723 research outputs found

    Wanda Canada

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    Photograph of Wanda Canada. Wanda R. Canada (1941- ) is a local author. She has set her murder mystery series in the Cape Fear area

    Colias wanda subsp. wanda wanda Grum-Grshimailo 1907

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    Colias wanda wanda Grum-Grshimailo, 1907 (Figs. 3, 5, 7, 41, 43–44, 46–47, 49 –50, 52–53, 68) Colias eogene wanda Grum-Grshimailo, 1907: 13 (TL: Hachen, Lajishan, Qinghai: Grieshuber et al., 2012). Colias baeckeri Kotzsch, 1930: 236 (TL: Dingtsiang-miau = Dingqiangmiao, Gansu); Verhulst, 1994b: 587, 589- figs. for ♂♂ & ♀♀; Grieshuber, 1999: 47, synonymic list; Verhulst, 2001: pl. 55, figs. 1–24 for ♂♂ & ♀♀; Dietz, 2002: 93, 95- figs. 3, 6–12 for ♂♂ & ♀♀; Grieshuber & Lamas, 2007: 164, synonymic list; Grieshuber et al., 2012: 57, discussions on type series, type locality and historical overview on taxonomic status (these various historical taxonomic changes in literature are not repeatedly cited herein); Grieshuber, 2016b & 2020: photos of type specimens. Colias stoliczkana wanda: Rose & Schulte, 1992: 96. Colias arida baeckeri: Rose & Schulte, 1992: 98. Colias stoliczkana baeckeri: Hoshiai, 1996: 10, figs. 62–65 for ♂ & ♀. Colias stoliczkana ssp.: Hoshiai, 1996: 10, figs. 54–57 for ♂ & ♀. Colias baeckeri paskoi Kocman, 1999: 56, pl. 8, figs. 3–4 (TL: Chiehku = Yushu, S. Qinghai); Dietz, 2002: 93, synonymy for C. baeckeri; Grieshuber & Lamas, 2007: 164, synonymic list; Grieshuber et al., 2012: 177, discussions on type series, type locality and taxonomic status. Colias wanda: Grieshuber & Churkin, 2003: 249–251, lectotype designation; Grieshuber et al., 2012: 235–237, discussions on type series, type locality and taxonomic status, records from Tsona, S. Tibet, 239, record from W. Sichuan (no further information), pl. 23, figs. 1–12 for ♂♂ & ♀♀ (type specimens); Grieshuber, 2014: 60, figs. for ♂♂ & ♀♀, record from Qia la, Chamdo, E. Tibet; Grieshuber, 2016a: photos of type specimens. Colias wanda baeckeri: Grieshuber & Churkin, 2003: 253, synonymy for C. wanda. Colias wanda paskoi: Grieshuber & Churkin, 2003: 253, synonymy for C. wanda. Colias wernerbacki Miller, 2009: 482, pl. 5, figs. 2-2b (TL: Bhutan (West), Himalaya-Gebirge, Paro-Gebiet, nordl. Chomalhari-Hange, Umg. Jangothank); Grieshuber et al., 2012: 239, discussions on type series, type locality and taxonomic status, synonymy for C. wanda wanda. Material examined. CHINA: Qinghai: 13 ♂♂ & 2 ♀♀ (CSK, CHH), Niuxinshan, Babao, Qilian County, 27– 29.VII.2008, K. Song leg.; 6 ♂♂ (CSK), Erlonggou, Qilian County, 24–26.VII.2008, K. Song leg.; 33 ♂♂ & 14 ♀♀ (CSK, CHH), NE. of Dulan County, 24–26.VII.2010 & 26.VII.2015, K. Song leg.; 11 ♂♂ & 4 ♀♀ (CSK), SW. of Dulan County, 15.VII.2021, K. Song leg.; 1 ♂ & 2 ♀♀ (CSK), Guanjiaoshan, Tianjun, 4–10.VII.2020, Y. Yang leg.; 1 ♀ (CHH), Guanjiaoshan, 20 km SW. of Tianjun, 30.VII.2020, S.-Y. Lang leg.; 6 ♂♂ & 1 ♀ (CHH), Huashixia, 5.VII.2020, Z. Yao leg.; 3 ♂♂ (CSK), On road from Tongren to Xiahe, 10.VII.2018, K. Song leg.. Diagnosis. For differences between C. wanda wanda and C. arida cakana, see under C. arida cakana. For differences between C. wanda wanda and C. adelaidae adelaidae, see under C. adelaidae adelaidae. Identification. The photos of the type specimens of both Colias wanda and C. baeckeri presented by Grieshuber (2015, 2016a, 2020) on the internet are consulted. One of the male specimens from Tongren area (Fig. 7 - Specimen C27), neighbouring to the type locality of C. wanda, is almost identical with the lectotype of C. wanda in the wing-characters. Male and female specimens from Qilian County are in common with some of the type specimens of C. baeckeri. The authors agree with Grieshuber & Churkin (2003) in synonymizing C. baeckeri with C. wanda, considering the great individual variations in male and the consistence of the wing characters in female. The male specimens from Huashixia area are a little different in the more frequently greenish ground color on hindwing underside, but such difference is not out of the individual variations of C. wanda wanda. The female specimens from Huashixia are in common with the females from the other localities in Qinghai. Specimens from Dulan area are larger than in other populations of C. wanda, often as large as the specimens of C. arida cakana; they are identified as C. wanda wanda on the female characters. Flight period. Whole July. Altitude. 3800–4300m. Distributional notes. The junior author collected 3 ♂♂ from a locality of Tongren (Fig. 68), close to Xiahe, the type locality of C. adelaidae. He also collected a series of specimens from a locality of Dulan (Fig. 68), ca 15 km away from a new locality of C. adelaidae at Dulan.Published as part of Huang, Hao & Song, Kui, 2022, A review of the genus Colias Fabricius, 1807 (Lepidoptera: Pieridae) from Qinghai with descriptions of a new subspecies of Colias thrasibulus Fruhstorfer, 1910, pp. 451-489 in Zootaxa 5105 (4) on pages 455-456, DOI: 10.11646/zootaxa.5105.4.1, http://zenodo.org/record/633377

    WANDA AND ME: THE CONTINUOUS RISE OF PUERTO RICO\u27S GREATEST PYRAMID SCHEMER

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    Wanda Rolón is Puerto Rico\u27s most prolific pastor. Her megachurch seats more than 4,000 people. She has ties to the government. She owns several radio and TV stations, and has reached millions. Follow the reporter as she visits Rolón\u27s church, and discovers Wanda\u27s modus operandi, and a bit of herself in this longform narrative. https://medium.com/@nataliarodrguezmedina/wanda-and-me-the-continuous-rise-of-puerto-ricos-greatest-pyramid-schemer-f2d4ab9e8b5

    Occupation: reporter : about Wanda Melcer, the involved flâneuse

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    In the paper "Occupation: reporter. About Wanda Melcer, the invoked flâneuse" the author analyses a reportage by Wanda Melcer which was published in 1936 as "The Dark Continent - Warsaw ". Firstly, the author reflects on the status and the perception of this book, then the role of woman-write.r in the publicsphere and space in the 20s ol die last century. Primarily, the text focuses on literary forms in which Melcer verbalises her experience and characterises the local Jewish community

    MIMESIS PADA GAMELAN WANDA ANYAR

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    Koko Koswara (Mang Koko) which is a reformer figure in Sundanese music (karawitan) able to create a new genre art that remains oriented to the aesthetics of Sundanese gamelan. The genre is called Gamelan Wanda Anyar created around the 70s. The authors are interested to study the instrument / gending of this art which has a dynamic musical form structure. The phenomenon of sound that occurs in Gamelan Wanda Anyar dish stimulates the writer to trace it further in both textual and contextual. In dissecting this case the author uses the aesthetic theory that Aristotle devised about mimesis (imitation). The purpose of this paper is to provide cm overview of the work of Mang Koko mean poured in the Gamelan Wanda Anyar which until now is still a benchmark of the artists in developing Sundanese music(karawitan

    Wanda, królowa sarmacka – próba epopei

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    1809 saw an anonymous publication of a fragment of the poem Wanda, królowa sarmacka [Wanda, the Queen of Sarmathians]. We read that Wanda, the daughter of Krakus, wanders with her companions as an envoy to the Jazyges to ask them for help against the Germanic invaders led by Rotygar. On their way they meet a pious hermit who advises them on the value of virtue and predicts the princess’s future. During their further voyage, as they are sailing down the Danube, a storm caused by the wind god Pochwist on request of the love goddess Dzidziela destroys their barge. Wanda’s companions die while she survives and travels on, holding on to a piece of the barge. Wanda recalls the tradition of epic; the author introduces motifs typical for this genre, including the epic machinery, replacing the ancient gods with characters from the Slavic mythology, opposing the decrees of the Christian God. The work, however, has also some distinct features of a descriptive poem. Wanda is a very good indication of changes which occurred in epic poetry in early 19th century

    Wanda, królowa sarmacka – próba epopei

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    1809 saw an anonymous publication of a fragment of the poem Wanda, królowa sarmacka [Wanda, the Queen of Sarmathians]. We read that Wanda, the daughter of Krakus, wanders with her companions as an envoy to the Jazyges to ask them for help against the Germanic invaders led by Rotygar. On their way they meet a pious hermit who advises them on the value of virtue and predicts the princess’s future. During their further voyage, as they are sailing down the Danube, a storm caused by the wind god Pochwist on request of the love goddess Dzidziela destroys their barge. Wanda’s companions die while she survives and travels on, holding on to a piece of the barge. Wanda recalls the tradition of epic; the author introduces motifs typical for this genre, including the epic machinery, replacing the ancient gods with characters from the Slavic mythology, opposing the decrees of the Christian God. The work, however, has also some distinct features of a descriptive poem. Wanda is a very good indication of changes which occurred in epic poetry in early 19th century

    L’obbligatorietà della rinnovazione della prova dichiarativa nel giudizio di rinvio

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    Per la Corte di cassazione il giudice del rinvio ha il dovere di riacquisire la prova dichiarativa, ai sensi del comma 3-bis dell’art. 603 c.p.p., sempre che sussistano i presupposti normativi, ovvero si tratti di un overturnig “verticale” e non, invece, di un ribaltamento decisorio tra la sentenza rescindente e quella rescissoria. L’Autore, dopo aver individuato la fonte del potere/dovere della riassunzione della prova orale in fase di rinvio nell’art. 627, comma 2, c.p.p., si sofferma sui limiti di applicabilità dei principi europei in materia di immediatezza nel rito rescissorio. L’obiettivo è l’individuazione di una soluzione di compromesso tra la funzione di controllo - propria di ogni impugnazione - e l’esigenza di oralità e di immediatezza che deve permeare tali giudizi.For the Court of Cassation the referring judge has the duty to regain the declaratory proof, pursuant to paragraph 3-bis of art. 603 c.p.p, provided that the normative presuppositions exist, that is to say that it is an overturnig “vertical” and not, instead, a reversal of the decision between the rescindent and the rescissoria sentence. The Author, after having identified the source of the power/duty of the reassignment of the oral test during referral in art. 627, paragraph 2, c.p.p., focuses on the limits of applicability of European principles in the field of immediacy in the rescissory rite. The aim is to find a compromise solution between the control function - specific to every appeal - and the need for orality and immediacy that must permeate these judgments

    Maria Konopnicka's letters to Wanda Młodnicka from the Pawlikowski Family Home Archive

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    The article contains 16 so far unpublished letters sent by Maria Konopnicka to Wanda Młodnicka in the years 1891-1903. The autographs of the letters from the Home Archive of the Pawlikowski family are currently to be found in the Jagiellonian Library, in the letter collection of Wanda Młodnicka (BJ, library reference: Przyb. 21/04). Wanda Młodnicka née Monné (1850-1923) - who was a translator, author and painter, was a well-known fi gure in the cultural-artistic circles of Lvov in the latter half of the 19th century. However in the awareness of both her contemporaries and of posterity, she has remained, above all, as Artur Grottger's muse and fi ancée

    Women and Femininity in the Literary Works of Wanda Malecka

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    Twórczość literacka Wandy Maleckiej poświadcza jej stopniową emancypację intelektualną i uwrażliwienie na kwestie dotyczące pozycji kobiet. Przełom drugiej i trzeciej dekady XIX w. był dla niej okresem poszukiwań formalnych wśród gatunków oświeceniowych: dialogu, bajki, anegdoty. Prezentowany w nich obraz kobiecości pozostawał stereotypowo prześmiewczy. Drugi etap łączy się z powstaniem Wyjątku z historycznego poematu Wanda, tekstu poetyckiego, wystylizowanego zgodnie z estetyką romantyczną i przynoszącego kreację silnej, niemal androginicznej postaci kobiecej. Wreszcie lata 30. zostały zdominowane przez sentymentalną nowelę, najodważniej dotykającą kwestii nierówności płci.Wanda Malecka’s literary work remains a proof of her gradual acknowledgment of woman role in society. In the 1810’s and 1820’s she was experimenting with different Enlightment era literary genres, such as dialogue, fable and anecdote. The representation of femininity portrayed in those works was consequently mocking. The romantic poem “Wyjątek z historycznego poematu Wanda” marks the second phase, as it brings heroic lead female character, attributed with male features and desires. In the 1830’s the author focused on short sentimental novels, where the issues concerning gender inequalities were most [email protected] Westermark – doktor nauk humanistycznych, pracuje w Instytucie Literatury Polskiej na Wydziale Polonistyki Uniwersytetu Warszawskiego. Zainteresowania badawcze koncentruje wokół historii literatury romantyzmu oraz problematyki komparatystycznego ujmowania prawa i literatury. Autorka monografii „Muszę się trzymać prawa”. Kultura prawna w twórczości Juliusza Słowackiego (Warszawa 2023).Uniwersytet Warszawski[Korespondencja Stanisława Jachowicza z lat 1846–1857], Biblioteka Narodowa, 1846–1857, sygn. 5775.Malecka, Wanda. „Braminka”, Wanda. 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Ossolińskich, 1988).Sokół, Zofia. „Z badań nad polską prasą kobiecą w latach 1818–1939”, Kwartalnik Historii Prasy Polskiej, t. 22, 1983, 5–12.Sroczyńska, Bogumiła. „Działalność publicystyczna i literacka pierwszej polskiej kobiety redaktorki, Wandy Maleckiej (1800–1860)”, Kwartalnik Historii Prasy Polskiej, t. 24, 1985–1986, 5–26.Żyrek-Horodyska, Edyta. „Gazeciarki. O dziennikarskich karierach kobiet w I połowie XIX wieku”, Rocznik Historii Prasy Polskiej, t. 22, z. 3, 2019,19–40.1(14)537
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