1,721,508 research outputs found
Encuentro con Rodrigo Moreno
No full textCasa de América organiza un ciclo dedicado al director, guionista y productor argentino Rodrigo Moreno, considerado uno de los integrantes del llamado Nuevo Cine Argentino de los noventa, con una larga y sólida trayectoria que goza de gran prestigio y reconocimiento nacional e internacional. Del 14 de marzo al 17 de abril, tendrán lugar una clase magistral del cineasta, la presentación de su última película Los delincuentes, y la proyección de otras cuatro de sus películas. Los delincuentes ..
Dandismo intempestivo. La cadencia del trabajo doméstico en Réimon (Rodrigo Moreno, 2014)
No full textCritica del film de Rodrigo Moreno, Réimo
¿Por qué lo quieres contar?
No full textEfraín Bahamón Julia Fontana, Rodrigo Moreno y Enrique Rentería sobre la evolución de las temáticas narrativas y la introspección en el guíón latinoamericano como parte los cambios socio culturales de América latina.H.264/H,26
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Hacer visibles a las trabajadoras domésticas: estrategias cinematográficas en "Reimon" (Rodrigo Moreno, 2014) y "Parque vía" (Enrique Rivero, 2004)
No full textDomestic workers have traditionally occupied a secondary role in films and other fictional narratives, a circumstance that coincides with the neglect that this group has suffered in the Social Sciences as a whole. In the case of film fiction, these characters have imperceptibly, almost invisibly, carried out tasks aimed at the well-being of their employers and the protagonists of the stories. However, in more recent Latin American production, there has been a notable interest in intimate, everyday stories and domestic spaces, which has led to an increasing focus on domestic workers as prominent secondary characters and even protagonists.
This article analyses the narrative and formal strategies of two key films: Reimon (Rodrigo Moreno, 2014) and Parque vía (Enrique Rivero, 2008) and the way in which they visualise these workers in their particular contexts, the spaces they inhabit or pass through and their relationship with their employers, while problematising the very question of representation. Both films accompany Ramona and Beto in their daily journeys and in their work: the stories, characters, aesthetics and times of both are symptomatic of the cinema of their time and of the increasingly visible and central place that domestic workers occupy in contemporary and Latin American cinema.Las trabajadoras y empleados domésticos han ocupado tradicionalmente un segundo plano en películas y otros relatos de ficción, una circunstancia que coincide con la desatención que este colectivo ha sufrido en el conjunto de las Ciencias Sociales. En el caso que nos ocupa, el de las ficciones cinematográficas, de manera imperceptible, casi invisible, estos personajes han realizado tareas destinadas al bienestar de sus empleadores y protagonistas de las historias. Sin embargo, en la producción más reciente de América Latina se ha producido un notable interés por las historias íntimas y cotidianas y los espacios domésticos que habría motivado la atención creciente hacia las y los empleados domésticos como personajes secundarios destacados e, incluso, como protagonistas. Este artículo analiza las estrategias narrativas y formales de dos películas clave: Reimon (Rodrigo Moreno, 2014) y Parque vía (Enrique Rivero, 2008) y el modo en que visibilizan a estos trabajadores en sus contextos particulares, los espacios que habitan o transitan y la relación con sus empleadores al tiempo que problematizan la cuestión misma de la representación. Ambas películas acompañan en sus recorridos cotidianos y en su trabajo a Ramona y Beto: las historias, los personajes, las estéticas y los tiempos de ambas son sintomáticas del cine de su tiempo y del lugar cada vez más visible y principal que los empleados domésticos ocupan en el cine contemporáneo y de América Latina
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
