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Alexandro L. Madrid (ed.), Transnational Encounters: Music and Performance at the U.S.-Mexico Border (2011)
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JSTOR link to article (restricted access) https://www.jstor.org/stable/4377460
“If I Were You”: Tego Calderón’s Diasporic Interventions
No full textIn 2012, reggaeton artist Tego Calderón released a music video for his song “Robin Hood.” The video tells the story of a man who aids a group of undocumented Dominican immigrants to Puerto Rico. Through a close reading of “Robin Hood,” this essay argues that Calderón establishes connections between Puerto Ricans and Dominicans through an understanding of their shared marginalization as black subjects. This has important implications for African diaspora theory, which has typically neglected Puerto Rican and Dominican engagements with blackness. Calderón disrupts two common assumptions about Puerto Rican and Dominican racial politics: first, that Puerto Ricans and Dominicans are always in conflict and, second, that Puerto Ricans and Dominicans shy away from identifying as black. An analysis of the music video provides one example of how diasporic blackness operates in the Spanish Caribbean and calls for a better integration of the Spanish Caribbean into theories of the African diaspora
The expediency of Blackness: racial logics and Danzón in the Port of Veracruz, Mexico
No full textMalcomson analyzes discourses about blackness that circulate in the danzón community in Veracruz, Mexico. Through a combination of ethnographic research and historical and musical analysis, Malcomson demonstrates how blackness is rendered both local and foreign, and positive and negative. Through examining these contradictions, she illustrates how ideas about race, blackness, and Mexican identity circulate in the racial imaginary of Veracruz, Mexico
“Esta es mi tierra/Esta soy yo”: Teaching US colonialism and Puerto Rican resistance through Bad Bunny
Get PDFThe Colors and Flavors of My Puerto Rico : Mapping “Despacito”’s Crossovers
Get PDFLuis Fonsi and Daddy Yankee’s song “Despacito” shattered numerous records to become one of the most successful Spanish-language songs in U.S. pop music history. Declared 2017’s “Song of the Summer,” the “Despacito” remix featuring Justin Bieber prompted discussions about the racial dynamics of crossover for Latin music and Latina/o artists. However, little attention was paid to the ways that “Despacito”’s success in the Latin music market demonstrated similar racial dynamics within Latin music, especially in the song’s engagement with reggaeton, a genre originally associated with Black and working-class communities. This paper examines the racial politics that surround “Despacito”’s success in both the Latin mainstream and the U.S. mainstream. We argue that “Despacito” reinforces stereotypes of blackness in the Latin mainstream in ways that facilitate reggaeton’s crossover. In turn, Fonsi himself becomes attributed with similar stereotypes, especially around hypersexuality, that represent him as a tropical Latina/o racialized other in the United States. Through close readings of media coverage of “Despacito” alongside the song’s music video, we argue that it is critical to look at “Despacito”’s success in both the Latin mainstream and the U.S. mainstream in order to examine the complex and contradictory process of crossing over
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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