5,870 research outputs found
Prince Rupert : the Pacific outlet for Peace River and the Prairie Provinces.
No full textMining -- Peace River's grain port -- Interesting totem poles -- Prince Rupert -- Prince Rupert has... -- Prince Rupert harbor and facilities -- Fisheries -- Timber resources and local forest industries -- Prince Rupert's grain elevator
Sunset Time Capsule - Interview with Rob Howatson
No full textRob describes the search for a time capsule buried in the original Sunset Community Centre, which was located at Prince Edward and 51st Street
Portrait of Willie Prince for the Forgotten Australians and Former Child Migrants oral history project [picture].
No full textAcquired in digital format; access copy available online.; Part of the collection: Portraits taken during interviews for the Forgotten Australians and Former Child Migrants oral history project.; Title devised by cataloguer.; Mode of access: online.; Willie Prince interviewed by Rob Willis for the Forgotten Australians and Former Child Migrants oral history project; Located at; National Library of Australia Oral History collection ORAL TRC 6200/93
New Ireland: the Irish on Prince Edward Island
No full textAdapted from the text of New Ireland : The Irish on prince Edward Island, an exhibition produced by the Prince Edward Island Museum & Heritage Foundation. Text by Edward MacDonald.Source type: Print(0
JOB DESCRIPTION OF A RECEPTIONIST AT KUSUMA SAHID PRINCE HOTEL SURAKARTA
No full textHotels as a part of the hospitality industry try to create an attractive
image to differentiate themselves from others. This is important in luring travelers
which will directly affect the development of the hotel itself. This can be achieved
only through the efforts of all elements of the hotel which are divided into several
departments. The front office department, especially, should have good
cooperation among its staffs because the front office has most direct contact with
the guests. The receptionist as a part of the front office department has a large
responsibility as a representative of the hotel which should create a good image.
This paper sets out to describe the job scope of a receptionist at
Kusuma Sahid Prince Hotel, Surakarta based on the job training undergone by the
author. The receptionist plays important role in handling the guests’ needs. To
give the best service, a receptionist must have good knowledge about all sectors in
the hotel and also the information external to the hotel related to the guests’ needs.
It is also supported by good and professional grooming based on appropriate hotel
standards.
From the data, one conclusion that can be drawn from this study is
that the job description of a receptionist in Kusuma Sahid Prince Hotel includes
various aspects. The receptionists of Kusuma Sahid Prince Hotel have a large
responsibility to know the job scope and do it to the best of their ability in order to
build an attractive image of the hotel
Faithfulness and Reduplicative Identity
No full textThis paper proposes a revised view of faithfulness in Optimality Theory (Prince & Smolensky 1993), relating it to reduplicative identity (McCarthy & Prince 1993). Faithfulness and identity are unified in a theory of Correspondence relations between structures. The theory is investigated by way of a study of over- and underapplication effects in reduplicated structures.The definitive version of this paper was published in Papers in Optimality Theory (1995)McCarthy, J. J., & Prince, A. S. (1995). Faithfulness and reduplicative identity. In J. N. Beckman, L. W. Dickey, & S. Urbanczyk (Eds.) Papers in optimality theory (pp. 249-384). Amherst, MA: GLSA (Graduate Linguistic Student Association), Dept. of Linguistics, University of Massachusetts.This work was supported in part by grant SBR-9420424 from the National Science Foundation and by research funds from Rutgers, The State University of New Jersey, at New Brunswic
Tunisia–The Imprisonment of Fahem Boukadous (Part One of a series)
No full textTo most Americans with the exception of those few who, for whatever reason, have an attachment to the North African country of Tunisia, the name Fahem Boukadous, foreign to American ears, means nothing. It means a good deal more to Reporters Without Borders” and to the US State Department that actually issued a statement (half way down the page) on his behalf, to the US intelligence agencies and military that have carefully followed the Spring, 2008 uprising in the Tunisian region of Gafsa–deemed the most extensive and militant social protest in that country’s history in the past quarter century.
© Rob Prince. All rights reserved.
This paper may be freely circulated in electronic or hard copy provided it is not modified in any way, the rights of the author not infringed, and the paper is not quoted or cited without express permission of the author. The editors cannot guarantee a stable URL for any paper posted here, nor will they be responsible for notifying others if the URL is changed or the paper is taken off the site. Electronic copies of this paper may not be posted on any other website without express permission of the author
Owen Rice, Boyd Prince, Rob Pettit, John Powell, Jim Hogue and Brock Hill running
No full textOwen Rice, Boyd Prince, Rob Pettit, John Powell, Jim Hogue (not official member) and Brock Hill in the bac
Prosodic Morphology: Constraint Interaction and Satisfaction
No full textProsodic Morphology (McCarthy and Prince 1986 et seq.) is a theory of how morphological and phonological determinants of linguistic form interact with one another in a grammatical system. More specifically, it is a theory of how prosodic structure impinges on templatic and circumscription morphology, such as reduplication and infixation. There are three essential claims:(1) Principles of Prosodic Morphologya. Prosodic Morphology HypothesisTemplates are defined in terms of the authentic units of prosody: mora (μ), syllable (σ), foot (Ft), prosodic word (PrWd).b. Template Satisfaction ConditionSatisfaction of templatic constraints is obligatory and is determined by the principles of prosody, both universal and language-specific.c. Prosodic CircumscriptionThe domain to which morphological operations apply may be circumscribed by prosodic criteria as well as by the more familiar morphological ones.In short, the theory of Prosodic Morphology says that templates and circumscription must be formulated in terms of the vocabulary of prosody and must respect the well-formedness requirements of prosody.But this picture is incomplete in various crucial respects. With most work in contemporary phonological theory, it underarticulates the role of well-formedness constraints; knowing that they are obeyed is not the same as knowing how they are obeyed and why they may be violated under other conditions. A more local problem, which we will document extensivelybelow, is that the vocabulary and constraints of prosody can be active in morphology that is neither templatic nor circumscriptional, where the principles of Prosodic Morphology are without force. Thus, the standard theory is incomplete in a significant way. Finally, there are cases, also discussed below, where the standard theory is empirically wrong — cases where, for example, templatic constraints are not satisfied obligatorily or infixation cannot be analyzed by the circumscription of prosodic constituents.This document was originally circulated in April 1993 and has been available as Technical Report #3 of the Rutgers University Center for Cognitive Science. The current version is essentially identical to RuCCS-TR-3, with a few minor corrections and with the addition of a preface and bibliography situating it in relation to more recent developments. The most significant themes of this work include correspondence theory, reduplication, alignment, stratal OT, and the theory of templates.McCarthy, J. J., & Prince, A. (2001). Prosodic morphology: constraint interaction and satisfaction. New Brunswick, NJ: Rutgers Center for Cognitive Science
Encounter for Sydney Festival 2020
No full textThis joyful, site-specific work of music and dance, set in the parklands of Parramatta’s Prince Alfred Square, is an exploration of the everyday extraordinariness and power of young people living in Western Sydney and regional Australia. Directed by Emma Saunders and developed with a cast of 16 dancers and 48 musicians, in collaboration with award-winning artists, composers Amanda Brown (The Go-Betweens) and Jodi Phillis (The Clouds), writer Felicity Castagna, conductor James Pensini, and associate artist Rob McCredie, Encounter invites you to celebrate the indomitable spirit of youth and the world they find themselves in
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