3 research outputs found
PRINSIP NASIONALISME DALAM LIRIK LAGU KEBANGSAAN ARAB SAUDI DAN LAGU KEBANGSAAN INDONESIA: (Kajian Sastra Banding)
No full textThis study aims to describe the construction of the principle of nationalism in two different national anthems, namely the national anthem of Saudi Arabia and the national anthem of Indonesia. This study will compare the lyrics of the Saudi Arabian national anthem and the first verse of the song “Indonesia Raya” which is the Indonesian national anthem based on Hertz's principle of nationalism. This study uses comparative literature theory, which is to compare literary works from two different countries, different languages, and also different cultures. This study resulted in differences and similarities between two literary works in the form of poetry or lyrics of the national anthem of two countries, namely Saudi Arabia and Indonesia. The national anthem of Saudi Arabia by Ibrahim Khafaji represents the principle of nationalism which is integrated with Islamic values. The principle of nationalism in the Indonesian national anthem or known as the song "Indonesia Raya" focuses more on calls for unity and independence. The principle of Indonesian nationalism in the anthem Indonesia Raya does not indicate affiliation to a particular religion. The two national anthems have different perspectives in viewing a struggle to realize nationalism. However, the two songs have similarities in the principle of nationalism, the desire to achieve honor, namely the hope for the immortality of the state
Makna Fonemik dalam Semantik Arab: Ontologi, Epistemologi, Aksiologi
No full textThis study aims to provide an understanding of the phonemic meaning (dalālah ṣawṭīyah) in Arabic semantics. To provide an understanding related to dalālah ṣawṭīyah, this study carries out its research based on a philosophical framework of thought consisting of ontology, epistemology, and axiology. It can be concluded that the discussion of this research broadly discusses the ontology or nature of ṣawṭīyah, its epistemology or method, and the axiology or function of the branch of the discussion of semantics. This research is based on a literature review. In analyzing data obtained from the literature review, this study used qualitative methods. This research has revealed the nature of sound, how sound works, and the function of each sound method in the Arabic interpretation process. This research concludes that the sound in the dalālah ṣawṭīyah has an important role in determining meaning in all language structures starting from Arabic words, phrases, and sentences. The method of sound work in giving meaning to Arabic can be in the form of differences in phoneme sounds, sound stress (al-nabr) in syllables or words, as well as intonation (al-tanghīm) that occurs in a phrase or sentence.This study aims to provide an understanding of the phonemic meaning (dalālah ṣawṭīyah) in Arabic semantics. To provide an understanding related to dalālah ṣawṭīyah, this study carries out its research based on a philosophical framework of thought consisting of ontology, epistemology, and axiology. It can be concluded that the discussion of this research broadly discusses the ontology or nature of ṣawṭīyah, its epistemology or method, and the axiology or function of the branch of the discussion of semantics. This research is based on a literature review. In analyzing data obtained from the literature review, this study used qualitative methods. This research has revealed the nature of sound, how sound works, and the function of each sound method in the Arabic interpretation process. This research concludes that the sound in the dalālah ṣawṭīyah has an important role in determining meaning in all language structures starting from Arabic words, phrases, and sentences. The method of sound work in giving meaning to Arabic can be in the form of differences in phoneme sounds, sound stress (al-nabr) in syllables or words, as well as intonation (al-tanghīm) that occurs in a phrase or sentence
TIPE KEPRIBADIAN GHAZI AL-GOSAIBI DALAM KUMPULAN PUISI PADA DIWAN HADIQAH AL-GURUB (PSIKOANALITIK CARL GUSTAV JUNG)
No full textA poem is not created without a certain background. Among the factors that
influence the creation of poetry is the personality of the creator. This study aims
to analyze the personality type of the poet Ghazi Al-Gosaibi through the poems he
created in Dīwan Ḥadīqah Al-Gurūb with Carl Gustav Jung's psychoanalytic
study and its influence on the process of its creation. The method used in this
research is descriptive qualitative, namely by interpreting the poetry texts in
Dīwan Ḥadīqah Al-Gurūb descriptively with Carl Gustav Jung's psychoanalytic
perspective. The results of this study indicate that at the level of consciousness,
Ghazi Al-Gosaibi is an introverted person who involves feelings as reflected in his
poems. His poems are thick with intimacy, and there are many expressions of the
poet's feelings that appear in them. At the level of personal unconsciousness, Al-
Gosaibi is considered to have great affection because of his childhood education.
In addition, at an unconscious level, Al-Gosaibi is considered a wise and mature
person. His poems show his wisdom when he bids farewell to his siblings and
friends. His aging age made him more mature and wiser by praying a lot to God
through his poems and no longer thinking about worldly affairs. Al-Gosaibi's
personalities make his poems in Dīwan Ḥadīqah Al-Gurūb dominated by the
themes of sadness, compassion, and wisdo
