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Becoming Great Lakes Theater: R(E)volutionary Shakespeare R(E)volutionizing American Theater
No full textThis dissertation speaks to and illuminates the process of the theatrical work in development, in rehearsal, and in performance done by the professional theatre company of Great Lakes Shakespeare Festival and its growth over the past six decades into Great Lakes Theater.
Located on the American north coast community of Cleveland, Ohio its journey includes interconnections through its series of artistic directors to the northeast’s tristate area, particularly Pennsylvania, New Jersey and New York, including associations with Carnegie Mellon University, Princeton University and McCarter Theatre, The Public Theater, New York, and internationally with The Globe Theatre, Stratford Upon Avon,The Royal Shakespeare Company in London, and The Abbey Theatre in Ireland.
Through the primary lens of an ensemble framework, emerging from highly innovative rehearsal work, performances, and educational programs and outreach with “Shakespeare” and “classic theatre” as a through line and catalyst for inspiring the development of modern drama and performance, transcending boundaries of how they should be defined, new visions are manifested theatrically. What is studied and uncovered reveals a process of dynamic discovery and choice making in drama, in theatre arts, and in both professional and educational performance.
Through a critical analysis and discussion of the four preliminary major artistic directors and their work with the Great Lakes Theater, leading into the 21st century, this inquiry also aims to identify some of the innovative best practices that become so intrinsic to effective and transformative ways of understanding and knowing dramatically, and that lead the art forms of theatre, performance, and education forward in vital and responsive ways to the society they serve.
A key component to what has been discovered in this part of the research process was the further revelation of the correlation between McCarter Theatre's beginnings at Princeton and its direct connection with the Great Lakes Shakespeare Festival's beginning and development. Its provenance began with Arthur Lithgow, who was the first artistic director for both theatres (with the Great Lakes preceding his work with McCarter) where each would eventually share the production work of the Great Lakes Shakespeare Festival ensemble that would go to McCarter for limited runs, becoming their primary company, as well, for some shared seasons.
Thereafter, the creative work of the Great Lakes Theater’s subsequent artistic directors and the theatre's history illustrate the further developments of linking it to other outstanding theatres, theatre companies, and educational theatre programs: including in neighboring Pennsylvania, through the work of Artistic Director Lawrence Carra, and extending into the tristate area of New York, New Jersey, and Connecticut, and with its affiliate, Cain Park Theatre, in Cleveland, Ohio, and in a unique way, to the Globe Theatre, London through the Great Lakes artistic director, Gerald Freedman, and to the Abbey Theatre, Ireland, and the Royal Shakespeare Company, England through the Great Lakes artistic director, Vincent Dowling.
Through the Great Lakes Theater's innovations in theatrical performance, drama, dramaturgy, and educational programs, and incorporating the groundbreaking work of its artistic directors and guest artists, its unique totality as a theater has impacted in its own microcosmic way, the larger American theatrical landscape in some profound macrocosmic ways: especially in terms of how Shakespeare and what may be considered classic theatre may become a catalyst for inspiring and creating revolutionary ideas and new works in contemporary theatre, in performance, and in education, for a new day.
Situated on the shores of Lake Erie in Cleveland, Ohio, in a much larger way, Great Lakes Theater is situated in spirit at the heart of the American Theatre, shaping its future in profound ways, yet to be imagined, and thereafter, to be realized…
Going Beyond Counting First Authors in Author Co-citation Analysis
Full text linkThe present study examines one of the fundamental aspects of author co-citation analysis (ACA) - the way co-citation
counts are defined. Co-citation counting provides the data on which all subsequent statistical analyses and mappings
are based, and we compare ACA results based on two different types of co-citation counting - the traditional type that
only counts the first one among a cited work's authors on the one hand and a non-traditional type that takes into
account the first 5 authors of a cited work on the other hand. Results indicate that the picture produced through this non-traditional author co-citation counting contains more coherent author groups and is therefore considerably clearer. However, this picture represents fewer specialties in the research field being studied than that produced through the traditional first-author co-citation counting when the same number of top-ranked authors is selected and analyzed. Reasons for these effects are discussed
Variations on the Author
Full text link“Variations on the Author” discusses two of Eduardo Coutinho’s recent films (Um Dia na Vida, from 2010, and Últimas Conversas, posthumously released in 2015) and their contribution to the general question of documentary authorship. The director’s filmography is characterized by a consistent yet self-effacing form of authorial self-inscription: Coutinho often features as an interviewer that rather than express opinions propels discourses; an interviewer that is good at listening. This mode of self-inscription characterizes him as an author who is not expressive but who is nonetheless markedly present on the screen. In Um Dia na Vida, however, Coutinho is completely absent form the image, while Últimas Conversas, on the contrary, includes a confessional prologue that moves the director from the margins to the center of his films. This article examines the ways in which these works stand out in the filmography of a director who offers new insights into the notion of cinematic authorship
Appropriate Similarity Measures for Author Cocitation Analysis
Full text linkWe provide a number of new insights into the methodological discussion about author cocitation analysis. We first argue that the use of the Pearson correlation for measuring the similarity between authors’ cocitation profiles is not very satisfactory. We then discuss what kind of similarity measures may be used as an alternative to the Pearson correlation. We consider three similarity measures in particular. One is the well-known cosine. The other two similarity measures have not been used before in the bibliometric literature. Finally, we show by means of an example that our findings have a high practical relevance.information science;Pearson correlation;cosine;similarity measure;author cocitation analysis
Dispelling the Myths Behind First-author Citation Counts
Full text linkWe conducted a full-scale evaluative citation analysis study of scholars in the XML research field to explore just how different from each other author rankings resulting from different citation counting methods actually are, and to demonstrate the capability of emerging data and tools on the Web in supporting more realistic citation counting methods. Our results contest some common arguments for the continued
use of first-author citation counts in the evaluation of scholars, such as high correlations between author rankings by first-author citation counts and other citation
counting methods, and high costs of using more realistic citation counting methods that are not well-supported by the ISI databases. It is argued that increasingly available digital full text research papers make it possible for citation analysis studies to go beyond what the ISI databases have directly supported and to employ more
sophisticated methods
koamabayili/VECTRON-author-checklist: VECTRON author checklist
No full textWe have done our best to complete the author checklist relating to the use of animals in the hut study. Note that the objective for the hut study was to evaluate the IRS treatment applications for residual efficacy against Anopheles mosquitoes, including the local An. coluzzii mosquito population. Cows were only used to attract mosquitoes into the huts and no tests were carried out directly on the cows. The author checklist is intended for use with studies where experiments are carried out on animals, which is why we have had such difficulty in completing this for the hut study, as many of the questions do not relate to how the cows were used
Author-wise bibliometric analysis based on entropy.
No full textAuthor-wise bibliometric analysis based on entropy.</p
Author Under Sail The Imagination of Jack London, 1893-1902
No full textIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Intro -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- 1. Spirit Truth -- 2. From Absorption to Theatricality and Back Again -- 3. "I Will Build a New Present" -- 4. Sons as Authors -- 5. Fathers as Publishers -- 6. The Daughter as Author -- 7. Lovers as Authors -- 8. At Sea with the Family -- 9. Yellow News, Yellow Stories -- 10. The Return Home -- Notes -- Bibliography -- Index -- About Jay WilliamsIn Author Under Sail, Jay Williams offers the first complete literary biography of Jack London as a professional writer engaged in the labor of writing. It examines the authorial imagination in London's work, the use of imagination in both his fiction and nonfiction, and the ways he defined imagination in the creative process in his business dealings with his publishers, editors, and agents. In this first volume of a two-volume biography, Williams traverses the years 1893 to 1902, from London's "Story of a Typhoon" to The People of the Abyss. The Jack London who emerges in the pages of Author Under Sail is a writer whose partnership with publishers, most notably his productive alliance with George Brett of Macmillan, was one of the most formative in American literary history. London pioneered many author models during the heyday of realism and naturalism, blurring the boundaries of these popular genres by focusing on absorption and theatricality and the representation of the seen and unseen. London created an impassioned, sincere, and extremely personal realism unlike that of other American writers of the time. Author Under Sail is a literary tour de force that reveals the full range of London as writer, creative citizen, and entrepreneur at the same time it sheds light on the maverick side of machine-age literature.Description based on publisher supplied metadata and other sources.Electronic reproduction. Ann Arbor, Michigan : ProQuest Ebook Central, YYYY. Available via World Wide Web. Access may be limited to ProQuest Ebook Central affiliated libraries
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