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Replication package for: "The Brides of Boko Haram: Economic Shocks, Marriage Practices, and Insurgency in Nigeria"
No full textRexer, Jonah, "The Brides of Boko Haram: Economic Shocks, Marriage Practices, and Insurgency in Nigeria", Economic Journal, forthcoming
Replication data in R format
No full textAdditional replication data in R format for remaining figures produced in R. See readme.txt for a list of these figures
Precinct-level replication datafile in Stata format
No full textPrecinct-level replication datafile in Stata forma
Metro-area (DMA)-level replication datafile in Stata format
No full textReplication data for google trends analysis on metro-area-level data, also known as DMA (designated market area)
Stata and R replication code
No full textReplication code and readme file with replication instructions
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
From Risk to Resilience: Helping People and Firms Adapt in South Asia
Get PDFSouth Asia is the most climate-vulnerable region among emerging market and developing economies. With governments having limited room to act due to fiscal constraints, the burden of climate adaptation will fall primarily on households and firms. Awareness of climate risks is high; more than three-quarters of households and firms expect a weather shock in the next 10 years. Climate adaptation is widespread, with 63 percent of firms and 80 percent of households having taken action. However, most rely on basic, low-cost solutions rather than leveraging advanced technologies and public infrastructure. Market imperfections and income constraints limit access to information, finance, and technologies needed for more effective adaptation. If these obstacles were removed, private sector adaptation could offset about one-third of the potential damage from rising global temperatures on South Asian economies. The policy priority for governments is therefore to facilitate private sector adaptation through a comprehensive policy package. The package includes climate-specific measures such as improving weather information access, promoting resilient technologies and weather insurance, and investing in protective infrastructure in a targeted manner. Equally important are broader developmental initiatives with resilience co-benefits: in other words, policies that generate double dividends. These include strengthening core public goods like transportation, water systems, and healthcare; addressing barriers to accessing markets, inputs, and finance without causing unintended responses that increase vulnerabilities; and supporting vulnerable groups through shock-responsive social protection
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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