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Autopsie nach Ex. der SBBVorlageform des Erscheinungsvermerks: Berlin, bei G. Reimer, 1829.In Fraktu
Rethinking New Media and Mediterranean Publics
published first as (erstmalig folgendermaßen erschienen): Simon Holdermann, Christoph Lange, Michaela Schäuble, Martin Zillinger: “Rethinking New Media and Mediterranean Publics”. In: Zeitschrift für Ethnologie / Journal of Social and Cultural Anthropology 146.1–2 (2021), Special Issue “Rethinking the Mediterranean”, pages 1–10.
Die Zweitveröffentlichung dieses Artikels unter der Lizenz Creative Commons Namensnennung 4.0 International (CC BY 4.0) erfolgte mit freundlicher Genehmigung des Reimer Verlags
Rethinking the Mediterranean: Extending the Anthropological Laboratory Across Nested Mediterranean Zones
published first as (erstmalig folgendermaßen erschienen): Simon Holdermann, Christoph Lange, Michaela Schäuble, Martin Zillinger: “Rethinking the Mediterranean: Extending the Anthropological Laboratory Across Nested Mediterranean Zones”. In: Zeitschrift für Ethnologie / Journal of Social and Cultural Anthropology 145.2 (2020), Special Issue “Rethinking the Mediterranean”, pages 175–196.
Die Zweitveröffentlichung dieses Artikels unter der Lizenz Creative Commons Namensnennung 4.0 International (CC BY 4.0) erfolgte mit freundlicher Genehmigung des Reimer Verlags
Makrobiotik oder die Kunst das menschliche Leben zu verlängern
von Christoph Wilhelm HufelandFrontispiz, XXX, 256 S., Titelblatt, 360 S
Beatrice im Versteck. Zur ästhetischen Produktivität von Bretons Nadja
Stoll A. Beatrice im Versteck. Zur ästhetischen Produktivität von Bretons Nadja. In: Wulf C, Kamper D, eds. Logik und Leidenschaft. Erträge historischer Anthropologie. Reihe historische Anthropologie, Sonderband. Berlin: Reimer; 2002: 794-805
On the cost of delayed currency fixing announcements
In Foreign Exchange Markets vanilla and barrier options are traded frequently. The market standard is a cutoff time of 10:00 a.m. in New York for the strike of vanillas and a knock-out event based on a continuously observed barrier in the inter bank market. However, many clients, particularly from Italy, prefer the cutoff and knock-out event to be based on the fixing published by the European Central Bank on the Reuters Page ECB37. These barrier options are called discretely monitored barrier options. While these options can be priced in several models by various techniques, the ECB source of the fixing causes two problems. First of all, it is not tradable, and secondly it is published with a delay of about 10 - 20 minutes. We examine here the effect of these problems on the hedge of those options and consequently suggest a cost based on the additional uncertainty encountered. --exotic options,currency fixings
Aura Satz in conversation with Christoph Cox, April/May 2017
A conversation between Aura Satz and Christoph Cox, exploring sirens and emergency signals, acoustic ecology, and economies of attention. Aura Satz is a film-maker and sound artist who has performed, exhibited and screened her work nationally and internationally, including at Tate Modern; Oberhausen Short Film Festival (Oberhausen); the Rotterdam Film Festival (Rotterdam); the New York Film Festival (NY); Gallery 44 (Toronto); InterCommunication Centre (Tokyo) and the Sydney Biennale. In 2012, she was shortlisted for the Samsung Art+ Award and the Jarman Award. She teaches at the Royal College of Art, London. She was in conversation with Christoph Cox, a philosopher, critic, and curator who teaches at Hampshire College in Amherst, Massachusetts. He is the author of Sonic Flux: Sound, Art, and Metaphysics (University of Chicago Press, forthcoming) and Nietzsche: Naturalism and Interpretation (University of California Press, 1999), and co-editor of Realism Materialism Art (Sternberg, 2015) and Audio Culture: Readings in Modern Music (Continuum, 2004/Bloomsbury, 2017). Cox is editor-at-large at Cabinet magazine. His writing has appeared in numerous journals including October, Artforum, Journal of the History of Philosophy, Journal of Visual Culture, The Review of Metaphysics. He has curated exhibitions at the Contemporary Arts Museum Houston, The Kitchen, CONTEXT Art Miami and other venues
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