1,720,959 research outputs found
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Orality and Narrative Structure in Alexis Wright’s Carpentaria
No full textThis essay proposes a narratological framework for Alexis Wright’s Carpentaria (2006). While many critics have commented on the novel’s ‘remarkable’ and ‘magisterial’ narrative voice, no one has sought to describe the narrative structure of the novel. This may be because Wright appears to defy diegetic conventions, making it hard to work out who the narrator/s and narratees are in the text. The clues to unravelling Carpentaria’s narratological puzzle, I suggest, are to be found in considering the sense of orality that Wright seeks to impose on the text. She uses both implicit and explicit strategies aimed at asserting the power and longevity of indigenous oral storytelling and knowledge systems over and against (‘white,’ Western) written systems. The narrative framework assists in this assertion of orality. I argue that the ‘main’ story of Carpentaria needs to be read as an embedded narrative, although this is difficult to recognise because the framing narrative is so minimal; it comprises just two short passages of capitalised text at the beginning of Chapters 1 and 2. The narratee of this framing narrative is a non-Aboriginal Australian, who is then forced to retreat to the edges of this extradiegetic space to ‘listen in’ to the grander tale that follows, the embedded narrative. Here, an altogether different Aboriginal narrator addresses captivated Aboriginal narratees. This framework, possibly unique in postcolonial fiction, allows Wright to position an indigenous oral storyteller at the centre of her story, freed from the constrictions of literary address that indigenous authors often remain captive to
Climate Fiction and Disability: Enabled Futures in James Bradley’s Clade (2015)
No full textJames Bradley’s futuristic novel Clade (2015) is not chiefly a story about human disability. It is a novel about climate crisis set across the course of the twenty-first century. But midway through the novel, we are introduced to a seven-year-old boy, Noah, who becomes a key character in the second half of the narrative. Noah is on the spectrum. Autistics decry their portrayal in fiction as aliens, as outsiders, as harbingers of disease and disorder, as beings without agency. As we get to know Noah as a boy, through his teenage years, and later on as an astronomer, his autism is neither denied nor made the defining characteristic of his personhood. Noah is given voice, perspective, and centrality as a rounded character, emerging as someone well suited to a future world reshaped by environmental crises and new social relations. He is not pathologized but socialized across the course of the novel into a world of family, friends, and work. Like his biblical namesake, Noah becomes a survivor in the new environmental and social spaces of the latter part of the twenty-first century
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
- …
