1,145 research outputs found
A technical manual for stream improvement on Prince Edward Island
by Todd Dupuis, Daryl Guignion, Rosie MacFarlane, and Robert Redmond ; prepared for Morell River Management Cooperative Inc.; Bibliography p. 141-142.Source type: Electronic(1
Robert Rieffel, Le Népal
Dupuis Jacques. Robert Rieffel, Le Népal. In: Annales de Géographie, t. 93, n°520, 1984. p. 764
Les migrations en Asie du Sud-Est : Reed, Robert R. (editor), Patterns of migration in Southeast Asia
Dupuis Jacques. Les migrations en Asie du Sud-Est : Reed, Robert R. (editor), Patterns of migration in Southeast Asia. In: Annales de Géographie, t. 102, n°571, 1993. pp. 318-319
From: Robert Dupuis <[email protected]>
These guidelines are written to provide assistance to anyone involved in the accreditation of Canadian university programs in computer studies and software engineering. They specify the objectives of accreditation, the various steps in the process, and the essential and highly desirable qualities of accreditable programs. Questions and suggestions for improvements may be sent, either directly or through CIPS National Office, to the Chair of the Computer Science Accreditation Council, who will ensure that they are considered
Lorenzo Dupuis : Still Scapes
In his essay on the landscape and still life paintings of Dupuis, Zepp refers to the nine large-scale pieces exhibited in Regina and Vancouver as “spiritual abstractions,” and suggests the artist’s exploration of the duality between representation and abstraction contributes to the transcendence of emotion. The author also traces the evolution of Dupuis’ work. Biographical notes. 8 bibl. ref
Actinobolus alvarengai in Dupuis and Dechambre 1998
§ <i>Actinobolus alvarengai</i> Dupuis and Dechambre, 1998 <p> <i>Actinobolus alvarengai</i> Dupuis and Dechambre 1998: 34 (Brazil)</p> <p> <b>Distribution. French Guiana:</b> Dupuis and Dechambre 1998: 34; Duranton 2011: 25; Ponchel 2011: 61; Dupuis 2016b: 110. <b>Brazil:</b> Dupuis and Dechambre 1998: 34.</p> <p> <b>Note.</b> The description of <i>Actinobolus alvarengai</i> in Dupuis and Dechambre (1998: 34) includes the mentioning of a female paratype from southern French Guiana. The species <i>A. suskyi</i> is described from southern French Guiana in Dupuis 2019, with the author establishing that the French Guianese paratype of <i>A. alvarengai</i> actually belongs to <i>A. suskyi</i>. The inclusion of <i>A. alvarengai</i> for French Guiana in the catalogues of Duranton (2011: 25), Ponchel (2011: 61) and Dupuis (2016b: 110) is also incorrect, as these publications use the data from Dupuis and Dechambre (1998). This means that the known distribution of <i>A. alvarengai</i> is reduced to the state of Mato Grosso in Brazil.</p>Published as part of <i>Hielkema, Auke J. & Hielkema, Meindert A., 2019, An annotated checklist of the Scarabaeoidea (Insecta: Coleoptera) of the Guianas, pp. 1-306 in Insecta Mundi 732 (732)</i> on page 214, DOI: <a href="http://zenodo.org/record/3678492">10.5281/zenodo.3678492</a>
Formalized functional analysis with semilinear maps
Semilinear maps are a generalization of linear maps between vector spaces where we allow the scalar action to be twisted by a ring homomorphism such as complex conjugation. In particular, this generalization unifies the concepts of linear and conjugate-linear maps. We implement this generalization in Lean’s mathlib library, along with a number of important results in functional analysis which previously were impossible to formalize properly. Specifically, we prove the Fréchet-Riesz representation theorem and the spectral theorem for compact self-adjoint operators generically over real and complex Hilbert spaces. We also show that semilinear maps have applications beyond functional analysis by formalizing the one-dimensional case of a theorem of Dieudonné and Manin that classifies the isocrystals over an algebraically closed field with positive characteristic
Le débat autour de la théologie des religions de Jacques Dupuis
Jacques Dupuis, un Jésuite belge, a élaboré une nouvelle perspective sur la théologie des religions. Dans ses deux derniers ouvrages, il a tenté d'établir une « théologie chrétienne du pluralisme religieux », non seulement de « fait » mais aussi de « droit », laquelle, d'après lui, dépasse les trois paradigmes antérieurs que sont l'exclusivisme, l'inclusivisme et le pluralisme. Il s'agit, à partir d'une christologie trinitaire, de rester fidèle à la foi chrétienne (sans tomber dans l'isolement) et de s'ouvrir aux autres traditions religieuses (sans se livrer au relativisme). Ce travail comporte une démarche en trois temps. Il s'agit d'abord de découvrir l'originalité de la théorie de Jacques Dupuis, et la méthode qu'il a privilégiée. Nous examinerons ensuite les réactions auxquelles les positions de Dupuis ont donné lieu, notamment celles de Rome. Nous tâcherons enfin d'amorcer une réflexion sur la possibilité de tracer une autre voie.Jacques Dupuis, a Belgian Jesuit, developed a new perspective on the theology of religions. In his last two books, he tried to establish a « Christian theology of religious pluralism », not only « of fact » but « of right », which, for him, would go beyond the previous three paradigms of exclusivism, inclusivism, and pluralism. Drawing on a trinitarian christology, Dupuis's approach sought to remain faithful to the Christian faith (without falling into isolation), while being open to other religious traditions (without indulging in relativism). The present work follows a three-step process. We will first expose the originality of Jacques Dupuis's theory, and the method he retained. Then, we will examine the reactions to which Dupuis's positions gave rise, especially those from Rome. Finally, we will initiate a reflection on the possibility of opening another avenue
Dramaturgie de la scène primitive et passion postcourtoise : le couple Judith et Holopherne dans L’âge d’homme et L’Afrique fantôme de Michel Leiris
Ce mémoire propose une réflexion psychanalytique à partir de L'Âge d'homme et de L'Afrique fantôme de Michel Leiris. Il y est montré que la notion freudienne de scène primitive sert de paradigme à l'écriture autobiographique de cet auteur.
Cette étude commence par approfondir les récits de rêves dans ces textes. Il s'agit d'emprunter la voie royale vers l'inconscient. Le moi du narrateur adopte une position masochiste devant des femmes phalliques dont il s'éprend. C'est ce qui le fait basculer dans la passion postcourtoise, notion développée par Paul-Laurent Assoun. La Dame se substitue à l'objet perdu et se présente comme une Judith meurtrière. Les nombreuses identifications du narrateur avec des personnages légendaires nous permettent de transposer son existence à l'intérieur d'une mythologie personnelle. L'analyse de ces fantaisies d'identification avec des modèles masculins révèle le sadisme de son surmoi.
À Gondar, l'auteur tombe amoureux d'Emawayish, une sorcière éthiopienne, qui devient son double idéal de Lucrèce et Judith. Cette relation amoureuse répète inconsciemment la structure du complexe d'Œdipe. L'Âge d'homme apparaît comme une recherche du corps maternel et l'écriture autobiographique devient le moyen de remédier au sentiment mélancolique de perte d'objet d'amour.This thesis is a psychoanalytical development based on the books L'Âge d'homme and L'Afrique fantôme by the French writer Michel Leiris. The purpose is to show that the Freudian notion of primitive scene is used as a paradigm for self-exploration and analysis through autobiographical writing.
This study begins by detailing the stories of dreams retold by the author in his works. Thus, Leiris is traveling on the royal road that will take him to his unconscious mind. The ego of the narrator adopts a masochist approach to the phallic women he falls in love with. He then shifts to what is called « postcourtoise passion », a concept developed by Paul-Laurent Assoun. The Lady (La Dame) replaces the « lost object » and is transformed into the murderous Judith. The many identifications of the narrator with legendary figures allow us to read his existence through his personal mythology. Upon analysis, these identity fantasies of the author with male models are an indication of the sadism of his superego.
In Gondar, the author falls in love with Emawayish, an Ethiopian sorceress who becomes the perfect double of Lucrèce and Judith. This love relationship unconsciously reveals the structure of the Oedipus complex. L’Âge d’homme can be seen as the quest of a man for the maternal body. The experience of self-exploration and analysis writing can be seen as the means to cure the melancholy generated by the loss of the loved object
Back to a Way Forward: Jacques Dupuis' Trinitarian Christology and the Invisible Missions of the Word and Spirit
Jacques Dupuis' book, Toward a Christian Theology of Religious Pluralism, drew an enormous response from theologians, some of them very concerned by Dupuis' argument in terms of the universal presence and action of the Word and Spirit as “extending beyond” that of the risen incarnate Word, and his insistence that “a divine action of the Word as such remains, which extends beyond the human action of the risen Christ”. The aim of this essay is to examine the distinctly trinitarian elements of Dupuis' argument, in the light of the classical teachings regarding Trinity and Christology, for it is on the basis of his “trinitarian christology” that Dupuis grounds his theology of religious pluralism. The author argues that, while Dupuis' “trinitarian christology” points the way to a more positive appreciation of the salvific efficacy of non-Christian religions, he has confused rather than advanced an understanding of the operation of Word and Spirit in regard to non-Christian religions. The author argues that the classical notion of the divine missions, visible and invisible, a strange omission from Dupuis' argument, would facilitate the case he seeks to make, avoid some of the ambiguities that dog his case, and mute the key concerns which have been raised by reviewers. </jats:p
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