phases concernant le lexique de l'écrivain : l'une rurale et l'autre urbaine. L'outil statistique adopté a été le logiciel Hyperbase, d'Étienne Brunet. Pour le procédés d'analyse, on a travaillé avec deux bases, à savoir, l'une qui contenait la chronologie de production d'écriture des oeuvres ; l'autre, la chronologie de la première publication des oeuvres, considérée dans ce travail afin de rendre possible une investigation effective de l'évolution et de l'expansion du lexique de l'auteur. Parmi la grande quantité de donnéés recuillies, on a pu constater que plus de la moitié de son lexique ne se répète pas. En outre, les oeuvres "sertanejas" présentent moins de variations lexicales. Pour conclure, on démontrera comment Guimarães Rosa, à la fin de sa vie, s'est occupé davantage de son matériel linguistique.Mots clés: Guimarães Rosa. Stylométrie. Statistique textuel
Verso una terceira margem cinematografica: difficoltà e luoghi comuni nella trasposizione dei racconti di Guimarães Rosa
No full textIl presente saggio vuole evidenziare la tipologia di difficoltà insite nella trasposizione cinematografica delle opere di João Guimarães Rosa. Difatti, gli ostacoli che la maggior parte dei registi trova nella
ricerca di un equivalente creativo del magma letterario di JGR sono tali che la maggior parte delle trasposizioni hanno raramente superato la soglia della mediocrità
Implementation of ROSA radio occultation data handling into EUMETSAT and GRAS SAF processing
No full textTopic of the GRAS-SAF Visiting Scientist activity 16 has been the implementation of ROSA radio occultation data handling into EUMETSAT and GRAS SAF processing tools. ROSA data referred to observations taken on-board OCEANSAT-2 mission. Even if we are talking of standard Radio Occultation data, the format of raw binary data is peculiar, and processing chains already implemented for other Radio Occultation missions, should be adapted to this further format. Moreover, ROSA antennas, ROSA coverage, ROSA sampling rate, etc. are different from GRAS or COSMIC data. Main goals of this VS activity have therefore been the implementation of ROSA processing into the EUMETSAT YAROS prototype (in order to produce excess-phases, amplitudes and bending angles over impact parameter) and into the GRAS SAF ROPP processor (for the processing into bending angle, refractivity and higher level atmospheric profiles), dealing mainly with data interfacing issues. The first part of the activity was carried out in EUMETSAT, where the YAROS prototype has been adapted to handle ROSA data. Before doing that, an in-depth analysis has been done in order to identify all the ROSA data characteristics and issues. In particular, the Thales Alenia Space "decoding" software has been completely review, in order to understand how these data were formatted inside the native binary ROSA data stream coming from the OCEANSAT-2 telemetry, and inside the standard Level1 Engineered data file available for users. This preliminary analysis allows the definition of several ROSA data structures that could be easily implemented directly inside the YAROS prototype. At the end of this first part, two different releases of the EUMETSAT prototype were available: the first one able to manage only the scientific ROSA engineered data, containing the basic observables for Radio Occultation purposes (the Level 1a data, the one normally made available for users); the second one which implements ad-hoc data structures where all the data generated by the ROSA receiver (and contained in the raw binary format, the Level 0 data) are stored. About thirty hours of ROSA observations, for which orbit and clocks were already available, were used as input to the adapted YAROS/ROSA prototype and completely analyzed. Only the YAROS prototype adapted to ROSA Engineered Level 1 format was used. A quality check of L1 and L2 basic observables (mainly L1 and L2 Excess-Phase and Signal-to-Noise ratio profiles) contained in the Level 1a YAROS output file has been performed. Even if a complete ROSA dataset is available for one entire month of observations, the production of all the necessary POD products for the entire month was not undertaken. Its in-depth analysis will be carried out in the future, when the Memorandum of Understanding between Italian Space Agency and EUMETSAT for the ROSA data processing will be signed. During this activity we preferred to concentrate the work on the YAROS prototype adaptation to ROSA data, making the prototype ready to handle all the ROSA data available, and not only the one contained in the Level1 Engineered data normally available to the user. In order to let these NetCDF Level1a YAROS/ROSA output files to be further processed into higher Radio Occultation products, a converter from NetCDF 4.0 to NetCDF 3.0 file (with the required data structures correctly set for the GRAS-SAF ROPP processing). This was performed during the second part of the Visiting Scientist activity at DMI, where YAROS/ROSA Level 1a files were both processed to bending angles, to refractivity and higher level products. Analysis of the bending angle and refractivity data against ECMWF and collocated radio occultation data were also performed, in order to have a preliminary idea on the quality of the final atmospheric products that can be achieved analyzing ROSA data. Moreover, YAROS/ROSA Level 1a files were also processed into Level 1b products (bending angle profiles) using the L1a2L1b YAROS code and compared with the correspondent forward modelled ECMWF collocated data. As a general comment on the ROSA data quality it has to be noted that, even thought L1 data are in line with that observed by the other Radio Occultation instruments, L2 data shows some problems. Problems which are mainly related to OCEANSAT-2 issues. ROSA on-board OCEANSAT-2 was equipped only with the Velocity Radio Occultation antennas, therefore only rising events can be recorded. Moreover local multipath on-board OCEANSAT-2 is very strong because of solar panels and because of the scatterometer antenna which both are moving. In particular this local multipath was not modelled or measured on ground, since an in-orbit platform manoeuvre was made necessary and created a permanent and unexpected yaw bias on the platform. And these problems mainly impact L2 tracking, which basically starts too high in atmosphere and which is affected by long data gaps. Only for a small number of events L2 is available in troposphere. In these cases, the quality of atmospheric profiles retrieved using the GRAS-SAF ROPP processing chain is in line with that obtainable from other Radio Occultation missions. But, for all the other cases for which L2 is available higher in the atmosphere, modifications to the L2 extrapolation/interpolations and different Statistical Optimization setting are probably necessary to adapt the GRAS-SAF ROPP_PP Processor to such bad data. From the other point of view, YAROS software correctly handle such ROSA data, even if a high number of rejected profiles are seen with respect what normally happens in processing data from other Radio Occultation observation
Sezione archeologica del Museo Civico di Rieti
No full text".... il museo è una grande macchina: una struttura architettonico-museale totalmente mobile e trasformabile. Una macchina, cioé, per mostrare e interpretare nello stesso tempo: la scena del teatro-museo" (G. Rosa
La "città più città d'Italia" e l'Esposizione del 1881
No full textConsidered within the long process through which Milan has become a “city of exhibitions”, the “Mostra nazionale delle Arti e dell’Industria” 1881 is of crucial relevance. On that occasion, twenty years after the country’s unification, the roaring Excelsior Ball in the background, Milan displayed its self-portrait in the pavilions under the motto “Labor vincit omnia”, standing as “moral capital of Italy”. Such an ambitious project relied on a series of volumes – Mediolanum (Vallardi), Milano 1881 (Ottino), Milano e i suoi dintorni (Civelli), – offering the radiant image of a close and hard-working community. In this perspective, such a close collaboration between the ruling class and Milan-based intellectuals during the exhibition represented a model: promoted by a state-of-the-art publishing industry, the initiative fostered a synergy
between the educated members of society, be them Milan-born or adoptive, who gathered in institutional venues as well as within the “repubblica della carta sporca”. Writers and journalists, engineers and economists, technicians and scientists, engravers and artists were all committed to sketch the portrait of the “città più città d’Italia” (Verga). They all stood on the common ground provided by a sound value system, never giving way to bombastic statements, and by the shared interests of a modern civil
society: a common ground made firmer by the Enlightenment and Romantic tradition and a Smilesian confidence in positivist culture. Milan’s hard-working ethics is well summarized in the slogans of Milanese pride: initiative, inter-class solidarity, lay tolerance and charitable philanthropy; a strong tie to “cose serie, cose sode”; an idea of progress meant as cautious evolution; the promotion of a wide-ranging knowledge able to combine the humanities with “utili cognizioni”, strongly suspicious of any kind of abstraction. Common sense, intended as the combination of balance and integrity, was considered as the rule of daily life, while the public sphere was governed by an efficient local government priding itself on being miles away from the idle talk of the political capital. Recovering Cattaneo’s motto - “convertire il mondo moderno in mondo nostro” - the “moral capital” rose to the challenge of industrial progress within the European context, against any form of short-sighted and regressive entrenchment
Pinacoteca del Museo Civico di Rieti
No full text"La ristrutturazione della Pinacoteca trae fondamento dalla sua storia, da quella dell'edificio che la ospita, insieme alla riconsiderazione del suo contesto socioculturale. Il nuovo ordinamento si basa su un progetto scientifico e un progetto architettonico strettamente legati tra loro: uno ha prodotto l'altro, uno è precisato dall'atro" (G. Rosa
DESENVEREDANDO ROSA: A OBRA DE J. G. ROSA E OUTROS ENSAIOS ROSIANOS
No full textDesenveredando Rosa: a obra de J. G. Rosa e outros ensaios rosianos, por Kathrin Holzermayr Rosenfield. Rio de Janeiro: Topbooks, 2006. 393 páginas
CLÓVIS SORMUS DE CASTRO, ALEJANDRO ZALDÍVAR-RIVERÓN, ROSA BRICEÑO-G. & ANGÉLICA MARIA PENTEADO-DIAS (2013) The genus Hecabolus Curtis 1834 (Braconidae:
No full textCastro, Clóvis Sormus De, Zaldívar-Riverón, Alejandro, Briceño-G, Rosa, Penteado-Dias, Angélica Maria (2013): CLÓVIS SORMUS DE CASTRO, ALEJANDRO ZALDÍVAR-RIVERÓN, ROSA BRICEÑO-G. & ANGÉLICA MARIA PENTEADO-DIAS (2013) The genus Hecabolus Curtis 1834 (Braconidae:. Zootaxa 3670 (2): 300-300, DOI: 10.11646/zootaxa.3670.2.1
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