521 research outputs found
Get a Life, Chloe Brown
No full textGet a Life, Chloe Brown follows Chloe Brown, who spent most of her time at home due to her fibromyalgia, an illness that causes wide-body pain and fatigue. After a near-death experience, she decided to make a list to become more independent and rebellious. To help her do this, she seeks the help of her landlord.
The author of this book was a diverse romance writer who got started from self-publishing and social media. This book in particular follows a Black woman with a chronic illness, making it unique in the romance world.https://ecommons.udayton.edu/ul_popularromance/1011/thumbnail.jp
Review of Chloe Aridjis's Magic Lantern Show STILLED SHADOWS
No full textReview of the live magic lantern shows at Swedenborg House by the author Chloe Aridji
Modern Painters, Vol. 1, No. 1: introduction
No full textA multi-author 'One Object' feature convened and introduced by Chloe Julius that responds to the first issue of the British art magazine 'Modern Painters' (1988
Obraz „Dafnis i Chloe” Parisa Bordona. Mitologia i erotyka
No full textThe paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents.The paper discusses a Daphnis and Chloe painting from the collection of John Paul II Museum in Warsaw, attributed to the Venetian artist Paris Bordon. Starting with identification of the literary source – an ancient novel by Longus, recounting a love story of young shepherd Daphnis and his fiancée, Chloe – the author strives to determine the degree of its congruity with the depicted scene by conducting a detailed iconographic analysis of the latter. Furthermore, a comparative effort is made to place the picture in its supposed creator’s artistic oeuvre with regard both to its form and contents
Daphnis and Chloe /
No full textIn 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner.In 1831 Goethe called Daphnis and Chloe 'a masterpiece ... in which Understanding, Art, and Taste appear at their highest point, and beside which the good Virgil retreats somewhat into the background ... One would do well to read it every year, to be instructed by it again and again, and to receive anew the impression of its great beauty. 'Touching yet humorous, naive and at the same time highly sophisticated, Daphnis and Chloe is the story of a shepherd boy and girl who fall desperately in love yet find themselves facing great obstacles, because in their passion they behave, as the author says, even more awkwardly 'than rams and ewes.'.Marc Chagall's illustrations to the pastoral tale, which is set on the island of Lesbos, were inspired by his first-hand experience of Greece. His lithographs combine the Mediterranean lushness of the realm of Pan and Eros with memories of Russian Jewish folktales, and celebrate the lovers in a setting whose marvels of colour evoke Eden with a sumptuousness that is inimitably Chagall. Art of the highest order united with poetry of timeless appeal - the result is an irresistibly delightful book.This sole surviving bucolic novel of ancient Greek origin was written by Longus, a poet about whom nothing else is known, and dates to about the mid third century A.D. The lyrical beauty and sensual frankness of the story have found admirers from Shakespeare to Jacob Burckhardt, and have exerted lasting influence on European literature. It was not until 1810 that the first complete manuscript of Daphnis and Chloe was discovered, in Florence. This provided the basis for the present, superb translation, done in 1956 by Paul Turner
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Interview with Chloe Taft, author of From Steel to Slots
No full textIn this August 3, 2016 phone conversation, Taft discusses her book From Steel to Slots: Casino Capitalism in the Postindustrial City, an examination of the transition from Bethlehem Steel to Sands Bethlehem in the northeast Pennsylvania manufacturing city
Interview with Chloe Taft, author of From Steel to Slots
No full textIn this August 3, 2016 phone conversation, Taft discusses her book From Steel to Slots: Casino Capitalism in the Postindustrial City, an examination of the transition from Bethlehem Steel to Sands Bethlehem in the northeast Pennsylvania manufacturing city
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Help me to help you: Finding synergies between Destination Marketing Organizations and agritourism stakeholders
No full textChloe Riley is a first year Master’s Student in the Department of Hospitality, Retail, and Sport Management at the University of South Carolina. She also works as a research assistant for the Richardson Family SmartState Center of Economic Excellence in Tourism and Economic Development where she studies tourism crisis management.
Alyssa Stroker is a Research Analyst with Longwoods International, where she contributes to research projects and client deliverables. Alyssa holds a BS in Parks, Recreation, and Tourism Management from NC State University, where she worked as a Research Assistant leading data collection, analysis, and dissemination efforts.
Whitney Knollenberg is an Assistant Professor in the Department of Parks, Recreation, and Tourism Management at North Carolina State University. Her research focuses on tourism leadership and the influence of policy, planning, and partnerships in sustainable tourism development.
Carla Barbieri is a Professor in Sustainable Tourism (North Carolina State University, USA) where she leads the “Agritourism & Societal Wellbeing” lab. She investigates the economic, socio-cultural, and environmental impacts of agritourism at the farm household and society levels. She also studies the sustainability of niche tourism.A qualitative study conducted in North Carolina (USA) revealed synergies between agritourism stakeholders and destination marketing organizations to enhance the promotion of agritourism experiences. Semi-structured interviews were conducted with 13 agritourism stakeholders and 12 destination marketing organization leaders. Interview data revealed that many agritourism experiences align with existing destination brands, such as those related to natural resources or well-being. There is also evidence that destination marketing organization leaders recognize opportunities to diversify agritourism experiences to help operators stand out and compete in a global marketplace. Agritourism stakeholders are seeking knowledge and skills related to promotion, which destination marketing organization leaders can provide. Lastly, these two groups can collaborate to establish and maintain infrastructure (e.g., toolkits or maps) to bring together regional partners that will strengthen local food systems and tourism experiences. This study reveals a need to further explore the potential relationships between agritourism stakeholders and destination marketing organizations
Tracker, Arts House, North Melbourne Town Hall, Melbourne, 7-18 June 2023.
No full textTracker, presented by Australian Dance Theatre in association with Ilbijerri Theatre Company. Wiradjuri director-choreographer Daniel Riley evokes an immensely powerful and personal story of his Great-Great Uncle, Alec �Tracker� Riley. Alec, a Wiradjuri Elder and tracker, served the New South Wales Police Force for 40 years, leading numerous high-profile cases. As an Elder of his community he forged a path between the enforced colonial system in which he worked and his Wiradjuri lore. Tracker takes inspiration from his legacy and examines the battles First Nations people have shared for generations. Weaving together dance, music and text, Tracker invites the audience into an open and transformative ceremonial space. This remarkable story is brought to life by a team of celebrated First Nations creatives, including award-winning playwright Ursula Yovich, co-director Rachael Maza AM, composers James Henry and Gary Watling, visual artist Jonathan Jones, lighting designer Chloe Ogilvie and an all-First Nations cast. Culturally rich and ambitiously original, this multidisciplinary work rethinks how we engage with and experience First Nations storytelling. Credits: Co-Director and Choreographer; Daniel Riley (Wiradjuri), Co-Director; Rachael Maza (Yidinji, Meriam Mer), Co-Writer; Amy Sole (Wiradjuri), Set Designer; Jonathan Jones (Wiradjuri and Kamilaroi), Composer and Sound Designer; James Henry (Yuwaalaraay, Yorta Yorta), Composer and Live Musician; Gary Watling (Wiradjuri), Lighting Designer; Chlo� Ogilvie (Yamatji), Costume Designer; Ailsa Paterson, Scenic Artist; Merindah Funnel (Wiradjuri), Performers; Tyrel Dulwarie (Yirrganydji, Djirrabul, Kalkadoon and Umpila), Rika Hamaguchi (Yawuru), Ari Maza-Long (Yidinji, Meriam Mer), Kaine Sultan-Babij (Arrente), Dramaturgs; Amy Sole (Wiradjuri) and Jennifer Medway, Project Elders; Aunty Shirley Mathews and Aunty Ann Cribb, Wiradjuri Language Translator; Aunty Dianne Riley McNaboe
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