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FIGURE 2 in Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China
No full textFIGURE 2. Principal component analysis of Rhodiola yushuensis and R. smithii based on the leaf trait analysis.Published as part of Rong, Yu-Lin, Li, Guo-Dong, Zheng, Hai-Lei, Zhang, Jun & Meng, Shi-Yong, 2022, Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China, pp. 63-72 in Phytotaxa 548 (1) on page 67, DOI: 10.11646/phytotaxa.548.1.5, http://zenodo.org/record/659254
FIGURE 5. Rhodiola yushuensis S.Y. Meng et J in Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China
No full textFIGURE 5. Rhodiola yushuensis S.Y. Meng et J. Zhang, (A) natural habitat, (B) cyme, (C) fruits.Published as part of Rong, Yu-Lin, Li, Guo-Dong, Zheng, Hai-Lei, Zhang, Jun & Meng, Shi-Yong, 2022, Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China, pp. 63-72 in Phytotaxa 548 (1) on page 69, DOI: 10.11646/phytotaxa.548.1.5, http://zenodo.org/record/659254
The research on illustrated Rong Yu Tang edition "Mr. Li Zhuo-Wu commented Water Margin"
No full text碩士《水滸傳》是經過長時間和不同創作者累積的成果，為中國重要的小說經典，發展到明代，開始轉變成附圖的插圖本《水滸傳》。本論文主要以圖文互釋來探究小說文本與插圖之間的關聯性，試圖從附圖《水滸傳》不同版本間，梳理插圖對於文本的契合和悖離，並從中分析不同版本插圖布局和構圖之優劣。
論文第一章說明本文寫作原因，並從所蒐集到的插圖本《水滸傳》中選定研究的版本，及輔助比對的版本，期盼能從中加以分析、說明，並證實插圖具備與文字互釋的功能性。
論文第二章及第三章，利用圖文互釋，對比容與堂本《李卓吾先生批評忠義水滸傳》插圖及其他插圖，梳理分析比對後的情況。
論文第四章，綜合第二章及第三章比對的結果，加以分類說明各版本圖與文之關聯性，除了討論插圖與文本間契合及悖離關係，另外針對袁無涯本不同於容與堂本特有現象，進一步加以敘述。
論文第五章，利用容與堂本《李卓吾先生批評忠義水滸傳》文本內容比對陳洪綬版畫《水滸葉子》，分析《水滸葉子》人物形象與小說《水滸傳》文本所描述之人物特色之關聯性。
第六章統整上述說法，藉由上述章節分析，說明插圖和小說文本間圖文互釋關係的存在及其優劣、契合，加以說明探究所得。Water Margin is an important and classic work of Chinese literature. It is an accumulation of works by several writers throughout history. Originally pure text, it was transformed into a novel with illustrations during Ming Dynasty. This study mainly focuses on the exploration of relevance between text and illustration with an attempt to analyze the correspondence or contradiction among the text and the illustration in the Water Margin. At the same time, the thesis is to evaluate formats and compositions of illustrations in different versions of Water Margin.
Chapter one deals with the motivation for the study. It demonstrates the focused version of illustrated Water Margin among a collected repertoire, as well as the version that serves as a contrary. An analysis is provided to verify the notion that illustrations and virtual text can be mutually interpreted.
Chapter two and three establish a comparison of Rong Yu Tang’s drawings in Mr. Li Zhuwu Criticized the Water Margin and other drawings from the perspective of mutual translation between text and illustrations.
Chapter four synthesizes the outcome of comparison in Chapter Two and Chapter Three. The relevance between illustrations and text is explored. The correspondence and contradiction between the illustrations and texts is also discussed. A further explanation on the features of Yuan Wu Ya’s version that differentiate itself from Rong Yu Tang’s version is displayed.
Chapter five analyzes the relevance between character imagery in Chen Hong Tuan’s block print Water Margin Leaves and the character imagery in the text of Water Margin. The rationale in Rong Yu Tang’s Mr. Li Zhuwu Criticized the Water Margin serves as reference in the analysis.
Chapter six provides an overview of the theory. Based on the analyses in previous chapters, the researcher demonstrates the mutual interpretation between illustrations and the novel itself. Findings about the advantages, disadvantages, and correspondence of illustrations and text are also exhibited.第一章 緒論 1
第一節 研究動機與目的 1
第二節 前人研究文獻回顧 4
第三節 研究範圍與方法 9
第四節 研究步驟 11
第五節 預期成果 12
第二章 容與堂本《李卓吾先生批評忠義水滸傳》插圖分析 14
第一節 第一回到第二十五回 14
第二節 第二十六回到第五十回 104
第三章 容與堂本《李卓吾先生批評忠義水滸傳》插圖分析 196
第一節 第五十一回到第七十五回 196
第二節 第七十六回到第一百回 273
第四章 容與堂本《李卓吾先生批評忠義水滸傳》插圖與小說文本 之關聯 345
第一節 容與堂本及其他版本圖文互釋的契合現象 346
一、插圖契合小說文本之優劣 346
二、背景表現多以留白處理 350
三、利用「散點透視」構圖 351
四、容與堂本畫面和回目毫無關聯性 352
五、版畫順序與小說回目不同 353
第二節 各版本之悖離文本現象 354
一、畫面詮釋明顯悖離文本 355
二、畫面表現跨回目 357
第三節 不同於容與堂本所詮釋 359
一、毫無插圖表現 359
二、擴大容與堂本詮釋文本段落 360
三、容與堂本完全沒有詮釋的段落 361
第五章 容與堂本《李卓吾先生批評忠義水滸傳》與《水滸葉子》人物形象之探討 364
第一節 《水滸葉子》 365
一、版畫《水滸葉子》365
（一）、創作年代 365
（二）、《水滸葉子》選繪角色及排組 366
（三）、現在傳世的版本 367
第二節 版畫《水滸葉子》人物造型與小說形象之異同 368
一、呼應小說所賦予的外在形象 369
二、表現小說所描寫的性格或情節 371
第三節 以畫贊呼應小說內容 373
第四節 小結 377
第六章 結論 379
參考書目 382學號: 699020078, 學年度: 10
FIGURE 3. SEM microphotographs. A-C in Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China
No full textFIGURE 3. SEM microphotographs. A-C: pollen (A) and seed (B, C) of Rhodiola smithii; D-F: pollen (D) and seed (E, F) of R. yushuensis.Published as part of Rong, Yu-Lin, Li, Guo-Dong, Zheng, Hai-Lei, Zhang, Jun & Meng, Shi-Yong, 2022, Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China, pp. 63-72 in Phytotaxa 548 (1) on page 67, DOI: 10.11646/phytotaxa.548.1.5, http://zenodo.org/record/659254
Morphological and molecular identification of Ellipsoidisporodochium gen. nov. (Tubakiaceae, Diaporthales) in Hainan Province, China
No full textLiu, Shu-Bin, Zhang, Zhao-Xue, Liu, Rong-Yu, Mu, Tai-Chang, Zhang, Xiu-Guo, Li, Zhuang, Xia, Ji-Wen (2022): Morphological and molecular identification of Ellipsoidisporodochium gen. nov. (Tubakiaceae, Diaporthales) in Hainan Province, China. Phytotaxa 552 (4): 259-266, DOI: 10.11646/phytotaxa.552.4.3, URL: http://dx.doi.org/10.11646/phytotaxa.552.4.
FIGURE 4 in Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China
No full textFIGURE 4. Bayesian phylogenetic tree based on ITS sequences for the genus Rhodiola. Bayesian posterior probabilities (PP) and bootstrap values (BP) are shown above the branches (PP/BP).Published as part of Rong, Yu-Lin, Li, Guo-Dong, Zheng, Hai-Lei, Zhang, Jun & Meng, Shi-Yong, 2022, Rhodiola yushuensis, a new species of Rhodiola (Crassulaceae) from Qinghai, China, pp. 63-72 in Phytotaxa 548 (1) on page 68, DOI: 10.11646/phytotaxa.548.1.5, http://zenodo.org/record/659254
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
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