1,721,087 research outputs found

    Going Beyond Counting First Authors in Author Co-citation Analysis

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    The present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed

    Variations on the Author

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    “Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship

    Appropriate Similarity Measures for Author Cocitation Analysis

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    We provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis

    Dispelling the Myths Behind First-author Citation Counts

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    We conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more sophisticated methods

    Author Index

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    Chemical and structural study of modern and ancient elephant ivory

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    L'ivoire d'éléphant est un matériau biologique composé de fibres de collagène (CF) à 30 % massique et de particules d'hydroxyapatite carbonatées et enrichies en Mg à 70 % massique (Mg-carb-HAP). Il présente une structure hiérarchique complexe de la macro à la nano-échelle. La relation entre le motif macroscopique de Schreger observé à la surface des sections transverses des défenses et la micro-morphologie de l'ivoire en 3D (réseau tubulaire et orientations secondaires des CF) a été établie. Les marqueurs chimiques (Ca, P, Mg, Sr) et structuraux (épaisseurs et organisation des particules de Mg-carb-HAP) témoins des processus de formation de l'ivoire ont été déterminés. La diagenèse précoce en milieu marin a ensuite été étudiée par une approche physico-chimique combinant les analyses MEB, PIXE/RBS-EBS et SAXS. Les mécanismes d'altération identifiés sont les adsorptions des ions du milieu extérieur (Cl, Sr, Fe, Cu) à la surface des défenses, les échanges entre les ions exogènes et endogènes de l'ivoire et l'augmentation de la cristallinité des Mg-carb-HAP. Bien qu'immergées dans le même environnement diagénétique, les trois défenses du site des Poulins présentent différents états d'altération. Un bon état de préservation macroscopique ne reflète pas forcément un bon état de conservation de la dentine à l'échelle moléculaire. Finalement, l'ancienne polychromie et la dorure d'origine des ivoires d'Arslan Tash (Syrie, 800 av. J.C.) ont été restituées par des analyses non-invasives par FX en plein champ et PIXE/RBS-EBS. Les couleurs identifiées sont: le bleu et le vert égyptiens (Cu), avec des teintes plus ou moins claires (Pb), le rouge et l'orange (Fe).Elephant ivory is a biological material composed of collagen fibers (CF) at 30 wt. % and Mg-enriched carbonated hydroxyapatite particles at 70 wt. % (Mg-carb-HAP). It has a complex hierarchical structure from macro- down to nano-scale. The relationship between the macroscopic Schreger patterns observed on the surface of transverse sections of tuks and the 3D micro-morphology of ivory (tubular network and CF secondary orientations) has been established. Chemical (Ca, P, Mg, Sr) and structural markers (thickness and organization of particles Mg-carb-HAP) which control the formation of ivory have been determined. Early diagenesis in the marine environment was then studied by means of SEM, PIXE/RBS-EBS and SAXS analyses. Diagenetic mechanisms were identified, as ionic adsorptions from marine environment to the tusk surfaces, ionic substitutions between exogenous and endogenous ivory ions and increased crystallinity of Mg-carb-HAP. Different states of preservation were observed among three tusks coming from the same submarine archaeological site. Good macroscopic preservation states of the surface does not necessarily reflect good preservation states of the dentin at the molecular level. Finally, the former polychromy and gilding of ivories from Arslan Tash (Syria, 800 BC.) have been reconstructed by non-invasive FF-FX and PIXE/RBS-EBS analyses. Egyptian blue and green (Cu) with different shades (Pb), as well as red and orange (Fe) have been identified. The gilding technique consisted of applying a 2 µm thick gold leaf. Over time, these decorations altered ivory surfaces inducing, among others, the formation of Au nanoparticles derived from the weathering of the gold leafs

    Development of new quantitative procedures to better understand pigments and wall taphonomy of prehistoric cave art

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    A travers l’étude par fluorescence X et diffraction de rayons X de trois grottes ornées Paléolithiques en rapport avec les questionnements des archéologues, c’est un travail de recherche physico-chimique autant que méthodologique qui est présenté au lecteur. La complexité analytique qu’il y a derrière l’étude in situ et non-invasive d’un art rupestre, a guidé notre réflexion sur le développement de procédures de traitement quantitatif des données, adaptées au site étudié (nature des pigments analysés, condition de conservation des œuvres). Cette complexité vient du fait qu’une couche picturale, tracée sur un support rocheux, est discontinue et ne recouvre pas uniformément la roche. Elle est de plus généralement peu épaisse. Pour ces raisons, une forte contribution de la paroi se retrouve dans l’information physico-chimique propre au pigment.Trois approches différentes ont ainsi été proposées pour approcher la matière picturale des grottes de Rouffignac et de Font-de-Gaume, situées en Périgord dans le sud-ouest de la France, et de la grotte de La Garma, localisée dans la région Cantabrique dans le nord de l’Espagne. L’une consiste en la semi-quantification d’oxydes discriminant le pigment de la paroi, bouclés à cent pourcent, permettant de s’affranchir de paramètres propres aux conditions expériences ; une deuxième est une semi-quantification par rapport à l’élément calcium, de sorte que la contribution de la paroi à travers la couche picturale reste la même d’un point de mesure à l’autre ; la dernière adopte une approche par simulation Monte Carlo afin de séparer clairement les informations de la paroi de celles du pigment. L’application de ces approches quantitatives a permis d’enrichir la connaissance stylistique que les archéologues en avaient, en apportant une vision physico-chimique à l’organisation des œuvres au sein de la grotte et des relations qu’elles entretiennent les unes avec les autres. Ce travail s’ouvre également au milieu karstique lui-même en intégrant à l’étude de l’art pariétal, un travail sur la genèse des faciès des parois. Le but étant d’acquérir le recul nécessaire pour mieux évaluer les interactions entre support et œuvres, et l’évolution des supports ornés, resituées dans leur contexte karstique général.The present study is a physicochemical research as well as a methodological work, carried out through the study of three Palaeolithic caves by X-ray fluorescence and X-ray diffraction. The analytical complexity behind in situ and non-invasive study of rock art, has guided our reflexion about the development of quantitative procedures of data processing, in order to adjust them appropriately to the specificity of the site and its rock art (specific constitution of the analysed pigment and conservation condition of the ornamented wall). This complexity is due to the fact that pigment layers don’t cover uniformly the rock surface. Also, the layers are generally very thin. For this reason, in the pigment signal, the proportion of the physicochemical information specific to the substrate is very high.Three approaches have been tested in the caves of Rouffignac, Font-de-Gaume and La Garma to characterise their Palaeolithic rock art. The two first are located in the Périgord region in the south-west of France, the last one in the Cantabrian region of Spain. One is related to the semi-quantification of oxides which discriminate the pigment from the substrate, allowing to not taking account experimental condition parameters; the second is a semi-quantification related to Ca, in order that the contribution in the concentration of the substrate detected through the paint layer remains the same for each measurement point; the last one is based on a Monte Carlo simulations method to separate distinctly the pigment information to those from the wall. These quantitative approaches enhanced the stylistic knowledge of archaeologists, bringing new physicochemical insights into the organisation of the representations and their relationship with the others inside the cave. Also, this work is concerned by the karstic environment; incorporating a research on wall taphonomy to the pigment study. The aim is to access to a better appreciation of the pigment-wall interactions and their evolution during time, given their global environmental context

    koamabayili/VECTRON-author-checklist: VECTRON author checklist

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    We have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
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