1,721,180 research outputs found
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Fantastic sex: fantasies of sexual assault in Aristophanes
Rape is a common motif in Greek comedy. But whereas the victim in New Comedy is routinely a citizen girl whose resulting pregnancy is key to the play’s plot, rape in Aristophanes is always projected, never realized, with the would-be victims ranging from a slave-girl to a prostitute, a citizen wife and even a goddess. This chapter examines several passages containing fantasies/threats of rape, exploring how they both reinforce the power dynamics of gender and social roles in classical Athens and are also revealing of male attitudes to rape. Taken as a whole, these passages display a complex mixture of male delight in rape as uncomplicated and unbounded sex with recognition of rape’s ability to harm and degrade a woman
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Aristophanes on how to write tragedy: what you wear is what you are
This article looks at those scenes in Old Comedy where we gain glimpses of tragic poets in the act of composition - namely, Euripides in Acharnians and Agathon in Thesmophoriazusae. With these scenes as a base, it looks at how tragic composition is represented in Old Comedy and attempts to place this in the wider context of contemporary beliefs about literary composition as a whole, discussing the extent to which Aristophanes' views were innovative or derivative. The final section considers what the foregoing discussion can teach us about Aristophanes' own compositional processes
The Korean Pokchang Tradition and the Placing of Objects in Buddhist Statues
Robson James, Lee Seunghye, Kim Youn-mi. The Korean Pokchang Tradition and the Placing of Objects in Buddhist Statues. In: Cahiers d'Extrême-Asie, vol. 28, 2019. Pokchang. Image Consecration in Korean Buddhism / Consécration des images dans le bouddhisme coréen. pp. 1-21
10. Robson, James. The Power of Place: The Religious Landscape of the Southern Sacred Peak (Nanyue) in Medieval China, 2009
Steavu Dominic. 10. Robson, James. The Power of Place: The Religious Landscape of the Southern Sacred Peak (Nanyue) in Medieval China, 2009. In: Cahiers d'Extrême-Asie, vol. 17, 2008. Studies in Chinese Art History — Études sur l'histoire de l'art chinois. En hommage à Lothar Ledderose. pp. 347-348
10. Robson, James. The Power of Place: The Religious Landscape of the Southern Sacred Peak (Nanyue) in Medieval China, 2009
Steavu Dominic. 10. Robson, James. The Power of Place: The Religious Landscape of the Southern Sacred Peak (Nanyue) in Medieval China, 2009. In: Cahiers d'Extrême-Asie, vol. 17, 2008. Studies in Chinese Art History — Études sur l'histoire de l'art chinois. En hommage à Lothar Ledderose. pp. 347-348
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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