11,281 research outputs found
Vicente Rodrigues: tradição em curso
Esta dissertação pretende estudar a obra de um autor popular, Vicente Rodrigues,
que, durante cerca de trinta anos, escreveu textos originais de teatro para representação
na sua vila, no Torrão. Estes textos espelham a relação deste autor com a sua comunidade,
procurando transmitir uma consciencialização política, bem como alguns conhecimentos
sobre a Literatura Portuguesa. Por outro lado, servem-se de um imaginário identificável
com a composição de capitais dos trabalhadores rurais. Assim, um dos objectivos deste
estudo é salientar a presença desses universos e a forma como são utlizados pelo seu autor.
Numa outra perspectiva, e porque estes textos englobaram a composição de mais
de duas centenas de canções, das quais algumas ainda hoje se transmitem pelos circuitos
orais, este cancioneiro será estudado, procurando padrões de aproximação do cancioneiro
tradicional e analisando poeticamente algumas das suas produções mais relevantes; Vicente Rodrigues: Tradition in Progress
Abstract:
This study, called Vicente Rodrigues: Tradition in Progress, intends to study the
works by a popular author, Vicente Rodrigues, who wrote original theatre plays for almost
thirty years to be played in his hometown, Torrão. These texts show the relationship
between this author and his community, who tried to deliver it a political consciousness
and some knowledge about the Portuguese Literature. On the other hand, they used an
imaginary that may be related to the composition of capitals of rural workers. Therefore,
one of the purposes of this dissertation is to show the presence of those universes and the
way they are used.
In another view, these texts contain more than two hundred songs, some of which
are still being transmitted nowadays by the oral circuits. This set of songs will be studied,
looking for common traits between them and the traditional songs. The most relevant ones
will be poetically analyzed
Rodrigues et al 2021 Wolbachia driven mate choice evolution data
Two different datasets (both tab
delimited text files) and two R scripts (both .r) are provided: 1. Rodrigues et al.
Dataset_field-derived populations.txt2. Rodrigues et al. Dataset_evolved
populations.txt3. Rodrigues et
al. Script_Analyses_field-derivedpopulations.r
4.
Rodrigues et al. Script_Analyses_evolvedpopulations.rSee description of file's content in word document "Rodrigues et al. Description Datasets".</p
A Floating Question Mark: An Interview with Sara Hawys Roberts, Author of Withdrawn Traces: Searching For The Truth About Richey Manic
An interview with Sara Hawys Roberts, co-author of 'Withdrawn Traces: Searching For The Truth About Richey Manic' about the researching and writing of this much-anticipated book about the missing Manic Street Preacher.</p
A Floating Question Mark: An Interview with Sara Hawys Roberts, Author of Withdrawn Traces: Searching For The Truth About Richey Manic
An interview with Sara Hawys Roberts, co-author of 'Withdrawn Traces: Searching For The Truth About Richey Manic' about the researching and writing of this much-anticipated book about the missing Manic Street Preacher.</p
Sara Gossett Crigler Collection - Accession 614
The Sara Gossett Crigler Collection consists of a microfiche copy of her book titled, Education For Girls And Women In Upper South Carolina Prior to 1890 with Related Miscellaneous Articles: A Compilation by Mrs. Henry Towles Crigler (Sara Gossett Crigler), self-published in Greenville, SC on April 15, 1956. This book also includes many anecdotes and reminiscences of Sara’ family including a section devoted to the slaves owned and later freed after the Civil War by her family. The book is dedicated by the author, Sara Gossett Crigler (1886-1966), to her mother Sallie Brown Gossett (1859-1942) and her aunt Mary Brown Mahon (1861-1948) who were both graduates of Williamston Female College in 1877 and 1879 respectively. The 170 page volume would be useful to anyone doing research on the education of women in South Carolina during the 19th century. The original copy is housed at the South Carolina Historical Society as SCHS 509 and was dedicated and signed by the author, “For the Charleston Library Society” on July 10, 1964.
*Please see attached Table of Contentshttps://digitalcommons.winthrop.edu/manuscriptcollection_findingaids/1527/thumbnail.jp
Materia-autore = Author-Matter
The etymology of the word author refers to an act of creation, an act of augmentation, from the Latin verb augere. Author instantiates creation, the expansion of the pre-existing. In 1967 Roland Barthes declared the death of the author in his famous essay to state once more that the crisis is that of the author as a single subjectivity and as a term that condenses prestige, undermined by the de-subjectivation strategies of automatism, fortuity and fragmentation of the historical avant-gardes, as well as by the machinic act and by the reproducibility of the second avant-gardes.
Fifty years after Barthes’ paradigmatic formula, this lack of authorship appears to be a successful brand. The ten- sions between the anomie of matter, the law that establishes authorship and the economy that makes the work pos- sible, invoke discordant perspectives. Artists make the self-destruction of their work the real work, and appeal is made for the demolition of architectures, whether by a recognised author or not, in order to re-design, or better still, re-claim the territory. Artificial intelligence consolidates its logics and its design by progressively shedding human ingenuity. The space of criticism becomes, finally, increasingly ephemeral. However, there is an acceptation of criti- cism that is, rather than an individual ‘signature’, an exploration and explanation of how design makes theory.
The binomial author-matter seeks to mark these tensions and contradictions: the featured term author is main- tained to underline the persistence of that prestigious subjectivity, at the very moment when the rhetoric of “mat- ter as an author” promises other forms of authorship
Sara Winthrop Smith letter to Frances Casement, August 14, 1887
Letter written to Frances Casement from Sara Winthrop Smith of Cincinnati, Ohio, August 14, 1887. Winthrop expresses the challenges of generating support for the suffrage movement among the conservative residents of her city, and encourages the creation of clear materials that make the argument for women's suffrage to be more widely distributed.
This item comes from the Frances Jennings Casement Papers, a manuscript collection comprised of letters and association records related to the founding and leadership of the Ohio Woman Suffrage Association. Casement (1840-1928) was born in Painesville, Ohio, and graduated from Painesville Academy and Willoughby Female Seminary. Her father, Charles Casement, supported abolition and women's suffrage and encouraged Frances to be active in social causes. Frances Casement established the Painesville Equal Rights Association in 1883, and shortly after became involved in the Ohio Woman Suffrage Association, serving as its president from 1885 to 1888
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