1,721,414 research outputs found
Mitchell, Rev. T. Crichton
No full textRev. T. Crichton Mitchell of the Church of the Nazarene (no date).https://place.asburyseminary.edu/holinessphotos/1675/thumbnail.jp
Mitchell, Rev. T. Crichton
No full textRev. T. Crichton Mitchell of the Church of the Nazarene (no date).https://place.asburyseminary.edu/holinessphotos/1676/thumbnail.jp
Letters of concern, condolences, and sympathy from friends and relatives upon the illness and subsequent death of Mr. Fleming on December 20, 1908.
Get PDFCorrespondents include: Rev. T. Whaley. Letters with accompanying envelopes have written answered on them, 1908-12-16 - 1909-02-1
Handkerchief, Signed
No full textWhite handkerchief, w/ 30-33 lines of Japanese characters written around a color drawing of an elongated bell hanging from a post, w/ a wooden building and mountains in the background. The artist's signature in the foreground is ''Rev. T. Tsuyuki May 24, 1942''Drawn and signed by Japanese Americans incarcerated at Santa Fe Internment Camp (Department of Justice
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Letter from W. T. Johnson to Rev. T. H. Brooks
No full textLetter from W. T. Johnson to Rev. T. H. Brooks, thanking him for his appearance at the Vocational Agriculture Teachers\u27 Conference
Unidirectional hybrid composite overload sensors: 21st International Conference on Composite Materials, ICCM 2017
No full textA purpose-designed, thin-ply interlayer glass/carbon hybrid composite overload sensor concept is presented, which can be used for structural health monitoring (SHM) of composite structures, with potential for safer operation in service. It has been demonstrated that the sensors work satisfactorily and the striped pattern in the composite structure gives a visual indication of overload of the substrate. An analytical model developed here allows for these sensors to be tailored to suit different substrate materials and design strains. The sensors - comprising a single layer of Ultra-High Modulus (UHM) carbon/epoxy and S-glass/epoxy material - were characterised by experimental strain measurements, and finite element analysis (FEA) regarding their accuracy and the effect of their stiffness on the utilized substrate
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
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