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Sostenibilità e innovazione nello sviluppo turistico : Milano e la Lombardia
No full textIl tema della sostenibilità del turismo e della sua promozione in modo innovativo a Milano e in Lombardia. Tra gli argomenti analizzati: il Nuovo Polo Fieristico; la specificità della certificazione ambientale degli enti locali; i modelli di valutazione della sostenibilità applicati dal Comune di Milano; il mutato paesaggio urbano e l’importanza dei nuovissimi city hotel.
Presentazione del volume
Diversi approcci teorici e metodologici affrontano il tema della sostenibilità del turismo e della sua promozione in modo innovativo a Milano e in Lombardia. Le molteplici sfaccettature del tema sono affrontate sotto il profilo dell'aumento della qualità e della diffusione del turismo sul territorio.
Il Nuovo Polo Fieristico viene esaminato come nuovo polo turistico e della connettività globale nonché dell'inserimento della Lombardia nel mercato internazionale. Si analizza la specificità della certificazione ambientale degli enti locali e la comunicazione da parte delle amministrazioni pubbliche. Si studiano i modelli di valutazione della sostenibilità applicati dal Comune di Milano, la componente dell'ospitalità per l'applicazione professionale e le problematiche del passato e del presente del turismo sostenibile nella fascia delle Alpi centrali.
Milano viene ancora illustrata sotto il profilo del mutato paesaggio urbano e dell'importanza dei nuovissimi city hotel come icone del paesaggio e motori di sviluppo, nonché come capitale dello stile e della moda quali grandi dinamizzatori dell'immagine di Milano.
Le azioni di marketing territoriale delle Film Commission e il cineturismo ampliano il ventaglio dei punti di osservazione dell'azienda turismo.
Il tema del turismo sostenibile attraverso diverse tematiche
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Interviews with James Moody, Paquito D'Rivera, and Claudio Roditi
No full textSeparate interviews with James Moody, Paquito D'Rivera, and Claudio Roditi on the topic of Dizzy Gillespie. The exact correspondence of individual interviews and dates is not certain. The interviewer's questions are barely audible on the James Moody interview. Moody discusses Gillespie's health condition at that time, Gillespie's band being the first one he played with professionally in 1946, Gillespie's advice that "everything you want to play is in the piano," the impossibility of playing everything one could possibly play even on one song for one's entire life, the importance of how one chord gets to another, Moody's feeling at 67 like he had not yet reached the peak of his playing, how Gillespie and Charlie Parker played, how musicians spur each other on, the importance of listening, the centrality of rhythm and then melody, rap as poetry and rhythm, Kenny (Pancho) Heygood singing I Waited for You and it becoming a running joke, first joining the Gillespie band when he was 21, Groovin' High as a contrafact on Whispering, the importance of being able to sing lines, praise of Ray Brown, arrangers including Gil Fuller and Tadd Dameron, Chano Pozo and racial categorization in the United States, Pozo having been shot over a publishing dispute and still suffering complications, Gillespie's cadenzas, the advantages of the small band, an analogy to learning a language and gradual understanding, realizing why he was drinking, extended discussion of A Night in Tunisia, the song Kush, pianist Giovanni Hidalgo, Gillespie learning from people like Tito Puente, Xavier Cugat and Gillespie making rhythm more interesting, "race records" still being actively marketed in Gillespie's early career, Gillespie being made a chief in Nigeria, another unidentified residency with multiple musicians, and the half-diminished chord and Gillespie preferring to understand it in its inversion as a minor 6 chord. The interview with James Moody ends at 41:29, and the interview with Paquito D'Rivera begins at 41:39. The audio of the D'Rivera interview begins with discussion of bassist Major Holley, known as "Mule," and father of interviewer Eugene Holley. D'Rivera goes on to discuss Gillespie as an open-minded person, Gillespie's use of Afro-Cuban as well as Brazilian music, his United Nation orchestra, Gillespie introducing Latin American music to Americans and making it a part of North American culture, D'Rivera's book, Music Minus Me, his observation that North American musicians can take Latin American musicians for granted, differences between the musics of different Latin American countries, African influence on Cuban music, European influence in Argentine music, the balance of harmony and rhythm in Brazilian music, how geography separates Brazil from the rest of South America, Gillespie's vision in the United Nation orchestra, D'Rivera's father being a classical saxophone player, Benny Goodman's 1938 Carnegie Hall concert being D'Rivera's first record, getting acquainted with bebop with his father, growing up around Maurio Bauzá and Chico O'Farrill, the arrangement of Tin Tin Deo for the United Nation orchestra, A Night in Tunisia, Manteca, praise of Slide Hampton, the song Guarachi Guaro and its meaning, Chano Pozo not speaking English, Gillespie's ability to show musicians what he wants, Gillespie's "Sherlock Holmes" hat, the 1977 cruise and the Irakere group, D'Rivera's knowledge of Gillespie's music from recordings as preparation for playing in his band, his difficulty understanding Gillespie's English, Gillespie's relationships with Cubans and Latin Americans who have lived in the U.S., Gillespie's generosity, an anecdote of a visit to Bruce Lundvall, and Lincoln Center. The interview with Claudio Roditi begins on the second track. After some discussion of WBGO and the sound setup for the interview, Roditi discusses jazz on the rotary trumpet and discusses his background, his first jazz record (which included Dizzy Gillespie), his second jazz record (the Chet Baker Quartet, Jazz at Ann Arbor), his third record (Miles Davis and John Coltrane), when he started studying Gillespie's technique, Roditi's advice to young players to transcribe and memorize, players influenced by Gillespie whom he studied closely (Freddie Hubbard, Lee Morgan, Fats Navarro), growing up in the musically and rhythmically rich environment of Rio and jazz in that context, how rhythms are different between Brazil and the U.S., the suppression of African drumming in the United States, the influence of Brazil on American culture and the influence of jazz on bossa nova musicians, the musician Pixinguinha, the chromatic approach of Gillespie and Parker that allow more notes in a phrase, Roditi's recommendation of Gillespie's album The Greatest Trumpet of Them All, Gillespie's albums with Sonny Stitt and Sonny Rollins, the 1948-49 big band and the 1956 State Department big band, the impact of the 1956 band in South America, short films like Jivin' in Bebop, when he first played with Gillespie, Gillespie's 70th birthday party, origins and goals of the United Nation orchestra, Charlie Fishman, what kind of flavor Roditi brings to the band and Samba for Carmen as an example, the Free Jazz Festival in Rio, older tunes, UN orchestra arrangers, the evolution of A Night in Tunisia, the persistence of Gillespie's Southern roots, going to Gillespie for advice about the trumpet and convincing Gillespie to change his trumpet mouthpiece, an anecdote about a "wiseass" in the audience in France, Fats Navarro, more on the rotary trumpet, and more on A Night in Tunisia
Expression of procyclin mRNAs during cyclical transmission of <i>Trypanosoma brucei</i>
No full text<i>Trypanosoma brucei</i>, the parasite causing human sleeping sickness, relies on the tsetse fly for its transmission. In the insect, EP and GPEET procyclins are the major surface glycoproteins of procyclic (midgut) forms of the parasite, with GPEET predominating in the early procyclic form and two isoforms of EP in the late procyclic form. EP procyclins were previously detected on salivary gland trypanosomes, presumably epimastigotes, by immunoelectron microscopy. However, no procyclins could be detected by mass spectrometry when parasites were isolated from infected glands. We have used qualitative and quantitative RT-PCR to analyse the procyclin mRNAs expressed by trypanosomes in the tsetse midgut and salivary glands at different time points after infection. The coding regions of the three EP isoforms (EP1, EP2 and EP3) are extremely similar, but their 3′ untranslated regions contain unique sequences that make it possible to assign the cDNAs amplified by this technique. With the exception of EP2, we found that the spectrum of procyclin mRNAs expressed in the midgut mirrors the protein repertoire of early and established procyclic forms. Surprisingly, procyclin mRNAs, including that of GPEET, are present at relatively high levels in salivary gland trypanosomes, although the proteins are rarely detected by immunofluorescence. Additional experiments using transgenic trypanosomes expressing reporter genes or mutant forms of procyclin point to a mechanism of translational or post-translational control, involving the procyclin coding regions, in salivary gland trypanosomes. It is widely accepted that T. brucei always has a coat of either variant surface glycoprotein or procyclin. It has been known for many years that the epimastigote form does not have a variant surface glycoprotein coat. The finding that this life cycle stage is usually negative for procyclin as well is new, and means that the paradigm will need to be revis
Il turismo in montagna : cronologie, modelli residenziali, apparati ricettivi : esempi dalle Alpi centrali
No full textL'articolo esamina le modalità e i tempi secondo cui l'interesse scientifico e culturale per le Alpi ha generato forme di frequenza nell'area da parte di un pubblico generico che, mosso inizialmente da interessi estetici, paesaggistici, antropologici, storici, è progressivamente passato, nel corso del XIX secolo, all'attività alpinistica e poi alla villeggiatura e al turismo invernale, inducendo sul territorio e nella società locali profonde trasformazioni
Going Beyond Counting First Authors in Author Co-citation Analysis
No full textThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Sefer sebet musar
No full textCopia digital. Madrid : Ministerio de Cultura. Subdirección General de Coordinación Bibliotecaria, 2010Sign. (t. I): [ ]\8p\s, 2-34\4p\sSign. (t. II): [ ]\4p\s, 2-41\4p\s, [ ]\4p\
Role of the stage-regulated nucleoside transporter TbNT10 in differentiation and adenosine uptake in Trypanosoma brucei
No full textVacuum polarization for compactified QED4+1 in a magnetic flux background
No full textWe evaluate one-loop effects for QED4+1 compactified to R4×S1 in a nontrivial vacuum for the gauge field such that a nonvanishing magnetic flux is encircled along the extra dimension. We obtain the vacuum polarization tensor and evaluate the exact parity-breaking term, presenting the results from the point of view of the effective (3+1)-dimensional theory.Fil: Ccapa Ttira, Claudio. Comisión Nacional de Energía Atómica. Centro Atómico Bariloche; Argentina. Comisión Nacional de Energía Atómica. Gerencia del Área de Energía Nuclear. Instituto Balseiro; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; ArgentinaFil: Fosco, Cesar Daniel. Comisión Nacional de Energía Atómica. Centro Atómico Bariloche; Argentina. Comisión Nacional de Energía Atómica. Gerencia del Área de Energía Nuclear. Instituto Balseiro; Argentina. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - Patagonia Norte; ArgentinaFil: Malbouisson, A. P. C.. Centro Brasileiro de Pesquisas Físicas; BrasilFil: Roditi, I.. Centro Brasileiro de Pesquisas Físicas; Brasi
Protecting Animals 36: Author Witi Ihimaera
No full textIn this very special episode of Knowing Animals I am joined by beloved New Zealand author Witi Ihimaera. Witi has written many books featuring nonhuman animals. He offers us a non-colonial lens through which to think about the human/nonhuman relationship
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