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Rubem Braga: a simbiose jornalística e literária
No full textEste trabalho tem como objetivo analisar o primeiro livro do escritor-jornalista Rubem Braga (1913-1990), O conde e o passarinho, coletânea de crônicas publicadas em 1936. No decorrer da vida, o escritor capixaba ficou marcado por escrever para jornais quase que exclusivamente textos de crônicas, muitas delas publicadas, posteriormente, em coletâneas ao longo dos anos, inclusive após a sua morte. Nosso estudo buscou respaldo tanto nas teorias literárias a respeito do gênero crônica, sobre suas características, história e processo de “adaptação” no Brasil, como na fortuna crítica do cronista. A análise crítico-interpretativa do corpus procurou evidenciar as estratégias textuais empregadas pelo autor e o diálogo que, muitas vezes, se estabelecia entre os textos da obra. Desse modo, partindo dessas categorias analíticas, tentamos ressaltar as questões mais significativas do objeto artístico estudado, sobretudo a recorrência de alguns temas em seus textos, como a defesa aos menos favorecidos, a descrição da mulher brasileira e seus comentários sobre leis e notícias da época. Também buscamos abordar e analisar as personagens presentes na antologia, bem como destacar as referências culturais utilizadas pelo autor, sejam elas literárias, musicais ou cinematográficas e, por fim, apontar o recurso frequente à metalinguagem na construção de parte das crônicas. A partir desse recorte, nossa análise buscou compreender os aspectos sociais, econômicos e políticos da década de 1930, sobretudo porque a crônica, gênero híbrido, caracteriza-se por transitar entre as esferas do jornalismo e da literatura e também entre o particular, o tempo vivido pelo cronista, e o universal, que permite ao cronista explorar a essência humanaThis study aims to analyze the first book of the writer-journalist Rubem Braga (1913- 1990), O conde e o passarinho, a collection of chronicles published in 1936. Throughout life, the writer from Espirito Santo State was marked by writing for newspapers almost exclusively chronicles, many of them published later in collections over the years, even after his death. Our study sought support both the literary theories about the chronic gender, on its characteristics, history and process of adaptation in Brazil, as in the critical fortune of the chronicler. The critical interpretive analysis of the corpus sought to highlight the textual strategies employed by the author and the dialogue that often was established between the texts of the work. Thus, from these analytical categories, we have tried to highlight the most significant issues of the artistic object studied, especially the recurrence of certain themes in his writings, as the defense of the underprivileged, the description of Brazilian women and his comments on laws and news of the that time. We also tried to address and analyze the characters present in the anthology as well as to highlight the cultural references used by the author, whether literary, musical or cinematographic ones and, finally, to point out the frequent recourse to metalanguage in building part of the chronicles. From this side view, our analysis sought to understand the social, economic and political aspects of the 1930s, mainly because chronic, a hybrid genre, is characterized by transitions between the spheres of journalism and literature and also between the private, the time experienced by the chronicler, and the universal, which allows the chronicler to explore the human essenc
Rubem Braga: a simbiose jornalística e literária
No full textEste trabalho tem como objetivo analisar o primeiro livro do escritor-jornalista Rubem Braga (1913-1990), O conde e o passarinho, coletânea de crônicas publicadas em 1936. No decorrer da vida, o escritor capixaba ficou marcado por escrever para jornais quase que exclusivamente textos de crônicas, muitas delas publicadas, posteriormente, em coletâneas ao longo dos anos, inclusive após a sua morte. Nosso estudo buscou respaldo tanto nas teorias literárias a respeito do gênero crônica, sobre suas características, história e processo de “adaptação” no Brasil, como na fortuna crítica do cronista. A análise crítico-interpretativa do corpus procurou evidenciar as estratégias textuais empregadas pelo autor e o diálogo que, muitas vezes, se estabelecia entre os textos da obra. Desse modo, partindo dessas categorias analíticas, tentamos ressaltar as questões mais significativas do objeto artístico estudado, sobretudo a recorrência de alguns temas em seus textos, como a defesa aos menos favorecidos, a descrição da mulher brasileira e seus comentários sobre leis e notícias da época. Também buscamos abordar e analisar as personagens presentes na antologia, bem como destacar as referências culturais utilizadas pelo autor, sejam elas literárias, musicais ou cinematográficas e, por fim, apontar o recurso frequente à metalinguagem na construção de parte das crônicas. A partir desse recorte, nossa análise buscou compreender os aspectos sociais, econômicos e políticos da década de 1930, sobretudo porque a crônica, gênero híbrido, caracteriza-se por transitar entre as esferas do jornalismo e da literatura e também entre o particular, o tempo vivido pelo cronista, e o universal, que permite ao cronista explorar a essência humanaThis study aims to analyze the first book of the writer-journalist Rubem Braga (1913- 1990), O conde e o passarinho, a collection of chronicles published in 1936. Throughout life, the writer from Espirito Santo State was marked by writing for newspapers almost exclusively chronicles, many of them published later in collections over the years, even after his death. Our study sought support both the literary theories about the chronic gender, on its characteristics, history and process of adaptation in Brazil, as in the critical fortune of the chronicler. The critical interpretive analysis of the corpus sought to highlight the textual strategies employed by the author and the dialogue that often was established between the texts of the work. Thus, from these analytical categories, we have tried to highlight the most significant issues of the artistic object studied, especially the recurrence of certain themes in his writings, as the defense of the underprivileged, the description of Brazilian women and his comments on laws and news of the that time. We also tried to address and analyze the characters present in the anthology as well as to highlight the cultural references used by the author, whether literary, musical or cinematographic ones and, finally, to point out the frequent recourse to metalanguage in building part of the chronicles. From this side view, our analysis sought to understand the social, economic and political aspects of the 1930s, mainly because chronic, a hybrid genre, is characterized by transitions between the spheres of journalism and literature and also between the private, the time experienced by the chronicler, and the universal, which allows the chronicler to explore the human essenc
Rubem Braga: a simbiose jornalística e literária
No full textEste trabalho tem como objetivo analisar o primeiro livro do escritor-jornalista Rubem Braga (1913-1990), O conde e o passarinho, coletânea de crônicas publicadas em 1936. No decorrer da vida, o escritor capixaba ficou marcado por escrever para jornais quase que exclusivamente textos de crônicas, muitas delas publicadas, posteriormente, em coletâneas ao longo dos anos, inclusive após a sua morte. Nosso estudo buscou respaldo tanto nas teorias literárias a respeito do gênero crônica, sobre suas características, história e processo de “adaptação” no Brasil, como na fortuna crítica do cronista. A análise crítico-interpretativa do corpus procurou evidenciar as estratégias textuais empregadas pelo autor e o diálogo que, muitas vezes, se estabelecia entre os textos da obra. Desse modo, partindo dessas categorias analíticas, tentamos ressaltar as questões mais significativas do objeto artístico estudado, sobretudo a recorrência de alguns temas em seus textos, como a defesa aos menos favorecidos, a descrição da mulher brasileira e seus comentários sobre leis e notícias da época. Também buscamos abordar e analisar as personagens presentes na antologia, bem como destacar as referências culturais utilizadas pelo autor, sejam elas literárias, musicais ou cinematográficas e, por fim, apontar o recurso frequente à metalinguagem na construção de parte das crônicas. A partir desse recorte, nossa análise buscou compreender os aspectos sociais, econômicos e políticos da década de 1930, sobretudo porque a crônica, gênero híbrido, caracteriza-se por transitar entre as esferas do jornalismo e da literatura e também entre o particular, o tempo vivido pelo cronista, e o universal, que permite ao cronista explorar a essência humanaThis study aims to analyze the first book of the writer-journalist Rubem Braga (1913- 1990), O conde e o passarinho, a collection of chronicles published in 1936. Throughout life, the writer from Espirito Santo State was marked by writing for newspapers almost exclusively chronicles, many of them published later in collections over the years, even after his death. Our study sought support both the literary theories about the chronic gender, on its characteristics, history and process of adaptation in Brazil, as in the critical fortune of the chronicler. The critical interpretive analysis of the corpus sought to highlight the textual strategies employed by the author and the dialogue that often was established between the texts of the work. Thus, from these analytical categories, we have tried to highlight the most significant issues of the artistic object studied, especially the recurrence of certain themes in his writings, as the defense of the underprivileged, the description of Brazilian women and his comments on laws and news of the that time. We also tried to address and analyze the characters present in the anthology as well as to highlight the cultural references used by the author, whether literary, musical or cinematographic ones and, finally, to point out the frequent recourse to metalanguage in building part of the chronicles. From this side view, our analysis sought to understand the social, economic and political aspects of the 1930s, mainly because chronic, a hybrid genre, is characterized by transitions between the spheres of journalism and literature and also between the private, the time experienced by the chronicler, and the universal, which allows the chronicler to explore the human essenc
The pages of Rubem Braga in Manchete magazine (19531957)
No full textO principal objetivo deste trabalho consiste em abordar de modo analítico-interpretativo os textos verbais e não-verbais inseridos na seção que Rubem Braga (1913-1990) manteve na revista Manchete (1952-2000) durante os anos de 1953 a 1957. Para tanto, buscamos retomar as fontes primárias e, assim, promovemos o levantamento, a indexação e a análise crítica. O trabalho teve o intuito de estudar e evidenciar o modo como as produções textuais que compõem o corpus dialogam entre si na coluna de Braga e constroem um sentido único ao leitor. Constatamos que tais produções, além de retratarem determinado período da história do Brasil, exercem um papel fundamental, pois desnudam e possibilitam compreender mais intimamente os aspectos sociais, culturais, políticos e intelectuais que nortearam o cronista capixaba durante a segunda metade do século XX. Esta tese também contribui para evidenciar outras facetas de Rubem Braga,visto não apenas como cronista, função com a qual alcançou sucesso de público e crítica, mas também no exercício do ofício de redator, colunista de hebdomadário, comentarista e importante intelectual da sociedade brasileira.The main objective of this study is to investigatein an analytic-interpretative way the verbal and non-verbal texts inserted in the section that Rubem Braga (1913-1990) kept in Manchete magazine (1952-2000) from 1953 to 1957. For this purpose, we sought to resume reading the primary sources and, thus, promote data collection, indexing and critical analysis. The aim of this research was to study and highlight how the textual productions that make up the corpus interact with each other in the column of Braga and construct a unique meaning for the reader. We have found that such productions, in addition to portraying a certain period of the Brazilian history, play a fundamental role, since they unravel and make it possible to understand more closely the social, cultural, political and intellectual aspects that guided the chronicler from Espírito Santo State during the second half of the twentieth century. This thesis also contributes to pointout other facets of Rubem Braga, seen not only as a chronicler, a role in which he achieved success with the public and critics, but also as editor, weekly columnist, commentator and important intellectual of the Brazilian societ
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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