7,181 research outputs found
Life is too short to be serious all the time: Donald Duck presents unconventional motivations for publishing in academia
No full textIn this food for thought article, we introduce the ‘Donald Duck Phenomenon’ to consider ten unconventional reasons for publishing in academia. These include (i) symbolic immortality, (ii) personal satisfaction, (iii) a sense of pride, (iv) serious leisure, (v) cause credibility, (vi) altruism, (vii) collaboration with a friend or family member, (viii) collaboration with a hero, (ix) conflict or revenge, and (x) for amusement. The article was inspired by the lead author’s social media search for a co-author with the surname ‘Duck’. Through LinkedIn, the lead author, Associate Professor William E. Donald, who is based in the UK and specialises in Sustainable Careers and Human Resource Management, found a collaborator, Dr Nicholas Duck, based in Australia and specialises in Organisational Psychology. While the collaboration may appear somewhat ‘quackers’, per one of Donald Duck’s famous phrases, “Life is too short to be serious all the time, so if you can’t laugh at yourself then call me… I’ll laugh at you, for you”. We hope that this article offers some interesting insights, particularly for academics at the start of their scholarly journey, and acts as a way to stimulate conversation around unconventional reasons for publishing in academia
The beautiful poetry of Donald Trump
No full textWhat if there's another side to Donald Trump? A sensitive, poetic side? Driven by this question, Rob Sears began combing The Donald's words for signs of poetry.What he found was a revelation. By simply taking the President Elect's tweets and transcripts, cutting them up and reordering them, he unearthed a trove of beautiful verse that was just waiting to be discovered.This collection will give readers a glimpse of the Trump's innermost thoughts and feelings, on everything from the nature of truth to what annoys him about Cher - and will reveal a hitherto hidden Donald, who may surprise and delight both students and critics alik
Supporting clients via narrative storytelling and artificial intelligence: a practitioner guide for career development professionals
No full textPurpose: in this practitioner-focused essay, we combine traditional narrative storytelling approaches with Artificial Intelligence’s (AI) innovative abilities to enable career development professionals to support individuals across their lifespan.Design/methodology/approach: we propose a three-phase career exploration approach, developed and tested in a real-world setting for career development professionals to support their clients to consider various career-related options as well as identify strengths and opportunities for personal development. Findings: in phase one, the client recounts 7–10 positive narrative stories about engaging in activities they enjoyed. In phase two, the career development professional uses AI with tailored prompts to generate a personalised client report based on these narrative stories. In phase three, the report serves as the basis for further discussion and exploration with the client. Practical implications: the approach provides a practical guide for career development professionals to increase their capability to support their clients in response to technological advancement and the contemporary world of work. A training document incorporating a worked example of the approach is provided in “Supplementary Material Appendix 1”. Originality/value– Our approach acknowledges AI as a newactor and career development professionals as undervalued actors in supporting individuals to foster a sustainable career ecosystem
Author and literary critic Donald Shaw
No full textAuthor and literary critic Donald Shaw, b&w.https://mds.marshall.edu/parthenon_photo_morgue/1399/thumbnail.jp
Ordinary working men...transformed into giants on the rugby field': Individual and Collective Memory in Oral Histories of Rugby League.
No full textAs a sport that partly owes its existence to the issue of ‘broken time’, the working life of professional players outside the game is a highly symbolic issue in rugby league. In England financial reality meant that until the 1990s most players at professional level had to combine their career with full time employment away from the sport, often in the communities they represented on the field. To many this helped create a strong communal bond between those who played and watched rugby league and this perception has become a key cultural narrative in the sport’s ‘collective’ memory. This article uses individual narratives from oral history interviews which relate to the working life of professional players outside rugby league to examine the contention advanced by the sociologist Maurice Halbwachs and others that recollections of personal experience are always shaped to fit within the accepted public discourse. A wide range of personal testimonies are considered in order to illustrate how far, as some oral historians have argued, individuals are able to reflect upon the significance of shared experiences in ways which offer alternative perspectives to dominant cultural scripts
Donald Elder papers
No full textDonald Elder (1913-1965) was an editor with Doubleday, Doran and Co., which published the English translation of José Joaquín Fernandez de Lizardi's The Itching Parrot in Katherine Anne Porter's name. He was also the author of Ring Lardner, A Biography. The collection consists of correspondence between him and Porter. Important subjects include writers and writing and Porter's personal interests and opinions, as well as The Itching Parrot and Ship of Fools
"Letter with No Address" - Poem by Donald Hall
No full textDonald Hall reads his poem "Letter with No Address," an epistolary poem written for his late wife, the poet Jane Kenyon. Hall is a former U.S. Poet Laureate and the author of 16 books of poetry, as well as fiction.http://deepblue.lib.umich.edu/bitstream/2027.42/85036/1/letterwithnoaddress_donalhall.mp
Variations on the Author
No full text“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Letter from [Donald Hata] to Michi Weglyn August 25, 1977
No full textThis letter from Donald Hata to Michi Weglyn thanks her for her time and effort in her response to his student's request for assistance and information about the "Peruvian internees." He also informs her that the review he wrote of her book had just been published in the "Journal of American history," and also updates her on his promotion to full professor at the university.Collection of notes, articles, correspondence, photographs, and term papers collected by Yukio Mochizuki, a student at CSU Dominguez Hills, while researching Japanese American incarceration and Japanese Peruvian internment during World War II
Hokum!
No full textHokum!, the first book to take a comprehensive view of short-subject slapstick comedy in the early sound era, challenges the received wisdom that sound destroyed the slapstick tradition. Author Rob King explores the slapstick short’s Depression-era development against a backdrop of changes in film industry practice, comedic tastes, and moviegoing culture. Each chapter is grounded in case studies of comedians and comic teams, including the Three Stooges, Laurel and Hardy, and Robert Benchley. The book also examines how the past legacy of silent-era slapstick was subsequently reimagined as part of a nostalgic mythology of Hollywood’s youth. “A valuable contribution to historiography in its ability to fill a hole in contemporary film history, increasing our understanding of both the (perceived) narrowed place of the comedy film short in the 1930s and the production and reception of slapstick comedy during that era.” -KATHRYN FULLER-SEELEY, Professor of Radio-Television-Film, University of Texas at Austin “With solid research, jewel-like prose, and plenty of wry humor, Rob King convincingly busts the myths and chases away the nostalgia for silent film comedy. Instead, we leave with a lasting sense of the form’s persistent cultural relevance.” -DONALD CRAFTON, author of Shadow of a Mouse “Hokum! moves deftly through questions of performance, aesthetics, technology, political economy, trade practices, and popular reception to convincingly unseat deeply entrenched understandings of the transition to sound and its impact on the history of screen comedy. This book is some of the smartest film history being written today.” -MARK LYNN ANDERSON, author of Twilight of the Idols ROB KING is Associate Professor at Columbia University’s School of the Arts and author of the award-winning The Fun Factory: The Keystone Film Company and the Emergence of Mass Culture
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