1,721,452 research outputs found
JOHNSON, Ian; RODRIGUES, Ana Maria S.A., ed. Religious practices and everyday life in the long fifteenth century (1350-1570)... [recensão]
Full text linkRecensão de: JOHNSON, Ian; RODRIGUES, Ana Maria S.A., ed. - Religious practices and everyday life in the long fifteenth century (1350-1570). Turnhout: Brepols Publishers, 2021. 418 p. ISBN: 978-2-503-59355-
On the diversity of the genus Pisione (Polychaeta, Pisionidae) along the Portuguese continental shelf, with a key to European species
No full textMartins, Roberto, Martín, Guillermo San, Rodrigues, Ana Maria, Quintino, Victor (2012): On the diversity of the genus Pisione (Polychaeta, Pisionidae) along the Portuguese continental shelf, with a key to European species. Zootaxa 3450: 12-22, DOI: 10.5281/zenodo.20848
RODRIGUES, Ana Maria S. A., SANTOS SILVA, Manuela, y SPANGLER, Jonathan (eds.), Dynastic change. Legitimacy and Gender in Medieval and Early Modern Monarchy
Full text linkReseña: RODRIGUES, Ana Maria S. A., SANTOS SILVA, Manuela, y SPANGLER, Jonathan (eds.), Dynastic change. Legitimacy and Gender in Medieval and Early Modern Monarchy. Nueva York: Routledge, 2019; 294 págs. La siguiente reseña analiza el libro Dynastic change. Legitimacy and Gender in Medieval and Early Modern Monarchy, obra coral que trata sobre las formas de legitimar el poder en los cambios dinásticos europeos durante la Edad Media y Moderna
Lumbrineridae (Polychaeta) from the Portuguese continental shelf (NE Atlantic) with the description of four new species
No full textMartins, Roberto, Carrera-Parra, Luis F., Quintino, Victor, Rodrigues, Ana Maria (2012): Lumbrineridae (Polychaeta) from the Portuguese continental shelf (NE Atlantic) with the description of four new species. Zootaxa 3416: 1-21, DOI: 10.5281/zenodo.21369
Introduction:interpreting changes in daily religious practice and changes of interpretation in the ‘Long Fifteenth Century’
No full textFERREIRA, Manuel Pedro - Antologia de música em Portugal na Idade Média e no Renascimento, 2 vols. Lisboa: Arte das Musas e CESEM, [2009].: RODRIGUES, Ana Maria; FERREIRA, Manuel Pedro (Coord.) - A Catedral de Braga. Arte, Liturgia e Música dos fins do século XI à época tridentina. Id.: ibid., [2009]. 236 pp.
No full textRecensão dupla: FERREIRA, Manuel Pedro (Intr., Coord., Dir. Musical) - Antologia de música em Portugal na Idade Média e no Renascimento, 2 vols.. Lisboa: Arte das Musas e Centro de Estudos de Sociologia e Estética Musical (FCSH da UNL), [2009]; RODRIGUES, Ana Maria e FERREIRA, Manuel Pedro (Coord.) - A Catedral de Braga. Arte, Liturgia e Música dos fins do século XI à época tridentina. Id.: ibid., [2009]. 236 pp
Introduction : interpreting changes in daily religious practice and changes of interpretation in the ‘Long Fifteenth Century’
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Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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