1,720,959 research outputs found
The Shape of Knowledge: University Campuses as Historic Urban Landscapes through Experiences of the University of Auckland and Politecnico di Torino
No full textThis paper interconnects the diachronic development of two academies at geographical antipodes: the University of Auckland, Aotearoa New Zealand, and the Politecnico di Torino, Italy, in sharing the apparent contradiction between the words “urban” and “campus” at the crossroads of urban design, modern architectural tradition and historic urban landscape, critically tied with contemporary debates. Offering readings of selected sites for each campus that encapsulate socio-economic developments, urban and architectural morphologies, and cultural landscapes’ international reputations, the paper draws from a hybrid methodological approach that combines the global guidelines of the UNESCO Historic Urban Landscape approach, focused on the preservation of the layers of heritage in the urban context, to the urban planning reading of programmes and achievements of the modern age in complex integration of urban history and academic physical spaces. In particular, it explores the contribution and influences of architects, urban planners, heritage conservation experts, decision-makers and community representatives within such developments. The ultimate goal is to bring together historical and spatial inquiry towards a critical practice. On the one hand, it reveals a stimulating counter-history of a model university campus that is the site of cross-cultural exchanges rather than a colonisation template to be easily exported or imported. On the other hand, two antipodal university centres with endemic divergences – but comparable international appeal – appear as key representatives of the urban dimension and history of their hosting cities with clear projects, shaping strategies according to opportunities, limits and contingencies
Ideas for a cross-fertilisation of heritage policies between two hemispheres: a dialogue of Italy and New Zealand
No full textThe present research presents an analysis of the management policies and practices of the Italian and New Zealand cultural heritage. The parallel observation of practices in the respective countries aims at producing cross-fertilised guidelines between them
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Introduction by curators
No full textTo celebrate an unconventional dialogue between Italy and New Zealand, on the 15th of July 2021, the Italian Pavilion of the 17th Venice Architecture Biennale hosts Weaving, a symposium which welcomes contributions from the two countries creating an unprecedented bridge between them. The symposium was composed by the intertwining of a multifarious set of presentations, readings, interviews, sound and visual performance. Far from a comparative report between the two countries, and to contrast the ephemeral and superficial modes of exchange we are being accustomed to by a distorted use of digital means – and by the increasingly pervasive instrumentalisation of knowledge – Weaving adopts a twofold strategy: a selected collection of 11 original short stories which play with the idea of antipodal counterparts and heuristic Doppelg ngers. Giving voice to local excellences from architectural, artistic, urban and cultural studies, all contributors were asked to weave their narratives
around a trigger: a drawing, an image, an artefact or any other mode of representation as the conveyor of ideas, or something that is able to circulate thoughts even between antipodal contexts, realms and zones of imagination. The exchange that occurred during the symposium
was grounded on these tangible roots. That’s why we – the curators – felt comfortable in using the metaphor of weaving to enhance the idea of this trans-hemispheric dialogue. The title, in fact, plays with the two levels of the term: the material, related to the craftsmanship and artisanal knowledge of both countries, and the metaphorical one, related to the dialectic intertwining between the two hemispheres
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