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Nesta pesquisa, investigamos a possibilidade de estimar o andamento do tratamento psicanalítico através da noção de repetição conjunta, elaborada por nós. Traçamos um 8 caminho para pensar esta dificuldade que considera reflexões de Freud sobre a repetição, a transferência e a contratransferência e de Lacan sobre a repetição, a transferência, e o desejo e a resistência do analista. Propomos chamar de repetição conjunta um índice discursivo de que uma análise, apesar de sua continuidade empírica poder ocorrer, não progride do ponto de vista do sintoma ou da relação com a verdade. Pois se em uma análise atravessa-se o recordar, repetir e elaborar e o instante de ver, tempo para compreender e momento de concluir, é plausível pensar que ela, por algumas razões, possa ficar impossibilitada de avançar para a elaboração e para o momento de concluir e fique parada numa repetição conjunta entre paciente e analista. Nossa hipótese é de que uma vez detectado este índice de impossibilidade, há chances de que esta possa ser avaliada, seja para tão somente reconhecê-la, seja para tentar revertê-la em possibilidade e diminuir os riscos de iatrogenia ou de atrapalhar o andamento do tratamento. Nos utilizamos de quatro entrevistas realizadas com analistas freudianos e lacanianos, iniciantes e experientes, uma com cada uma dessas combinações. Submetemos as entrevistas à análise psicanalítica de discurso para, através dessa análise, recolher exemplos e operadores lógicos que apontam para essa percepção de estagnação do tratamento. Ao final pudemos argumentar que apesar de termos como apoio formativo o tripé análise pessoal, supervisão e estudo teórico , nem sempre teremos capacidade de discernir quando utilizar esses suportes, pois este juízo estará prejudicado pelo efeito da repetição, e nem sempre eles serão suficientes para auxílio na direção de um tratamento e este poderá ficar impossibilitado e em repetição conjunta, até que o analisando cesse o tratamento ou o analista possa dar tratamento adequado para a impossibilidade percebida, a fim de tentar revertê-laIn this research, we investigated the possibility of estimating the progress of psychoanalytic treatment through the notion of joint repetition, thought by us. We trace a 9 path to think about this difficulty that considers Freud\'s reflections on repetition, transference and countertransference and Lacan\'s reflections on repetition, transference, and the analyst\'s desire and resistance. We propose to call joint repetition a discursive index that an analysis, despite its empirical continuity may occur, does not progress from the point of view of the symptom or the relationship with the truth. For if an analysis goes through remembering, repeating and elaborating and the instant of seeing, time to understand and moment to conclude, it is plausible to think that it, for some reasons, may be unable to proceed to the elaboration. and for the moment to conclude and stand still in a joint repetition between patient and analyst. Our hypothesis is that once this index of impossibility is detected, there are chances that it can be evaluated, either just to recognize it, or to try to turn it into a possibility and reduce the risks of iatrogenesis or of disturbing the progress of the process. treatment. We used four interviews with Freudian and Lacanian analysts, beginners and experienced, one with each of these combinations. We submitted the interviews to psychoanalytic discourse analysis to, through this analysis, collect examples and logical operators that point to this perception of treatment stagnation. In the end, we could argue that although we have the tripod as formative support personal analysis, supervision and theoretical study , we will not always be able to discern when to use these supports, as this judgment will be impaired by the effect of repetition, and they will not always be sufficient. to help in the direction of a treatment and it may be impossible and in a joint repetition, until the analysand ceases the treatment or the analyst can give adequate treatment to the perceived impossibility, in order to try to reverse it
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
Author-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
In Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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