1,721,329 research outputs found
Robert Patrick
No full textRobert Patrick is sitting in his carriage in front of his Salt Lake City residence
Robert Patrick
No full textRobert Patrick was an early Utah pioneer. He immigrated from Scotland in 1863 where he was his city\u27s sexton and a member of the city council
Mchugh, R P (Robert Patrick), QX17841
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/403475Surname: MCHUGH. Given Name(s) or Initials: R P (ROBERT PATRICK). Military Service Number or Last Known Location: QX17841. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 26525.224274
Item: [2016.0049.35768] "Mchugh, R P (Robert Patrick), QX17841
Midlatitude Mesoscale Convective Complex precipitation cycles and structures
Full text linkThesis (M.S.)--Massachusetts Institute of Technology, Dept. of Meteorology and Physical Oceanography, 1983.Microfiche copy available in Archives and Science.Bibliography: p. 107-108.by Robert Patrick Callahan.M.S
ROBERT PATRICK NEWCOMB. Iberianism and Crisis. Spain and Portugal at the Turn of the Twentieth Century. Toronto: University of Toronto Press, 2019. 246 pp.
No full textReview of Iberianism and Crisis by ROBERT PATRICK NEWCOMB
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
A Production of Robert Patrick\u27s Kennedy\u27s Children .
Full text linkThis paper is a record of my experience as the director of Kennedy\u27s Children, which opened on March 1978 and ran through 12 March in the Studio Theatre of the University Of Nebraska at Omaha undertaken in partial fulfillment of the Masters degree in Dramatic Arts. The first section of this paper concerns the formal research into the background of Robert Patrick (b. 1937-), the playwright and the production history of his play, Kennedy’s Children, which first opened in New York on 3 November 1975. The second section consists of 1) an explanation of the circumstances surrounding my undertaking this project, 2) a chronology of my directorial decisions throughout .the rehearsal from February 1 to March 3, and 3) a discussion of the acting problems encountered and solutions employed by the director in the course of the production
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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Robert Patrick Newcomb: «Nossa and Nuestra America: Inter-American Dialogues». West Lafayette: Purdue University Press, 2012. Print
Full text linkIn this 2012 book, Robert Patrick Newcomb, currently an assistant professor of Luso-Brazilian literature at UC Davis, establishes an inter-American dialogue between Brazil and Spanish American literatures by focusing on the essay tradition of the late 19th and early 20th centuries
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