1,721,050 research outputs found
Operating Loans of the Farmers Home Administration in Minnesota
20 pagesDahl, Reynold P.. (1958). Operating Loans of the Farmers Home Administration in Minnesota. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/137009
Agricultural Production Loans of Minnesota Country Banks.
This archival publication may not reflect current scientific knowledge or recommendations. Current information available from University of Minnesota Agricultural Experiment Station: http://www.maes.umn.edu/Dahl, Reynold P., Jesness, Oscar B.,1955. Agricultural production loans of Minnesota country banks. Saint Paul, MN: University of Minnesota, Agricultural Experiment Station, Station Bulletin 429.Dahl, Reynold P.; Jesness, O.B.. (1955). Agricultural Production Loans of Minnesota Country Banks.. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/163857
The Economic Performance of the U.S. Grain Export Industry
27 pages.Thompson, Sarahelen R.; Dahl, Reynold P.. (1979). The Economic Performance of the U.S. Grain Export Industry. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/109351
Wild Rice Production, Prices, and Marketing
37 pages.Winchell, Elizabeth H.; Dahl, Reynold P.. (1984). Wild Rice Production, Prices, and Marketing. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/112696
Agricultural Production Loans of Minnesota Country Banks
This archival publication may not reflect current scientific knowledge or recommendations. Current information available from University of Minnesota Agricultural Experiment Station: http://www.maes.umn.edu/Dahl, Reynold P.; Jesness, O.B.. (1955). Agricultural Production Loans of Minnesota Country Banks. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/164092
Social Costs of Regulating Railroad Grain Rates in the Upper Midwest
24 pages.Martin, Michael V.; Dahl, Reynold P.. (1979). Social Costs of Regulating Railroad Grain Rates in the Upper Midwest. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/109246
Grain Production Projections by County and District, Minnesota, 1980 and 1985.
Projections in this study are on a county-by-county
basis and by crop reporting district so these projections
can be used for local, regional, or statewide planning.
19 pages.This archival publication may not reflect current scientific knowledge or recommendations. Current information available from University of Minnesota Agricultural Experiment Station: http://www.maes.umn.edu/Martin, Michael; Dahl, Reynold P.. (1977). Grain Production Projections by County and District, Minnesota, 1980 and 1985.. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/163817
Going Beyond Counting First Authors in Author Co-citation Analysis
The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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