102,992 research outputs found
Renton Brass Band, probably in Renton, ca. 1888
Handwritten on verso: First Renton Band (ca. 1888), donated by Frank Manifold, Frank's father (1866-1913) 7th from left.
Stamped on verso: Dorsaz & Schwerin, Kenyon Block, Cor. Front and Madison Sts., Seattle, W. T.
Alternate form of photographer name: Dorsaz and Schwerin.
Renton Historical Society has a 35 mm negative of the original print on file
Renton Volunteer Fire Department Chief Joe Wood sitting in their first motorized truck, Renton, 1921
Sitting in the fire truck: Fire Chief Joe Wood, who joined the Renton Volunteer Fire Department in 1903 and served until 1932.
The vehicle was maintained by John Neal; chassis delivered by Clarke Brothers Ford. [Renton Historical Society notes].
The Renton Volunteer Fire Department got its first motorized equipment in 1923. A used Model-T Ford was converted into a fire truck by Oscar and Herman Priebe, owners of the town blacksmith shop, and various other Fire department members. When completed, this formed a combination hose and 40 gallon chemical tank truck with ladders and extinguishers [source of note: Renton. City Government web site. "Fire department: history," last viewed at http://www.ci.renton.wa.us/fire/history.htm].
Location in Renton: Williams Avenue South just north of South Third Street.
Pictured in backgound: First National Bank.
Handwritten on verso: At east side of Williams Street just north of 3rd Avenue.
First motorized equipment 1923 Model T Ford converted into a fire truck by Priebe Blacksmith Shop.
Renton Historical Society has a 35 mm negative of the original print on file
Jack McCrea's Good Year Service Station exterior, Renton, ca. 1918
Corner of 3rd and Williams. Model T Ford. Jack McCrea, owner. William Bevan in photo. Fire station tower, upper right [Renton Historical Society notes].
Location in Renton: intersection of South Third Street and Williams Avenue South.
Signs in image include: Diamond Tires: Black Squeegee Tread -- Red Side Walls.
Renton Furniture Store.
Oils, Grease, Auto Accessories, Steam Vulcanizing.
3rd Ave. East.
Handwritten on verso: Jack McCrea, 2nd tire shop, 3rd Avenue (was later a bank, then a dress shop).
Renton Historical Society has a 35 mm negative of the original print on file
Renton city officials group portrait, Renton, 1938
Notes filed with image: Renton City Officials, 1938. Row 1, Renton Volunteer Fire Department: Art Anderson, John Neal, Heino Fiskali, Ed Cross, Clarence Dullahant (Chief), Ross Sherlock, Ed Burrows, Elman Rouse, Owen Walls, Joe Wood, Roy Avey, Bill Reans, Alden See. Row 2: J. E. McFarland (Police Judge), Frank Harris (Engineer), Pete Dullahant (Street and Water Superintendent), John Dobson (City Attorney), John Duncalf (Councilman), Doug Lewis (Councilman), Ernie Issakson (Councilman), Oatha 'Oats' Cochran (Mayor), Lawrence Plano (Councilman), Floyd Lawrence (Councilman), Steve Tamborini (Councilman), Mike Deacy (Councilman), Agnes Edwards (City Clerk). Row 3: Lee Monahan Jim Williams, John Thompson, Mrs. Rose Oyler, Winifred Daniels (Librarian), Ike Hancock, Domenic Carpini (Police), Dave Reid (Police), Jim Chadwick (Police), C. E. McCarthy (State Police), unidentified state policeman, Angelo Busato (State Police), Fred Illian (Police), Vince Stewart (Police Chief). Row 4: Otis Gilleland, Emmon Beil, Dave Luke, Joe Baxter Sr., Ed Bunstine, T. F. Meehan (City Treasurer), Doug Miller, Steve Minaglia, Billie Williams, unidentified.
Renton Historical Society has a 35 mm negative of the original print on file
In Vitro regulation of odontogenic gene expression in human embryonic tooth cells and SHED cells
The bud-to-cap stage transition during early tooth development is a time when the tooth-inducing potential becomes restricted to the mesenchyme. Several key genes, expressed in the mesenchyme at this stage, are an absolute requirement for the progression of tooth development. These include the transcription factors Msx1 and Pax9. The inductive potential of tooth mesenchyme cells is a key requisite for whole-tooth bioengineering and thus identification of cells that can retain this property following expansion in culture is an important as yet unresolved, goal. We show here that in-vitro culture of embryonic human tooth mesenchyme cells and SHED cells express low levels of PAX9 and MSX1 and that these levels can be significantly upregulated by activation of different signalling pathways. Such in-vitro manipulation may thus offer a simple way of maintaining/restoring/inducing the odontogenic-inducing capacity in mesenchymal cells
Simplifying the assessment of the recovery from surgical injury to the lingual nerve
Objective: to determine the sensitivity of conventional sensory assessment in monitoring lingual nerve recovery subsequent to third molar surgery and to evaluate if the assessment methods can be predictive of injury outcome. Method: a prospective case series of 94 patients presenting with lingual nerve injuries evaluated using objective mechanosensory and subjective methods during the recovery period of up to 12 months. Results: the conventional tests were often unable to diagnose the presence of injury due to variability and they were not predictive of outcome. As a result of this study, we are able to identify patients more likely to have permanent rather than temporary lingual nerve injury at four to eight weeks post injury, using patient reported subjective function. The subjective function test also minimises the requirements for specialist training or equipment providing an ideal method for general dental practice. Conclusions: the development of these simple subjective tests may enable us to identify which patients are at risk of permanent lingual nerve injuries in the early post injury phase, thus allowing expeditious therapy when indicate
Letter, [Author unclear] to Paulina T. Merritt
Handwritten letter to Paulina Merritt from an unknown author, October 1, 1876.
I love my love (1980)
A revival of Fay Weldon's play 'I Love My Love' by Roxaneh Renton and Amy Braidotti of RoAm Productions and directed by Tara Newton-Wordsworth at the Tabard Theatre, London
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