1,721,541 research outputs found
Elenchus rerum omnium quae in libris omnibus R.P.F. Ludouici Granatensis ... continentur ...
No full textColofón en h. 260 y en h. 2l\b7\s vSign.: ¶\p8\s, a-z\p8\s, 2a-2i\p8\s, 2k\p4\s, 2l\p8\s, [ ]\p2\sPort. con esc. xil de los Franciscano
Título: De immunitate ecclesiarum
No full textColofón en v. de V\b7\sColofónSign.: *\p8\s, A-V\p8\sPort. con grab. xil. de S. Pedro y S. PabloSign.: *\p8\s, A-T\p8\s, V\p7\
Título: In vitas sanctorum Patrum Aegyptiorum & eorum, qui in Scythia, Thebaida & Mesopotami morati sunt...
No full textAtribuida erróneamente a S. JerónimoColofónSign.: ¶\p4\s, A-Z\p8\s, 2A-2Z\p8\s, a-g\p8\sTexto a dos colPort. con grab. xil., representando a S. JerónimoSign.: ¶\p4\s, A-Z\p8\s, 2A-2Z\p8\s, a-f\p8\sTexto a dúas colPort. con grav. xil., representando a S. Xerónim
Divi Hieronymi stridonensis, presbyteri cardinalis, in vitaas sanctorum patrum aegyptiorum, & eorum ... in quatuor partes diuisus ...
No full textSign.: [calderón]\p4\s, A-Z\p8\s, 2A-2Z\p8\s, a-g\p8\sPort. con grav. xilTexto a dúas co
Tabula remissionum rerum omnium : quae continentur in libris R.P.F. Didaci de Stella de Vanitate seculi & meditationibus Amoris Dei, in qua quae Euangeliorum considerationibus ... adaptari possunt quasi digito demonstratur
No full textColofón sin el ed., en r. de 2T\b8\sExisten ejemplares con variantes en primer cuadernillo, con sign. [calderón]\p8\s y port. con esc. xil. nobiliario (Ruiz Fidalgo, 1140 B)ColofónSign.: [cruz latina]\p8\s, [ ]\p2\s, A-Z\p8\s, 2A-2T\p8\sPort. con esc. xil. de los franciscano
Nutrición en el cultivo de pecán
Get PDFPrograma de Capacitación para el Desarrollo Productivo del Cultivo de Nuez Pecán en la Provincia de CorrientesEl pecán como toda especie vegetal requiere para su normal crecimiento y desarrollo de 16 elementos, considerados esenciales, como, Nitrógeno, Fosforo, Potasio, Calcio, Azufre, Magnesio, Cinc, Boro…entre otros.
De este conjunto de elementos, el NITROGENO Y EL CINC son los dos nutrientes de mayor influencia en el crecimiento, desarrollo y calidad de la nuez además del POTASIO y FOSFORO.EEA Bella VistaFil: Rodriguez, Diego Edgardo Manuel. Instituto Nacional de Tecnología Agropecuaria (INTA). Estación Experimental Agropecuaria Bella Vista. Agencia de Extensión Rural Bella Vista; Argentin
Naturalization record of Rodriguez, Diego
No full textThe naturalization certificate for Diego Rodriguez of Cuba. Signed by Judge Barron Phillips
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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