1,723,199 research outputs found
EXIT
Full text linkFacultat de Belles Arts, Universitat de Barcelona. Assignatura: Secció Processos Artístics i Edició, Curs: 2021-2022, Tutor: Figueras Ferrer, Eva, Redondo i Arolas, Mar. EXIT és una prova única estampada al Taller de Gravat de la Facultat de Belles Arts, sobre paper Michel 250 gr/m2 el juny del 2021, amb el suport tecnic de Gerard Espí i David Curto.[cat] EXIT és un Llibre Art fet per Jessica Álvarez, Samuel Álvarez, Mariona Armengol, Eugenia García, Guillem Herrera i Josep Herrera, amb la col·laboració de joves del Centre Educatiu de Justícia Juvenil Els Til·lers
EXIT
No full textFacultat de Belles Arts, Universitat de Barcelona. Assignatura: Secció Processos Artístics i Edició, Curs: 2021-2022, Tutor: Figueras Ferrer, Eva, Redondo i Arolas, Mar. EXIT és una prova única estampada al Taller de Gravat de la Facultat de Belles Arts, sobre paper Michel 250 gr/m2 el juny del 2021, amb el suport tecnic de Gerard Espí i David Curto.[cat] EXIT és un Llibre Art fet per Jessica Álvarez, Samuel Álvarez, Mariona Armengol, Eugenia García, Guillem Herrera i Josep Herrera, amb la col·laboració de joves del Centre Educatiu de Justícia Juvenil Els Til·lers
Recortar, modificar, definir
Full text linkMaster de Producció i Recerca Artística, Facultat de Belles Arts, Universitat de Barcelona. Curs: 2021-2022. Tutor: Redondo i Arolas, Mar[spa] Recortar, modificar, definir. Representaciones somáticas del género es un proyecto de creación artística a través de la investigación teórica que propone repensar la forma en que la sociedad contemporánea se presenta y representa en Internet y las redes sociales. La actual producción de imágenes y los medios implicados parecen tener una relevancia real en la constitución de la subjetividad humana, en concreto en la construcción del género.[eng] Trim, modify, define. Somatic representations of gender is an artistic creation project through theoretical research that proposes the way contemporary society is introduced and portrayed on the Internet and social media. The current production of images and the media involved seem to have a real relevance in the constitution of human subjectivity, specially in gender construction
Recortar, modificar, definir
No full textMaster de Producció i Recerca Artística, Facultat de Belles Arts, Universitat de Barcelona. Curs: 2021-2022. Tutor: Redondo i Arolas, Mar[spa] Recortar, modificar, definir. Representaciones somáticas del género es un proyecto de creación artística a través de la investigación teórica que propone repensar la forma en que la sociedad contemporánea se presenta y representa en Internet y las redes sociales. La actual producción de imágenes y los medios implicados parecen tener una relevancia real en la constitución de la subjetividad humana, en concreto en la construcción del género.[eng] Trim, modify, define. Somatic representations of gender is an artistic creation project through theoretical research that proposes the way contemporary society is introduced and portrayed on the Internet and social media. The current production of images and the media involved seem to have a real relevance in the constitution of human subjectivity, specially in gender construction
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
L'art com a passaport
No full textMaster de Producció i Recerca Artística, Facultat de Belles Arts, Universitat de Barcelona, curs: 2018-2019, Tutor: Redondo i Arolas, Mar[cat] «Travessar una presó. L’art com a passaport» és una investigació que estableix un marc de reflexió sobre l’accés a l’art i les restriccions en la provisió de l’art al centre penitenciari.
El mètode ha combinat tres anàlisis. La primera ha consistit en un estudi de tres antecedents a la presó de Wad Ras que corresponen a tres perfils diferents d’artista: el que s’introdueix al centre penitenciari per realitzar una obra, el que treballa habitualment des de l’interior carcerari i el que utilitza l’espai de creació entre intramurs i extramurs. Una segona fase ha consistit a desenvolupar, des de la pròpia experiència, un procés artístic cocreatiu amb una dona en la seva primera etapa de reclusió. L’última fase ha constatat de forma qualitativa, i amb el suport de la bibliografia, els eixos principals d’interès dels agents que es vinculen a l’art i la presó
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
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