1,720,970 research outputs found
Drilling experiments on a gamma titanium aluminide obtained via electron beam melting
Gamma titanium aluminides are intermetallic structural alloys with many advantages like high temperature and oxidation resistance, low density, high specific strength, rigidity, etc. This makes them promising candidates for critical applications where both mechanical and thermal properties are required. Unfortunately, their machinability is demanding, generating low cutting life and poor surface conditions. A deeper knowledge on the machining parameters is essential for a wider application of these heat resistant light-weight alloys in aircraft and automotive industry. In this paper, the performance of uncoated carbide drills in drilling a gamma titanium aluminide was analysed. The workpiece material was obtained via electron beam melting (EBM) process, a versatile technology for additive manufacturing of complex metal parts from metal powders. EBM is highly appealing in the field of aeroengine components, and it is particularly interesting in processing gamma titanium aluminides. Cutting performances were measured in terms of tool wear, surface roughness, dimensional and geometric errors. The experimental results show strong dependence of tool wear and part quality on cutting parameters, with poor tool life compared with other work material
Technological and environmental aspects in milling of γ-TiAl
Gamma-titanium aluminides present an attractive combination of low density, high melting temperature, good oxidation and burn resistance, high modulus and strength retention at elevated temperatures, and good creep properties. For this reason they are promising candidates as advanced structural materials for high temperature applications. However due to their high strength, high hardness and brittleness at room temperature, g-TiAl alloys are regarded as difficult-to-cut materials. Many efforts have been done during the last 20 years to introduce TiAl-based alloys into the aerospace and automotive market as engineering components. But for the application and diffusion of this new heat-resistant light-weight material for high performance components, a deeper knowledge of their machinability is still required. In this context, and given the increasing attention to the environmental aspects related to the manufacturing processes, the present research work is aimed at investigating two key aspects: the influence of cutting parameters and cooling conditions, on tool wear, surface finishing and power consumption in milling operations of a g-TiAl alloy
Evaluation of the Environmental Impact of different Lubrorefrigeration Conditions in Milling of -TiAl Alloy
A Contribution on the Modelling of Wire Electrical Discharge Machining of a γ-TiAl Alloy
AbstractWire electrical discharge machining (WEDM) is a manufacturing process suitable for high-precision cutting of complex and irregular shapes through difficult-to-machine electrically conductive components. In recent years, wire EDM has become a key non-traditional machining process, widely used in the aerospace and automotive industry. Although this technology has been broadly investigated, literature is still limited on the use of wire EDM for intermetallic alloys, and the applications on gamma titanium aluminides are rather unexplored. Such materials are attracting considerable interest due to the outstanding combination of properties, and they have proved to be eligible for thermo-mechanically stressed parts of aeroengines. Nevertheless, the poor machinability of gamma titanium aluminides has been reported in conventional (i.e. turning, milling, and drilling) and non-conventional machining, such as ECM. Further, machinability results strictly depend on the chemical composition of the specific alloy. This paper investigates the interactions between common process parameters of WEDM and final quality of the generated surface, through analysis of variance (ANOVA) and regression models based on experimental results. In particular, the paper is focused on the effects of pulse on time, pulse off time, servo-reference voltage, and wire tension on the surface finish during the WEDM of a Ti-48Al-2Cr-2Nb (at. %) γ-TiAl alloy. Results are discussed and compared with reference to the models available in literature
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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