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TANDA DAN MAKNA DALAM SENI GAMBAR ISA PERKASA: Analisis Semiotik Barthes terhadap Seni Gambar “Seragam yang Diingatkan” Isa Perkasa
Full text linkTujuan dalam penelitian ini untuk mendeskripsikan unsur dan prinsip visual, menjelaskan tipe tanda dan makna denotasi-konotasi, dan mengungkapkan mitos serta praktik ideologi, yang terkandung dalam seni gambar “Seragam yang Diingatkan” karya Isa Perkasa. Penelitian ini menggunakan teknik analisis formal seni rupa, dan teknik semiotik Roland Barthes, dengan pendekatan kualitatif melalui paradigma konstruktivisme mengenai bagaimana tanda dan makna dikonstruksikan sehingga menampilkan mitos dan ideologi. Hasil penelitian ini yaitu deskripsi seni gambar menggunakan media soft pastel dan material kain seragam dengan tema kritik sosial dan politik. Teknik gambar memperhatikan pencahayaan, bentuk, anatomi, tekstur, dan tata letak. Makna denotasi; dominan karyanya monokrom putih, Isa menghadirkan fragmen manusia yang berpakaian seragam sebagai subject matter, dan benda-benda kuno sebagai subjek pendukungnya. Setiap fragmen manusia yang dihadirkan bersifat antagonis dengan sikap yang kontradiktif dengan kebiasaan dalam masyarakat. Makna konotasi; di instansi berseragam tersebut telah terjadi kegiatan korup dan arogansi. Benda-benda kuno merepresentasikan suatu peristiwa atau waktu tertentu yang mengingatkan pada masa ORBA, ketika seragam (khususnya militer) menjadi simbol hegemoni dan berbagai peristiwa korup serta arogansi tentara. Isa juga mengingatkan orang-orang berseragam, dengan membuka ingatan masa lalu dan menghadirkan kembali pada karyanya, sehingga menjadikan suatu relasi peristiwa yakni pengkhianatan rakyat dengan tindakkan korupsi dan pelanggaran lainnya. Dalam karya-karyanya digambarkan bahwa perbuatan seperti itu beranasir memalukan tetapi pelaku yang terang-terangan sudah tidak merasa malu sama sekali. Dengan mendiskreditkan oknum berseragam dan ingatan ORBA dapat menjadi semacam mitos untuk menolak ideologi anti-demokrasi yang pernah diterapkan dengan penyeragaman dari pemerintahan otoriterisme yang militeristik. ..... The purpose of this research are to describe the visual elements and principles, to explain the type of signs and meanings denotation-connotation, and reveals myths and practices ideology, embodied in the drawing art “Uniforms being reminded” of Isa Perkasa’s artwork. This research using formal analysis techniques in art and technique of semiotic Roland Barthes, with a qualitative approach through constructivism paradigm about how sign and meaning are constructed and show the myth and ideology. The results of this research are the description of the drawing art is using media of soft pastel and uniform fabric as material with themes of social and political criticism. Technique of drawing attention to lighting, form, anatomy, textures and layouts. Denotation Meaning; the artworks are dominant whit the white monochrome, Isa presents fragments of human has worn uniform as the subject matter, and vintage things as subjects supporters. Each human fragments which has presented are antagonistic and contradictive attitude with the habit in society. Connotation meaning; in the uniformed agencies have occurred corrupt activity and arrogance. Vintage things represent an event or a specific time period that is reminiscent of New Order, when uniforms (especially military) became a symbol of hegemony and various events as well as the arrogance of corrupt soldiers. Isa also warned people have worn uniform, by opening the memories of the past and bring it back on his artwork, so that making a relation of events that is betrayal of the people with corruption and other abuses. In his artworks depicted that such actions embarrassing but offenders who blatantly is not embarrassed at all. By discrediting the uniformed officers and memory ORBA can be a kind of myth to reject the anti-democratic ideology that ever applied with uniformity of government militaristic authoritarianism
Collective Painting Exhibition Museum and Education Catalogue- Museum Geologi 2022
No full text“Museum” dan “Pendidikan” dua gatra yang tidak dapat dipisah, filsuf John Dewey, menyadari bahwa museum memiliki substansi pendidikan yang kuat, sebagai komponen integratif dari pengalaman hidup, selain berkontribusi pada dunia pendidikan itu sendiri. Museum bagi Dewey sangat bermakna, bahkan dalam perjalanan hidupnya, ia rutin melakukan kunjungan museum. Pameran ini mengangkat esensi tersebut dengan mengusung tema “Museum and Education” di mana ide, konten, dan visual pada pameran seni lukis ini bersifat kolektif dari kelompok seniman. Tetapi, yang menarik dalam pameran ini, yakni melibatkan pengunjung museum untuk melukis secara langsung dan ikut menentukan proses artistik dalam karya, pengunjung yang terlibat didominasi oleh anak-anak. Meskipun demikian, dalam pameran ini seniman masih dapat memaknai tiap-tiap karya yang baginya bersifat private sebagaimana yang ditampilkan dalam katalog. Pameran lukis kolektif ini diselenggarakan oleh Museum Geologi, yang termasuk ke dalam rangkaian kegiatan “Day & Night at The Museum”, Proses berkarya dilakukan di halaman depan Museum Geologi. Sebanyak 32 kanvas berukuran 60 cm x 40 cm diwarnai dengan cat akrilik. Lukisan kolektif menghasilkan proses artistik yang demokratis dan kolaboratif, sehingga ketika digabungkan akan menghasilkan karya keseluruhan yang tidak terduga. Selain itu dapat menjadi pengalaman yang unik bagi pengunjung museum. Pameran ini berlangsung dari 26 November hingga 1 Desember 2022.
ARTISTS
1. Nadia Nur Zamli | zmlnadia
2. Nabilah Husna Fajriyani Ma'ruf | hoes_nah
3. Silviana Pebriani | silvianafbrni
4. Aldi Susanto | 112_aldy
5. Fikri Hasan Taufiqurrasyid | fkrihsnn
6. Adrifa Mutiara Salma | adrifasalma
7. Nadhifa Afiatus Shalehah | nadhifafs
8. Rifa A Mabruri Sindik | rifaahmadms
9. Nazwa Fidela Hafizha | nawzww
10. Ramli Nasir | ramlinasir14
11. Beni Hidayat | beeew21
12. Rinno Bilka Fauzy | rinno1853
13. Santi Maulida | hiisanti_
14. Fathiya Nur Jamilah | kup.at_nue
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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