7,276 research outputs found
Learning and Teaching at Reed. By Chris Lowe '82.
No full texthttps://rdc.reed.edu/v1/resources/28cc2e35-6d69-4411-8d9d-22f9b21612ab/thumb/128.jpgArticle by a Reed faculty member who also graduated from Reed and his path back to Reed
Making Laws for Cyberspace. Chris Reed.
Full text linkChris Reed. Making Laws for Cyberspace, Oxford: Oxford Press, 2012, ISBN: 978-0-19-965761-2, 249 pages, Reprinted 2013
Financial aid at Reed. By Chris Lydgate '90
No full texthttps://rdc.reed.edu/v1/resources/701fd255-d49c-4069-9a69-34a21cc20fa2/thumb/128.jpgArticle about how Reed deals with financial aid, the endowment, and today's economy, inspired by the article about these issues at Reed in the New York Times on June 10, 2009
Reed College wall calendar 2004
No full texthttps://rdc.reed.edu/v1/resources/37a18d51-a948-4510-a39a-877777da2cb9/thumb/128.jpgThe 2004 Reed wall calendar features "Thesis 2004" by focusing on 14 seniors and their thesis work, including Alice Hill, Daniel Lichterman, Chris Hubbard, Jennifer Fang, Kevin Kilpatrick, Paul Piff, Laura Shaffer, Steven Bridges, Lincoln Taggart, Kate Platt-Eckert, Mitchell Tribbett, Heather Van Zee, Hans Wetzel, and Robin Gold, all class of 2004
Bedrock Grinding Basin and Mortar at Hueco Tanks State Park and Historic Site
No full textIn Bedrock And Boulder Mortars, Basins, Slicks, And Cupules In The Southern Southwest by Allen Dart and Chris Reed in Volume 2020 https://doi.org/10.21112/ita.2020.1.15https://scholarworks.sfasu.edu/ita_images/1023/thumbnail.jp
Too Much Information piece commenting on the local media scene. Author Chris B
No full textToo Much Information piece commenting on the local media scene. Author Chris Barry analyzes WGME-13\u27s inclusion of promotions for network entertainment in its news broadcasts; discusses the bi-weekly interviews of former governor Angus King on National Public Radio\u27s Marketplace; and praises Ed King\u27s West End News for its high quality
Manzanar camp map, "Manzanar, a photograph essay"
No full textA map of "Manzanar Relocation Center" reproduced from "Manzanar pilgrimage program" by hand by Chris S. Uyemura. The caption reads, "General plan of the W.R.A. Camp at Manzanar, California. Chris Uyemura Collection." A page from: Manzanar, a photograph essay (csudh_uye_0001).The Chris S. Uyemura Manzanar Photograph Collection consists of a pictorial essay, “Manzanar, a photographic essay,” and additional loose photos, which were compiled and collected by Chris S. Uyemura. The essay contains photographs, texts, and newspaper clippings, and was submitted to Professor Donald T. Hata of the Department of History at CSU Dominguez Hills. The collection depicts the incarceration of people of Japanese ancestry in the Manzanar camp during World War II as well as reflects the events, contrasting with photographs of the Manznar National Historic Site, which illustrates what is left of the camp today. The collection was originally named as “Asian Pacific Studies Collection Box 14.
John and Chris Crutcher Folder
No full text2 pages of family history documents containing and related to John Crutcher; Chris Crutcher - including: News articles; Valley clerk; Author; obi
Body, Space Place in Collective and Collaborative Drawing:In conversation with Eva Karczag & Chris Crickmay
No full textIn December 2017, I co-convened Drawing Conversations 2: Body, Space, Place with colleagues within the Faculty of Arts and Humanities at Coventry University. This event included a presentation by artist Chris Crickmay with a later exhibition of his paintings titled: Reliving the Moment, shown at the Lanchester Gallery, Coventry University (14th February – 9th March 2018). Related to this exhibition, and other work as a visual artist, Crickmay led a number of events including a one-day workshop exploring movement, drawing and place and a research seminar based on Reliving the Moment and his long term working partnership with independent dance artist Eva Karczag. The seminar included Karczag in a virtual presence through skype connection. In reliving these moments with the audience, and alongside Eva Karczag, a fascinating conversation began to take place but, with limited time available, was frustratingly cut short. It was this event which has led me to explore further the chemistry of this long term working partnership and how Karczag and Crickmay’s working together has influenced their practices, both as individuals and as collaborators. Therefore, this chapter comprises the transcription of a semi-structured interview with Eva Karczag and Chris Crickmay, conducted face to face in Arnhem, Holland, where Karczag lives and where both have worked together over many years. In the exploration of their artistic practices I uses a phenomenological and ethnographical approach allowing for a fully informed and rich conversation to take place and to be documented and shared with others. This documentation will precede Chapter 2 where Crickmay and Karczag discuss their collaborative practice and specifically how drawing has become a way of re-visiting their performances.<br/
Intimacy Unguarded: Chris Kraus
No full textThe Central Saint Martins research project 'Intimacy Unguarded', run by Emma Talbot and Dr Jo Morra, hosted a visit to Central Saint Martins by United States author Chris Kraus. Kraus is a highly respected writer (I Love Dick, Summer of Hate, Aliens and Anorexia etc) and editor of the semi-texte series 'Native Agents'. In this event, Kraus gave a reading from 'I Love Dick' and was then interviewed by Emma Talbot, to a live public audience.
'Intimacy Unguarded' also ran a seminar called 'Write A Letter To Chris Kraus'. Mirroring the format for the celebrated book 'I Love Dick', in which Kraus uses the letter as a way of addressing a particular figure (with whom she is obsessed) whilst simultaneously unpacking her own personal thoughts and research, participants were invited to 'Write a Letter To Chris Kraus'.
Chris Kraus was present at the seminar, where letters were read aloud and Kraus was the first respondent. Those taking part were from Raven Row, CSM BAFA, MAFA and Afterall. An excerpt from Kraus's book and a selection of the letters will be published in the June 2017n issue of Journal of Visual Art Practice, to be guest-edited by Talbot and Morra
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