13,048 research outputs found
Anne Dale Robertson family collection
No full textThis collection consists of the correspondence of Anne Lewis Dale Robertson and her family members and friends, as well as business correspondence and related documents
Staff panel discussion: Ingo Kleinert, Anne Langridge, Mandy Martin, Ron Robertson-Swann
No full text11 April 1984. Side A: Anne Langridge, Mandy Martin - Fame and fortune, Ingo Kleinert, Ron Robertson-Swann. -- Side B: Ron Robertson-Swann (continued), panel discussion
Robertson, Anne Marie
No full textNo one needed a computer with Anne Marie Robertson around. Her remarkable ability to remember names and dates gave her instant recall of such information as who a person married, the names of their children, and new addresses following recent moves. Those skills made her particularly useful to Lipscomb’s University Relations office. Anne Marie began working while a student, then returned after a period of teaching in her hometown of Hartsville. From her remarkably even-tempered spirit, to her kindness, generosity, friendliness, dependability, punctuality and love for her family, Anne Marie impressed all with her Christ-likeness in every circumstance.https://digitalcollections.lipscomb.edu/legends/1009/thumbnail.jp
China: Menschenrechte und Diktatur (Prof. Dirk Pleiter, Anne Renzenbrink)
No full textDas Internationalen Forum des ZAK | Zentrum für Angewandte Kulturwissenschaft und Studium Generale am Karlsruher Institut für Technologie (KIT) behandelte das Sicherheitsgesetz in Hongkong und Chinas Umgang mit Minderheiten in Xinjiang.
Der Live-Stream fand statt am 7. Dezember 2020.
Es sprachen:
- Anne Renzenbrink, Pressereferentin mit Schwerpunkt Asien/Pazifik bei Reporter ohne Grenzen e.V.
- Prof. Dr. Dirk Pleiter, Volksrepublik China Koordinationsgruppe von Amnesty International e.V.
Moderation: Prof. Dr. Caroline Y. Robertson-von Trotha, Gründungsdirektorin des ZA
Shirley Anne Collins
No full textShirley Anne Collins was born in Darwin and has lived all her life in the Northern Territory. Her great-grandfather, Philip Samuel Rilstone, established the first dairy in Darwin. Her maternal great-grandmother, Mimi (Robertson) Yaramaninjimara was from the Robertson River coastal community Wurdaliya at Borroloola. Shirley's mother Bridgette was one of the Stolen Generation. Shirley was first educated by her mother Bridgette in traditional Aboriginal teachings. Later she went on to Darwin Primary and High School at Frogs Hollow. Shirley was fourteen when her mother died and she left school to help look after her siblings.
Over time and through a succession of jobs, Shirley rose to become Director of the Arnhemland Aboriginal Art Gallery. The gallery staged a series of art exhibitions featuring creative work of both a traditional and transitional nature, in addition to organising frequent interstate and overseas exhibitions. Shirley has actively promoted and encouraged Aboriginal arts, crafts and pioneered the development of marketing artefacts. In 1986 Shirley established the Raintree Aboriginal Art Gallery which was considered among Australia's most representative galleries of Aboriginal art. In May 1995 the Raintree Fine Art Gallery was established, this gallery still offers quality works by high-profile Aboriginal artists.Business ownerManagerArts and Craft marketingIndigenous Australia
Anne as Pagan, Anne as Queer
No full text‘Anne as Pagan, Anne as Queer’ is a critical and creative answer to the question: How do we construct Anne Shirley, and what does she mean to us? This creative research submission is a work of fanfiction, specifically a mash up based on Anne of the Island, L.M.M. Montgomery’s sequel to Anne of Green Gables. In this short work of fiction (under 4 thousand words) Anne is revealed as a changeling, one of the Faerie Folk, and also a being not strictly male or female; sometimes neither, sometimes both. The mash up is based on the last two chapters of Anne of the Island, the scenes in which Gilbert Blythe is seriously ill and Anne realises she loves him. This realisation causes Anne, in this version, to reveal to Gilbert that she is both non-human and not a girl, and to use Faerie magic to save Gilbert’s life. Anne’s revelation causes Gilbert a great relief, as he has been keeping a secret also - that he too is queer. The piece has an accompanying research statement and reflection, that reflects on the ways the contributor/author interprets Anne, as a being troubled by gender, and not strictly gender conforming. The much-loved scene from Anne of Green Gables in which Anne realises she is not wanted by the Cuthberts because she is not a boy is inserted into the mash up (as a memory) as this scene is the principal cause for the contributor’s identification with Anne as a gender non-conforming figure who resists gender expectations. Overall, this creative and critical work and reflection queers both Anne as a character and the Anne of the Island novel.Book chapter - work of fiction with a critical reflective essa
Murray-Robertson (Anne). Grasset, pionnier de l'Art Nouveau
No full textDierkens-Aubry Françoise. Murray-Robertson (Anne). Grasset, pionnier de l'Art Nouveau. In: Revue belge de philologie et d'histoire, tome 62, fasc. 2, 1984. Histoire médiévale, moderne et contemporaine — Middeleeuwse, moderne en hedendaagse geschiedenis. pp. 384-387
Noel Robertson, Religion and Reconciliation in Greek Cities. The Sacred Laws of Selinus and Cyrene, 2010
No full textJacquemin Anne. Noel Robertson, Religion and Reconciliation in Greek Cities. The Sacred Laws of Selinus and Cyrene, 2010. In: L'antiquité classique, Tome 82, 2013. pp. 488-490
Robertson, Sally-Ann (Mrs)
No full textDepartment of Education (1985-present) Sally-Ann Robertson ORCID 0000-0001-6824-7390 DST/NRF SARChI South African Numeracy Sally-Anne Robertson (2015-2017) </a
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