919 research outputs found
Gerhard Schumann : biography, work, effect of a prominent Nazi author
No full textIn meiner Dissertation zu dem Thema "Gerhard Schumann - Biographie. Werk. Wirkung eines prominenten nationalsozialistischen Autors" habe ich Gerhard Schumanns Biographie, Werk sowie dessen Wirkung im Rahmen historischer Ereignisse dargestellt und analysiert, um einen Beitrag zur Erforschung des Nationalsozialismus und seiner Literatur zu leisten. Kontinuitäten innerhalb der Literatur des Autors vor 1933, zwischen 1933 und 1945 sowie nach 1945 sollen dabei herausgestellt werden. Zentrale Themen und Motive im Werk des Autors werden aufgezeigt.Biographie, Gesamtwerk und Wirkung des Autors Gerhard Schumann sind auf der Grundlage von zeitgenössischem Quellenmaterial untersucht worden. Dies liegt in Form von Zeitungsartikeln, Briefen, Gesetzestexten, Aktenmaterial und anderem vor. Dazu waren verschiedene Archivreisen notwendig, um das Material zu sichten, zu sammeln und auszuwerten. Ich besuchte das Literaturarchiv in Marbach am Neckar, das Hölderlinarchiv in Stuttgart, das Stadt- und Universitätsarchiv in Tübingen, das Bundesarchiv in Koblenz mit den Außenstellen Berlin Lichterfelde, Freiburg im Breisgau und der Hauptstelle Koblenz sowie das Bayerische Staatsarchiv in München und das Archiv des Börsenvereins des Deutschen Buchhandels in Frankfurt am Main.Im Anschluss an die Biographie, die chronologisch den Lebensstationen Schumanns folgt, wird das Werk des Dichters, insbesondere seine nationalsozialistische Poetik, beschrieben, interpretiert und dessen Wirkung untersucht. Dabei werden Schumann und sein Werk in die Gruppe nationalsozialistischer Autoren, wie Anacker, Baumann, Bethge, Blunck, Euringer, Johst, Schauwecker, Vesper und von Scholz, eingeordnet. Ich gebe einen Gesamtüberblick über Schumanns Werk und analysiere die Hauptwerke des Autors genauer. Zu berücksichtigen ist, dass Schumanns Werk nicht als Gesamtausgabe vorliegt, und die Analyse nur entsprechend der vorhandenen Einzelausgaben erfolgen konnte. Dies lässt sich darauf zurückführen, dass er nicht den Popularitätsgrad besaß, wie zum Beispiel Hans Friedrich Blunck, für den die Blunck-Gesellschaft eine Gesamtausgabe herausgegeben hatte. Innerhalb der Werkbetrachtung, in der alle Schriften, die Schumann verfasste, berücksichtigt und die Hauptwerke näher analysiert werden, soll auf die Wirkung der Werke - vor allem der lyrischen und dramatischen - eingegangen werden. Von Bedeutsamkeit ist dabei, auf welche Weise sich seine lyrische Produktion nach 1945 von der früheren unterscheidet und inwieweit sich Parallelen aufzeigen lassen. Dabei findet ein Vergleich seiner Biographie mit der anderer nationalsozialistischer Autoren statt. Die Wirkung seiner Werke in dieser Zeit ist mit einzubeziehen und seine Rolle im kulturpolitischen Geschehen zu untersuchen.Mit der vorliegenden Arbeit möchte ich exemplarisch zeigen, dass Schumann - und er ist kein Einzelfall - als Lyriker und Kulturpolitiker des nationalsozialistischen Regimes zu sehen ist. Schumann gehörte zu einer Generation, die sich in den Dienst eines totalitären Systems stellte und ohne eine fundierte Ausbildung Karriere machte. Seine Lyrik hatte Propagandafunktion und trug dazu bei, das nationalsozialistische Herrschaftssystem zu etablieren und zu stützen. Ich gehe auf Schumanns Erfolg als Dichter ein, vor allem auf die Zeit zwischen 1939 und 1945, da während des Kriegs seine "Kriegs- und Reichslyrik" in hohen Stückzahlen aufgelegt wurde. Zunächst soll die nationalsozialistische Poetik am Beispiel Gerhard Schumanns dargestellt werden. Im Anschluss daran folgt die Thematisierung der frühen Kriegslyrik. Auch folgt ein allgemeines Kapitel zur Poetik des Nationalsozialismus am Beispiel Gerhard Schumanns. Am Ende der Forschungsarbeit gehe ich auf Schumanns Selbstverständnis als nationalsozialistischer Autor und die nationalsozialistische Poetik ein und mache deutlich, dass er einer der "prominenten" nationalsozialistischen Dichter war. Abschließend finden die späte Kriegslyrik und Dramatik Beachtung sowie eine Motivanalyse bezüglich des ´Führerkultes´ und der "Reichsthematik" bezogen auf das Gesamtwerk des Autors wird vorgenommen. Dabei erfolgt ein Vergleich mit der Biographie des Juristen Werner Best, durch den deutlich werden soll, dass die nationalsozialistischen Karrieren in den unterschiedlichen Bereichen Parallelen aufweisen. Die Untersuchung liefert eine Gesamtbibliographie des litearischen und essayistischen Werks, das Schumann vor, während und nach dem Nationalsozialismus verfasste. Auch gebe ich einen Überblick über die relevante Sekundärliteratur zur Gesamtthematik der vorliegenden Arbeit.In my dissertation "Gerhard Schumann - biography. Work. Effekt of a prominent Nazi author" I have described and analysed Gerhard Schumanns biography, work and its effect in the context of historical events in order to give a contribution for the research of National Socialism an his literature. Continuities within the literature of the author before 1933, from 1933 to 1945 and after 1945 will be shown. The main themes and motifs in the work of the author will be identified.Biographie, complete work and the effect of the author Gerhard Schumann has been investigated on the basis of contemporary source material. This exists in form of newspaper articles, letters, legal texts, reference material and others. I made different archives travels in order to sight the material, to collect and evaluate it. I visited the Literature archives in Marbach am Neckar, the Hölderlin archives in Stuttgart, the city and university archives and the archives of Hölderlin society in Tübingen, the Federal Archives in Koblenz with the field offices Lichterfelde Berlin, Freiburg im Breisgau and the main body Koblenz, the Bavarian State Archives in Munic and the archives of the Trade Association of German Book Trade in Frankfurt am Main.After the biography, which shows the chronological life stations of Gerhard Schumann, the analysis follows the work of the poet, in particular its Nazi poetry. This is described, analysed and examined on its effect. Schumann and his work will be classified in the group of Nazi-authors, like Anacker, Baumann, Bethge, Blunck, Euringer, Johst, Schauwecker, Vesper and von Scholz. I give an overview of Schumann´s work and analyse the major works of the author accurate. To take into account is, that Schumann´s work doesn´t exist as complete work, and the analysis only in accordance with the existing single expenditure. This can also lead back, that he hadn´t the degree of popularity, such as Hans Friedrich Blunck, the Blunck society issued a complete work of the author. Within the workshop consideration, in which all the books, Schumann wrote, and considered the main works closer, will analysed the effect of the works - especially the lyrical an dramatic - has taken place. Of significance is the manner, in which his lyrical production after 1945 distinguishes by the former and to show what extent are still parallels. I compare his biography with the biographies of other Nazi authors. The effect was his invention works in this time is involved with his role in the political culture.With this work I give an example, that Schumann, and he is not an isolated case - is to show as a poet and a politician for culture of the Nazi Regime. Schumann belonged to a generation, in the service of the National Socialism, who made without an education a strong career. His poetry had propaganda function and contributed to establish and support the National Socialism. Im going to show Schumann´s success as a poet, especially in the period from 1939 to 1945, during the war, because his ´war and imperial poetry´ existed in large quantities listed sets. So the Nazi poetics Gerhard Schumann presented the Nazi poetics. Following this is the issue of the early "war poetry". Also follows a general chapter on the poetics for National Socialism with the example Gerhard Schumann. At the end of the research work I go to Schumann´s self-image as a Nazi author and to the Nazi poetry and make it clear, that he was one of the ´prominent´ Nazi poets. Finally, the "late war poetry", a drama attention and a motive analysis on the "leadership cult" and "reach issues" to the main work of the author has been given. After that I make a comparison with the biography of the lawyer Werner Best with the clear aim to ensure, that the Nazi careers in different areas had parallels. The study provides a comprehensive bibliography of the literary and essayis work, that Schumann wrote before, during and after the National Socialism. Also I give an overview of the relevant literature to the general theme of this work
Letter to Maria probably from Marie Schumann, 1841-1929
No full textThis is probably a letter from the eldest daughter of Robert and Clara Schumann, Marie. She lived until the end of her life in Interlaken, Switzerland. The author of the letter writes to a "Miss Maria" who seems to be the sister of Eduard Euler. She asks for her Schumanniana, especially drawings, since she was asked by some people for material to include a music museum. The query is posed (perhaps) because the grandparents of "Miss Maria" were friends of the Schumanns. They were Mr. and Mrs. Bendemann. Mr. Bendemann was an artist. The letter is fragmentary. At least one page is lost
Interview: Is the Polish Logic One of the Best Traditions Still?
No full textThe interview of Andrew Schumann, the managing editor of Studia Humana with Roman Murawski, Professor at Faculty of Mathematics and Computer Science of Adam Mickiewicz Universit
[Artikel zur] DIN SPEC 33453 – Entwicklung digitaler Dienstleistungssysteme
No full textIn diesem Artikel geht es um das Projekt DIGIVATION. Roman Senderek und Lukas Stratmann vom FIR e. V. an der RWTH Aachen beschreiben gemeinsam mit Verena Wolf vom Lehrstuhl für Betriebliche Informationssysteme der Universität Paderborn und Prof. Dr. Jan H. Schumann vom Lehrstuhl für Marketing und Innovation an der Universität Passau den Projektrahmen
Faculty artist series: Roman Totenberg, violin, Shizue Sano, piano, April 7, 1994
No full textThis is the concert program of the Faculty Artist Series: Roman Totenberg, violin, Shizue Sano, piano performance on Thursday, April 7, 1994 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were Sonata in A minor for Violin and Piano, Op. 105 by Robert Schumann, Duo for Two Violins by Darius Milhaud, Sonata in A major for Violin and Piano, Op. 47 No. 9, "Kreutzer" by Ludwig van Beethoven, Song and Dance Caprices by Charles Fussell, Romanza Andaluza, Op. 23 by Pablo de Sarasate, Caprice No. 24 for Solo Violin by Niccoló Paganini, and Polonaise in D major, Op. 4 by Henri Wieniawski. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Psychological Revelations by Robert Schumann
No full textАвтор статьи акцентирует внимание на анализе творчества выдающегося композитора-романтика Роберта Шумана с точки зрения психологической глубины музыкальных произведений. = The author centers round the analysis of the creative work of the outstanding composer romanticist Robert Schumann from the point of view of psychological depth of his musical works. Influence on Robert Schumann of one of his most significant predecessors in the sphere of musical psychology, Franc Schubert, is considered in the article
Schumann
No full textJ. A. Fuller Maitland (1856–1936), whose Masters of German Music is also reissued in this series, was music critic of The Times for 22 years, was the editor of the second edition of Grove's Dictionary of Music and Musicians, prepared an edition of the Fitzwilliam Virginal Book, and also worked on Purcell and on folk song. This biography of Schumann, in the 'Great Musicians' series edited by Francis Hueffer, was published in 1884, 28 years after its subject's death. It is dedicated to Schumann's widow, Clara, who the author consulted, along with Joachim and others; but he also acknowledges that those hoping for an exhaustive life of Schumann would be disappointed: 'The time for writing such a life is not yet come.' Nevertheless, this book contains a survey of Schumann's compositions as well as his critical writings and a range of contemporary critical responses to his work.</jats:p
The art song of Robert Schumann with focus on the song cycle Dichterliebe
No full textIn my bachelor thesis I am analyzing the music cycle of Robert Schumann "The Poetś Love" . Theresearch deals with the cycle from the music, lyric and comparative interpretation point of view. The thesis discovers private and work life of the composer. Schumann´s work focuses mainly on piano composition, which is also mentioned in the thesis, and song composition, themost fruitful period of which began in 1840. The thesis also encompasses the treatise abour Heinrich Heine, on who´s lyrics the cycle was composed. I also talk briefly about the cooperation between two artists. Schumann´s everlasting ispiration was his wife Clara Schumann. Besides the deep love to Clara, the clear expresson and related timeliness, which we can constantly discover, reflected in his artistic message. In the thesis we are mentioning original names in German for particular songs, translations in Czech, made by various authors. In interpretation comparison based on the recording we see mainly the benefit from the point of different views and dramatically grasp of the cycle, which is, to my mind, very important for the singers
Robert Schumann and Richard Wagner as music critics
No full textThe music reviews of Robert Schumann and Richard Wagner are central documents of 19th-century German musical culture. This book takes a closer look at the way these texts were written and explores the significant contributions Schumann and Wagner made to the discourse of musical appraisal. To that effect, the author raises fundamental questions that have thus far remained unaddressed: What textual features characterize the critical writings? How do Schumann and Wagner understand their roles as critics of music? And in what way do they reach out to the reader?
Rather than understanding these critical writings exclusively as a gateway to the compositions and musical aesthetics of Schumann and Wagner, this book analyzes the texts through the lens of pragmatics, narratology and discourse analysis. Using this interdisciplinary perspective, the author proposes to understand Schumann and Wagner within the broader medial and discursive context of German ‘Kritik’. He challenges the dominant narrative that brands Schumann and Wagner as elitist Romantic critics, demonstrating instead that they actively encourage their readers to form their own judgements. This volume is an indispensable resource for scholars of German literature, periodicals and music alike
A study on 「Humoreske, Op. 20」By Robert Schumann
No full text본 논문은 본인의 석사 과정 이수를 위한 졸업 연주회의 곡목 중 슈만 (Robert Schumann 1810-1856)의 「유모레스크 (Humoreske), Op. 20」에 관한 연구 이다. 본 연구에서는 슈만의 성격 소품에 대해 알아보고 그의 음악에 나타나는 일반적인 특징을 살펴보겠다. 그리고 「유모레스크, Op. 20」의 분석을 통해 최종적으로 슈만의 낭만주의 음악 어법을 이해하는데에 목적을 두었다.
19세기에는 그랜드 피아노가 좀더 현대적인 형태에 가깝게 발전하였으며 다른 어떤 악기보다 피아노를 위한 작품이 소품 형태로 다수 작곡되었다. 특히 성격 소품(character piece)은 자유로운 형식 안에서 작곡가의 주관적인 감정을 충분히 표현할 수 있었기 때문에 많은 작곡가들이 선호하는 형식이었다.
슈만은 피아노를 위한 성격 소품에 가장 많은 관심을 가졌던 작곡가이다. 그는 소품 여러 개를 묶어서 하나의 모음곡 형태로 만들었는데 각각의 소품은 묘사적인 제목을 가지는 경우가 많다. 수만은 피아노를 통하여 자신의 감정을 가장 자유롭게 표현할 수 있었기 때문에 그의 피아노 작품에는 슈만 음악의 본질이 잘 나타나고 있다.
슈만의 성격 소품 중 하나인 「유모레스크, Op. 20」은 1839년 작곡된 곡으로 수많은 부분들이 반복되는 형태로 진행된다. 슈만의 관념, 감정, 재치, 창조적인 개성이 무의식적으로 표현되었지만 어느 정도의 통일성도 나타나는 곡이다.
본 논문은 슈만의 피아노 작품에 나타난 전반적 특징과 성격 소품을 소개하며, 「유모레스크, Op. 20」의 악곡 분석을 통하여 슈만의 낭만주의적 음악 어법을 정리하였다. 본 연구를 통해 슈만은 자신의 음악 안에 기교적인 화려함 뿐 아니라 궁극적으로는 음악의 본질을 추구하고 자신만의 정신 세계를 표현하고자 하였다는 사실을 알 수 있었다. 그는 자신의 복잡하고 미묘한 잠정을 피아노 음악 안에 담기 위해 끊임없이 노력하였으며, 음악외적인 요소를 통해 더욱 다양한 표현을 시도하였다. 이러한 면에서 슈만은 19세기 후반의 피아노 음악사에서 가장 낭만적인 작곡가이며, 「유모레스크, Op. 20」은 그의 뛰어난 음악 어법을 보여주는 위대한 작품이라고 할 수 있다.; This thesis is a study on Robert Schumann (1810-1856)&apos;s 「Humoreske, Op. 20」, a part of the repertoires of this author&apos;s recital for the completion of master degree. In this thesis, the author will look at character piece of Schumann through analyzing 「Humoreske, Op. 20」 and understand romantic pianism.
Because grand piano became more popular instrument in nineteenth century, there are much piano works written. Character piece could stand as a mostly used form for composers as it has no specific rules to follow.
Schumann was also interested in character piece for piano. He collected a number of character pieces and published a suite. Each character piece had its own descriptive titles. For Schumann, the piano was a universal instrument, capable of expressing his most secret intentions. Therefore, the character piece reflects Schumann&apos;s nature well.
One of Schumann&apos;s character pieces, 「Humoreske, Op. 20」 has many repetitive sections and was written in year 1839. Schumann wrote this character piece without certain formats but still follows certain regulation overall.
The author talks about circumstances Schumann was in when he was writing character pieces, and the general tendency reflected in his works in the second chapter of this thesis. In the third chapter, the author finds about composing skills of Schumann through analyzing 「Humoreske, Op. 20」 and briefly looked at performance practice.
The author understands that Schumann not only had brilliant technics in his music but also tried to find his own ways of expressing his mentality. He continued to try to reflect his complex thoughts in his compositions by using various styles including literal titles. With the above, Schumann is recognized as the most romantic composer of the latter of the nineteenth century, and 「Humoreske, Op. 20」 is a splendid piece that reflects his amazing talents.Ⅰ. 서론 1
Ⅱ. 슈만의 피아노 음악 3
A. 전반적 특징 4
B. 성격 소품(character piece) 10
Ⅲ. 「유모레스크(Humoreske), Op. 20」의 분석 15
A. 작품 개요 15
B. 악곡 분석 17
Ⅳ. 「유모레스크(Humoreske), Op. 20」의 음악어법 33
Ⅴ. 결론 51
참고문헌 53
ABSTRACT 5
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