1,721,014 research outputs found
Representatividade negra nos desenhos animados: narrativas de crianças pequenas em instituição de educação infantil
Full text linkROCHA, Isabela Ferreira. Representatividade negra nos desenhos animados: narrativas de crianças pequenas em instituição de educação infantil. 2023. 19 f. Trabalho de Conclusão de Curso (Bacharelado em Humanidades) - Instituto de Humanidades e Letras dos Malês, Universidade da Integração Internacional da Lusofonia Afro-Brasileira, São Francisco do Conde, 2023
Three new species and a new record of Smicridea McLachlan 1871 (Trichoptera: Hydropsychidae) from Minas Gerais state, Brazil
No full textRocha, Isabela Cristina, Dumas, Leandro Lourenço, Nessimian, Jorge Luiz (2016): Three new species and a new record of Smicridea McLachlan 1871 (Trichoptera: Hydropsychidae) from Minas Gerais state, Brazil. Zootaxa 4107 (3): 423-430, DOI: 10.11646/zootaxa.4107.3.1
A new species of Polyplectropus Ulmer 1905 (Trichoptera: Polycentropodidae) from Minas Gerais State, southeastern Brazil
No full textRocha, Isabela Cristina, Dumas, Leandro Lourenço, Nessimian, Jorge Luiz (2016): A new species of Polyplectropus Ulmer 1905 (Trichoptera: Polycentropodidae) from Minas Gerais State, southeastern Brazil. Zootaxa 4072 (3): 391-395, DOI: 10.11646/zootaxa.4072.3.
Taxonomic diversity of Ochrotrichiinae (Trichoptera: Hydroptilidae) from Peru with the description of ten new species, a new distributional record, and an updated checklist
No full textRocha, Isabela Cristina, Santos, Allan Paulo Moreira, Nessimian, Jorge Luiz (2023): Taxonomic diversity of Ochrotrichiinae (Trichoptera: Hydroptilidae) from Peru with the description of ten new species, a new distributional record, and an updated checklist. Zootaxa 5353 (4): 301-331, DOI: 10.11646/zootaxa.5353.4.1, URL: http://dx.doi.org/10.11646/zootaxa.5353.4.
FIGURE 1 in Three new species and a new record of Smicridea McLachlan 1871 (Trichoptera: Hydropsychidae) from Minas Gerais state, Brazil
No full textFIGURE 1. Male genitalia of Smicridea (Rhyacophylax) necator sp. nov., holotype: A, left lateral; B, dorsal; C–E, phallus: C, left lateral; D, apex, ventral, with magnified inset of projection; E, expanded apex, ventral.Published as part of Rocha, Isabela Cristina, Dumas, Leandro Lourenço & Nessimian, Jorge Luiz, 2016, Three new species and a new record of Smicridea McLachlan 1871 (Trichoptera: Hydropsychidae) from Minas Gerais state, Brazil, pp. 423-430 in Zootaxa 4107 (3) on page 425, DOI: 10.11646/zootaxa.4107.3.10, http://zenodo.org/record/25601
FIGURE 2 in A new species of Polyplectropus Ulmer 1905 (Trichoptera: Polycentropodidae) from Minas Gerais State, southeastern Brazil
No full textFIGURE 2. Male genitalia of Polyplectropus canastra sp. nov., holotype: A, left lateral; B, dorsal; C, caudal; D, ventral; E–F, phallus: E, left lateral; F, dorsal. ant.bas.pl. = anterior basal plate of inferior appendage; d.br. = dorsal branch of an inferior appendage; d.pha.scl. = dorsal phallic sclerite; dl.pro.pre.app. = dorsolateral process of a preanal appendage; end.spi. = endothecal spine; inf.app. = inferior appendage; int.app. = intermediate appendage; lat.br. = lateral branch of dorsolateral process of a preanal appendage; mes.br. = mesal branch of dorsolateral process of a preanal appendage; ml.pro.pre.app. = mesolateral process of a preanal appendage; mv.pro.pre.app. = mesoventral process of a preanal appendage; pha.apo. = phallic apodeme; phaba. = phallobase; s.IX = sternum IX; t.X = tergum X; v.br. = ventral branch of an inferior appendage.Published as part of Rocha, Isabela Cristina, Dumas, Leandro Lourenço & Nessimian, Jorge Luiz, 2016, A new species of Polyplectropus Ulmer 1905 (Trichoptera: Polycentropodidae) from Minas Gerais State, southeastern Brazil, pp. 391-395 in Zootaxa 4072 (3) on page 394, DOI: 10.11646/zootaxa.4072.3.9, http://zenodo.org/record/26456
Ochrotrichia puyana Bueno-Soria & Santiago-Fragoso 1992
No full text<i>Ochrotrichia puyana</i> Bueno-Soria & Santiago-Fragoso 1992 new record <p> <b>Material examined.</b> Peru: Madre de Dios, Puente Inambari, 13º11’09”S 70º23’09”W, 365 m, Light trap, 19.viii.2012, APM Santos, DM Takiya leg., 1 male (DZRJ).</p> <p> <b>Distribution.</b> Ecuador; Peru (new record).</p>Published as part of <i>Rocha, Isabela Cristina, Santos, Allan Paulo Moreira & Nessimian, Jorge Luiz, 2023, Taxonomic diversity of Ochrotrichiinae (Trichoptera: Hydroptilidae) from Peru with the description of ten new species, a new distributional record, and an updated checklist, pp. 301-331 in Zootaxa 5353 (4)</i> on page 320, DOI: 10.11646/zootaxa.5353.4.1, <a href="http://zenodo.org/record/8430604">http://zenodo.org/record/8430604</a>
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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