1,720,989 research outputs found
Exploring (un)translatability in pragmatics: Chinese and English forms of address in subtitles
No full textThe alleged universality of classic pragmatic paradigms has long been put into question (cf. Kecskes, Istvan. 2014. Intercultural pragmatics. Oxford: Oxford University Press), especially given its scarce applicability to cultures based on completely different sets of values: crucial components of social interaction such as face and politeness maxims cannot be taken for granted. Against this background, the aim of this paper is to use a comparative perspective to explore the differences in terms of forms of address used in Mandarin and English. First, the analysis will compare Anglo and Chinese pragmatics in the fields that are relevant to the choice of appropriate forms of address. Then, a selection of Chinese and English forms of address from a Chinese TV series available on YouTube will be examined to explain how they are deeply enrooted in the respective cultures and pragmatic systems, to what extent they can be translatable, and what this (un)translatability may entail for an international audience using English translation as their only reference
Shaping Stereotypes in a Space of Absence: A Linguistic Analysis of Wayne Wang’s “Chan Is Missing”
Get PDFWayne Wang’s Chan Is Missing (1981) was acclaimed by the critics and broadly appreciated by the public for its innovative style and its lively depiction of San Francisco’s Chinatown. Academic discourse has focused on the film’s ability to embody the essence of Asian Americans (Tajima 1990), and on the challenges it poses to the common assumptions concerning this specific minority within the United States (Feng 1996). Indeed, the film is a milestone for cinema in general, and for the representation of Asians and Chinese Americans in particular, for it manages to be many different films at the same time.
The aim of this paper is to use Systemic Functional Linguistics and Critical Discourse Analysis to investigate the linguistic image construction of Chan (whose name echoes the notorious Charlie Chan from the beginning of the 20th century) within the film. His identikit is (and at the same time fails to be) the outcome of a chorus of different voices. While the two protagonists, Jo and Steve, look for the missing Chan Hung, they talk to several people who have met him. Each character delivers a fragment of a shapeless portrait that does not help the protagonists finding him, actually causing even more confusion on his location and his identity. Each description has little to do with Chan himself, as it only represents the characters’ confrontation with the stereotypes attached to the Asian and Chinese American community. This attempt to use Chan as an image of what each character wants to detach from in order to define themselves is made possible and at the same time invalidated by his continuous absence, which represents the essence of the stereotype itself—only real in the words of the beholder
Going Beyond Counting First Authors in Author Co-citation Analysis
Get PDFThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Get PDF“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Get PDFWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Get PDFWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
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